爱(🧒)沙尼(🐾)亚中年(nián )女人安(ā(🎏)n )妮(⛴)离开(🧡)(kāi )家乡，来到巴黎(lí(🆗) )当看(kà(🀄)n )护工。她的职(zhí )责是(👏)照看弗(👱)里达(🏖)(dá )，一(yī )个很久(jiǔ )前从(👩)爱(à(🛋)i )沙尼亚移居法国(guó )的(🗝)难(ná(🏓)n )缠老女(nǚ )人。弗(fú )里达(🎐)不希(🐔)望安妮(nī )照料她的衣(👓)(yī )食(🉑)住行(háng )，她只想重归小(🐩)情人(🎧)史蒂芬(fēn )的怀抱(bào )。然(🐙)而史(🚀)蒂芬却不顾弗里达(dá(🍜) )反对(🥝)，认为由安妮照料弗(👼)里(😩)达是(👨)最(zuì )好的选(xuǎn )择。身(🤸)处(🏷)异国(✨)他乡，夹(jiá )在一(yī )对(🏰)爱人(ré(😛)n )中间的(de )安妮能找到(🐐)自己(jǐ(😈) )的道(dào )路吗……
珍(🍼)妮(nī )和(🛴)几个(🦅)朋友到得(dé )克萨(sà )斯(🍼)州的(🤳)(de )一条沼(zhǎo )泽小河游玩(🛤),但他(📔)(tā )们的(de )假期很(hěn )快就(🔇)变(bià(🌀)n )成致命的.....
Evie's co-workers at the uniform shirt factory, and her almost-fiancée's inability to kiss, inspire her to slip a letter into a size sixteen-and-a-half shirt for some anonymous soldier. It's received by "Wolf" Larson, who immediately throws it away, but his sensitive, dreaming--and short--buddy John McPherson snags it, and begins a correspondence with Evie, pretending to be Wolf. But things get complicated when Evie wants to meet her tall, handsome soldier. And even more complicated when Wolf sees Evie and likes what he sees.
一个(gè )压(⏪)力重(🎶)重的(de )保险公(gōng )司经理(🐢)日日(🔘)奔波于紧张的生(shēng )活(🤝)中，但(🐠)是他发现，对他来说自(🕕)由(yó(😍)u )是那么(me )的遥不可及(🗝)。
A penniless socialite is hired by two young men as a front in their plan to start a magazine. Soon, however, they find themselves more interested in her than in their publishing venture.
The Last Desperate Hours benefits immensely from two great leading performances; chiefly Antonio Sabato in the lead role. Sabato fits his character like a glove and comes across excellently as the detestable sleazebag at the centre of the film. He gets great backup from Pier Paolo Capponi as the lead cop on the case. The atmosphere created by Giorgio Stegani is just great and he manages to create an impression of Milan that is as downtrodden and corrupt as the lead character. The film features the Spaghetti style that most genre fans will appreciate - the score by Gianni Marchetti is truly memorable. The plot flows quickly throughout and none of the ninety minute running time is wasted. The director ensures that we always know the central figure is on a deadline and he keeps things interesting by keeping up the cat and mouse game between cop and criminal, as well as implementing a good few murder scenes - one involving a medical saw is a particular highlight! It all boils down to a surprising, yet fitting ending and overall this crime flick is one of the best Eurocrime entries that I've seen and is well worth the trouble of tracking down!
6 March 2004 (Season 29, Episode 14)