AKind of like DANCER IN THE DARK if we learned that—credits twist!—(💑)Bjork, not Von Trier, was actually directing herself the whole time. Supposed sadism becomes fascinating self-interrogation.
A中途(📦)睡了半个钟头,最后二(🔆)十分钟(❄)看了。女(🤙)主圣母(🐪)婊。
A8/10。节奏掌(🙏)控堪称一流(🕚),一系列设计(🥠)过的镜头组(🔒)成叙事,高速(🐲)公路上扒车(⏹)跟踪时一把(🎴)枪掉落、一(🍭)双后车镜、(⬅)踩空的脚,都(🏑)可以诱导观(💖)众担心。孤立(🎱)无援的主角(🧀)从罪犯上演(📕)诱骗语言时(🛢)的恐慌,提赎(😛)金时想求助(❣)又怕被监视(🦏)的疑神疑鬼(🌛),到奋力救妻(🌤)的行动改变(🏗)情绪是悬念(😞)刻画的重点(🐼)。卡车追杀轿(🔕)车高潮致敬(⬜)斯匹堡[决斗(🏓)]。