七(qī )年前唐大兴（孙(sūn )红雷 饰）因故意(yì )伤害罪入(💖)狱服刑(xíng )，如(rú )今刑满释放(fàng )，回(huí )到北京的他(tā )对城(chéng )市的变化之(zhī )大感(gǎn )惊讶，就连女友(yǒu )小慧（宁静 饰）迎接他的方式都(dōu )让他惶惑。回家(jiā )后先须到当地派出所报道，陆麒(qí )麟（赵宝刚 饰）所长(zhǎng )要(🔱)求他每周(zhōu )来一(yī )次所里“交(jiāo )流思(sī )想”。但接下来(lái )大兴遇到了更大(dà )的困难：找工作(🚒)(zuò )。如今连大学生(shēng )就业都成问题，更何(hé )况他一个劳(láo )改释(shì )放犯。在一(yī )次同(tóng )学聚会上，小慧(huì )碰上了暴发户刘(liú )毅，他早对美貌(mào )的小慧有意思，聚会只是借口罢(bà )了。正当大兴为(wéi )找工作挠头时，过去(qù(😋) )的哥们胖子(zǐ )带着(zhe )朋友大头主(zhǔ )动找(zhǎo )到他，协商(shāng )抢劫(jié )处处烧包的刘毅(yì )，当他得知(♌)刘毅(yì )对小慧别有用心(xīn )后，断然决定参(cān )与抢劫......
Phillip and Dieter nearly suffocate hiding their sexual identity in the face of puritanical small town values. Joined by a mysterious German relative, the three misfits escape to the big city searching for a place to belong.
The world of a young housewife is turned upside down when she has an affair with a free-spirited engineer.
路小星（杨幂(mì ) 饰）是一位(wèi )初出(chū )茅庐的见习(xí )女警(jǐng )，她的弟弟(dì )死于(yú )一场意外，而作(zuò )为见证人的路小(xiǎo )星则双目失明。尽管失去了视觉(jiào )，但路小(🔩)星的其(qí )他感官却因此而(ér )意外(wài )的活跃起来(lái )，即(jí )便生活在黑(hēi )暗之(zhī )中，路小星(xī(😄)ng )却依(yī )旧能够敏感的感(gǎn )受到周遭的一举(jǔ )一动。
影片《火(huǒ )火》根据真实故(gù )事改编而成。女(nǚ )陶艺(yì )家清子不幸(xìng )有一(yī )个身患白血(xuè )病的(de )儿子，在为(wéi )儿子(zǐ )治疗的过程中，她毅然发起了建(jiàn )立骨髓库的(🌲)活动(dòng )，她如火焰一般(bān )的生命姿态为更(gèng )多陷入绝望中的(de )人们(men )提供了生活(huó )的勇(yǒng )气(🎒)和希望。片中(zhōng )的母亲一角(jiǎo )由田(tián )中裕子扮演，而(ér )出演儿子的窪塚(zhǒng )俊介则是作为新(xīn )人推出的窪塚洋(yáng )介的弟弟。另外(wài )还有(yǒu )清纯玉女池(chí )胁千(qiān )鹤以及诸多(duō )实力(lì )影星的加盟(méng )。梅(méi )林茂担任(⏺)本片的(de )音乐创作。
Gloriously self-aggrandizing moviemaker Tom Palazzolo made an awesome feature debut with Caligari’s Cure. If you know your Cabinet of Dr. Caligari, you’ll remember that the orgasm of the 1919 German movie revealed that the ostensive villain had been really a psychiatrist, and the moderate hero a certified looney. Palazzolo uses generous chunks of Caligari, evaluating the expressionistic opposites of the previous film’s director Robert Wiene with contemporary artistic developments. It’s a fairly obvious stylistic workout, but it’s simply because entertaining as Palazzolo’s hallucinatory quick topics. Caligari’s Cure would make a felicitous double feature with the 1988 shorts set Palazzolo’s Chicago.