恋爱中的女人下载

The film is best known today for Scorsese’s claims that it was his inspiration for New York, New York, but it’(🧞)s not the plot that found its way into his film. It’(🦇)s the shadowy culture of working class folks tangled in the post-war culture of seductive night life, of dive bars and the itinerate musicians and singers and underworld types who frequent them, and in the tough attitude that Walsh and Lupino bring to the film. They made a great pair and she is the perfect Walsh heroine: tough, smart, experienced, and still something of a romantic at heart. This is one of the great “women’s pictures” of the era, never showy but always simmering with complicated relationships, frustrated desires and unfulfilled affections that are more authentic and conflicted than most Hollywood pictures 本片(🐑)取自狄德(dé )罗(luó )小说中(🚭)的一个(🌕)片(🥞)断(duàn )，讲(📟)一个上流社会女子(zǐ )被(👮)情(qíng )人(🎖)抛(🖐)弃后，想(🚜)出(chū )一招(zhāo )：她鼓励对方跟(gē(🥐)n )一(👷)名(míng )有(🎮)卖淫背景的女(nǚ )子结(jié )合，先实(😎)行(📪)广泛的(🛄)保(bǎo )密(mì )工作，事成后再把(bǎ )这(zhè(🍁) )则天塌(🏎)地(🦆)裂的消息公(gōng )诸于众。 Synopsis When a nagging wife commits suicide, her husband is threatened with a murder frame by his lawyer, unless he kills a certain female reporter for him. 乔(🍐)治·哈(🆓)维(wéi )·(🥞)博(🗒)(bó )恩（拉尔德·克(kè )雷(🍞)加(jiā ) 饰(🈺)）是位(🐜)出(🥥)色的(de )英(📢)国(guó )作曲家，由于长(zhǎng )时(🔝)间(jiān )的(📨)工(♐)作压力(⚽)，他经常(cháng )会(huì )进入一种(🐇)奇怪的(👙)失(⏺)(shī )神(shé(😔)n )状态，一旦听到不和(hé )谐的(de )噪音(🍀)就(👵)会失去(😣)意(yì )识，无法控制自己的(de )所作(zuò(🕹) )所(🦅)为，等重(📫)新恢(huī )复意(yì )识后则会忘记自己(📤)在(zài )失(🔰)(shī(💥) )神状态下做过什么(me )。有一(🕹)次，他失(🍦)去了整(😉)(zhě(⌚)ng )整一天的记忆，某些(xiē )迹(🔂)象(xiàng )令(🔨)他怀疑(🕒)自(🛬)己在(zà(🔭)i )失神(shén )状态下杀了人，于(🏈)是(shì )他(🌌)去(💱)警察厅(🏻)向医(yī )生艾(ài )伦·米德(🖌)尔顿（(🥄)乔(🎅)治(zhì )·(🙈)桑德斯 饰）进行咨(zī )询(xún )，医生(📩)并(👁)没有发(🍂)现可(kě )以证(zhèng )明他杀人的证据(🛢)(jù(🐰) )，同(tóng )时(🐰)劝他平日放轻(qīng )松，不要一直沉浸(💠)在(zài )音(👞)乐(🌄)(lè )的世界里，多享受一(yī(🏠) )些(xiē )平(🚀)常人的(🧤)娱(🆘)乐活动(dòng )。他听从医生的(📬)建议，到(🍃)一个小(⏲)酒(🍯)馆去听歌(gē )女内(nèi )特·朗顿（(🏦)琳达(dá(🦖) )·(🛃)达(dá )内(👍)尔 饰）唱歌。内特(tè )是个(🕉)拥有狼(🕠)子(🕜)野(yě )心(🍠)的(de )女歌手，一心想要出(chū )人(rén )头(🔶)地(💼)，知道乔(🍑)治是(shì )作(zuò )曲家后，开始不断利(🛫)(lì(💑) )用他(tā(📊) )为自己作曲，乔(qiáo )治在(zài )这过程中(🦉)越陷越(🔭)(yuè )深，最终向内特求婚(hūn )，不(😊)(bú )料却(🌯)发现内(🕰)特(➰)早已答(dá )应(yīng )了别人的(💒)求婚。愤(❌)(fèn )怒(nù(🔧) )不(🤷)已的乔治回到家中(zhōng )后，无意间(🎫)受到一(🌉)阵(⚫)(zhèn )小提(✈)(tí )琴噪音的刺激，陷入(rù(🚬) )失神状(🎛)态(🚈)的他拿(🍛)(ná )起杀(shā )人工具，开始渐渐向(xià(📜)ng )内(💓)特家走(👨)去。 In this mystery, a private detective is falsely accused of murder by his secretary who wants to protect her little sister who has been formally charged with the crime. The detective must solve the crime before it is too late. To do so, he gathers all the suspects at a radio studio and reenacts the crime. The killer is revealed. This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932). 太平洋(yáng )战(zhàn )争爆发前，青年(㊗)沈(🔊)(shěn )亚(yà(🛐) )伦在一次舞会上认识(shí )了一(yī )个(🐧)带着面(🎩)具的神(shén )秘少(shǎo )妇，沈亚伦(🚋)深深(shē(🙈)n )地被(bè(😫)i )少(⛴)妇所吸引，不(bú )久他(tā )就(📒)收到了(🧖)神秘少(⏲)妇(🌷)邀(yāo )请(qǐng )他赴约的信，沈亚(yà )伦(⬅)(lún )与依(🤽)旧(😉)带着面(🔈)具的少(shǎo )妇共度了一个(📺)甜蜜的(☝)(de )夜(👮)晚(wǎn )，从(😇)此少妇就消(xiāo )失无(wú )影了。 　　(🥫)三(📁)个(gè )月(💼)后(hòu )，沈亚伦从少妇的来(lái )信中(🎃)知(🖖)道了她(🍃)原来在(zài )十(shí )几岁时被迫嫁给了(🐗)(le )一(yī )个(🏤)老年富翁，不久前(qián )丈夫(fū(👢) )去世了(🌻)，她只想(⭐)(xiǎ(🍄)ng )得到(dào )一个自己的孩子(🦂)(zǐ )，便(bià(🍆)n )有了于(🚯)沈(🛁)亚伦的(de )那次(cì )约会。 　　几个月(🐜)后(hòu )，少(🍜)妇(🎸)告知沈(🕧)亚伦自(zì )己(jǐ )生下了一(💱)个男孩(♋)。 本(🈳)(běn )片取(🥫)自狄德罗小说中(zhōng )的一(yī )个片(🔈)断(🐤)，讲一个(➖)(gè )上流(liú )社会女子被情人(rén )抛(🚹)弃(🕤)(qì )后，想(🌂)出一招：她鼓(gǔ )励对方跟一名有(📟)卖淫(yí(🤲)n )背(bèi )景的女子结合，先(xiān )实(shí )行广(🛣)泛的保(🐸)密(🔴)工作，事成(chéng )后再把这则(🚋)天塌(tā(📪) )地裂(liè(🛂) )的(🚤)消息公诸于众(zhòng )。 Ditte (Tove Maës), born illegitimately, is deserted as a young girl by her alcoholic mother Sørine (Karen Lykkehus). She moves in with her grandparents Maren (Karen Poulsen) and Søren Mand (Rasmus Ottesen). But after Søren dies, it is Ditte who becomes the old woman's only support. It is the small girl's deepest sorrow that she has no father, so she is pleased when she hears that Lars Peter (Edwin Tiemroth) will marry her mother and they will all live together. However, it is Ditte who becomes like a mother to Lars Peter's three small children. Their poverty is so oppressive, it drives Ditte's mother to kill Maren, and Sørine is sent away to prison. Ditte, despite her young age, must assume all of the household's responsibilities. As time passes, a warm relationship develops between Ditte and Lars Peter. One day, Lars Peter's brother Johannes (Ebbe Rode) appears. Johannes is a poor knife and scissors sharpener who informs them of his big business schemes, however, his schemes bring nothing but disappointment. Lars moves away and Ditte must find herself a job. Ditte takes a job as a servant on a rural farm. The farm owner's weak-willed son Karl (Preben Neergard), who is completely controlled by his mother (Maria Garland), falls in love with Ditte and they develop a happy romance. However, when Ditte becomes pregnant, Karl does nothing while his mother forces Ditte to leave the farm. Deeply distraught, Ditte searches after Lars Peter, the only parental figure who ever showed her kindness and understanding. Ditte discovers her mother has been paroled from prison and Ditte begins a new life—(😀)forgiving and caring for her mother—at the same time that she becomes the mother of her own illegitimate child.