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位于(🧤)(yú )东京某公寓(⬜)的(👐)单元内，居(👷)(jū )住着四(sì )个年(🏖)轻(qīng )人，他(🛫)们是(shì )迷恋前(qiá(🔵)n )辈女友(yǒu )的大学生杉本良(😼)介(🍂)（小出(chū )恵介 饰(shì )）、(🍷)深(💃)(shēn )爱着作(⛽)为演(yǎn )员男友(🤰)(yǒ(🌫)u )的无业(yè(🚁) )女大河内琴美(📃)（(🔀)贯地谷し(🌐)ほり 饰(shì )）、一(🔒)(yī )心想成为插(chā )画师的(de )相(💖)马未(wèi )来（香里奈 饰）以(🐎)及(🖤)终日(rì )为(🛋)工作(zuò )奔波忙(💫)碌(💇)的电影公(🐏)(gōng )司职员(yuán )伊(👈)原(🔩)直(zhí )辉（(😡)藤原竜(néng )也 饰）(✊)。他们(men )性格(👽)各异，倒 也情投意(📜)合(hé )，生活(huó )波澜不(bú )惊。某(🚚)天(🛶)，一个年仅18岁的(de )男妓小悟(🐅)（(🕚)林遣都 饰(📞)）闯(chuǎng )入他们(💛)(men )的(🌕)世界(jiè )，表(🥕)面平静(jìng )和谐(🕉)的(🐯)(de )生活就(jiù(🥍) )此失衡。与此同时(🦐)，隔壁(bì )的神秘(mì )邻居以(yǐ(🍈) )及附近不断(duàn )发生的(de )行凶(⛓)事(👝)(shì )件也令(♌)这个充满躁动(🥩)的(🗻)世(shì )界进(🥍)一(yī )步崩塌…(🤺)…(🚒) After the sudden death of her dad, Sameer, and mom, Preeti, Sahila goes to live with her grandmother and cousin in Bombay. Years later, now fully matured, she returns home to Chandanagar to live with her uncle, Mahendra Pratap, and cousin, Jasmin. This is where she will be exposed to a resurrected evil witch, Nikita, who has manifested herself in the body of Jasmin. Aided by a priest named Baba, she is determined to kill each and everyone of the remainder of the Pratap family members. And there is no known power on Earth that can stop Nikita. 体育课(kè(🌽) )上发生(shēng )了恐怖(✅)(bù )杀人案(🕛)，学(xué )校的万人迷(⏺)正(zhèng )勋只有(yǒu )一堂课时间(🛡)找(🆓)出真(zhēn )凶，洗(xǐ )脱嫌疑(yí(🗓) )，唯(🈲)一可以(yǐ(🕒) )帮助他的是“推(⏳)理(👠)小说狂”少(➡)女多贞。这位野(🙀)(yě(😞) )蛮搭档(dà(🦍)ng )可不好对付(fù )。 A historical drama that tells the story of the development of penicillin in the 1930's/40's, by a group of scientists in Oxford at The Dunn School of Pathology 《奇(🏕)(qí )妙英雄(xióng )》的主角是一位(🔙)叫做“亨(hēng )利·帽(mào )贝”（Henry Limpet）(🚒)的(🐊)记账员(yuá(✝)n )，他胆(dǎn )小怕事(🗨)(shì(🤮) )，唯一的爱(📔)好就是鱼。一(yī(💈) )次(😡)意外(wài )让(🐅)亨利掉落水中变(🀄)(biàn )成了一(😢)(yī )条鱼，没想到，变(🌆)(biàn )成鱼后的亨利(lì )勇敢多(🐾)(duō )了，还帮助美国海(hǎi )军成(🥖)功(🚦)(gōng )定位纳(🤢)(nà )粹潜艇，立(lì(🔨) )了(⛸)大功。 Film follows a young couple who are parasites on the lives of others. The film makers largely leave out explanations. Viewers find themselves in the middle of a thriller-like story without knowing the background of the two, and is also left with questions at the end. In the meantime, a strange life becomes visible. The couple lives in a small camp in the woods, with a tent, sleeping bags and empty wine bottles. Isolated, but also unprotected. The girl visits a lonely old lady, for money. The boy also goes to see a married couple whose son died, for a fee. Both think they aren't doing anything wrong, but their work is not without risks. Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.