外(🔥)表平(pí(📢)ng )凡性格(🕛)(gé )内向的嘉利·怀特（茜(qiàn )茜·(🌯)斯(sī )派(🤟)塞克 Sissy Spacek 饰(⛲)）一直(📍)都(dōu )是(🗞)班上(shàng )默默无闻的丑小鸭(🕝)，她(tā )古(🈺)怪的(de )性(🤱)(xìng )格和沉迷于宗教(😘)(jiāo )崇拜(🥔)的(de )母亲(⭕)更为她(🥊)遭受同(🦉)学的(de )欺凌创(chuàng )造(zào )了得天(🍏)独厚的(👝)条(tiáo )件(🚸)。尽(jìn )管(📫)现实(shí(🌮) )残酷，但在校园(yuán )里，依(yī )然(rán )有人(💃)默默的(🏃)关心着(🍭)嘉利(lì )，这使(💎)(shǐ )得嘉(🆒)利树立(🔁)了信(xì(🥚)n )心想要(🐯)(yào )融(róng )入校(xiào )园生活中去 。三年(niá(🏗)n )一度的(🛀)(de )毕业晚(🚌)会要开(🐢)始了，尽(🔑)(jìn )管母亲(qīn )玛格丽特·怀(🚇)特（派(🚛)珀·劳(🍙)瑞 Piper Laurie 饰）极力反对，但(🤙)(dàn )嘉利(🍈)下(xià )定(🍶)(dìng )决心(🕢)要在舞(🍐)会上(shàng )夺得“舞会王后”的头(👠)筹一改(🏼)(gǎi )往日(🛌)抑(yì )郁(🎈)(yù )的形(🔦)象。可是，一些人(rén )总是不(bú )愿意放(⏮)过她，舞(🦈)(wǔ )会当(📳)晚(wǎn )，头戴王(💞)冠的嘉(🎨)利在众(🦀)目(mù )睽(🖊)睽之(zhī(🎂) )下全身淋满了猪(zhū )血，愤(fèn )怒(nù )激(📥)活(huó )了(✉)她体内(🎈)的女巫(🐙)血(xuè )统(🐍)，她(tā )要使用她的能力，将整(🛌)(zhěng )个会(🧙)场(chǎng )变(🕣)成人间地狱。
在(zài )一(🥂)次世(shì(🏡) )界大战(🎦)期间，有(🍥)两名西(🎺)(xī )方冒险(xiǎn )家(jiā )来到南非(⏩)，他们(men )想(👍)通过(guò(🌌) )猎取象(🕍)牙，来谋(🤫)取巨大(dà )的利润(rùn )．在他们进行(🥏)这种(zhǒ(🕠)ng )肮脏的(de )交易的(de )过程(🏾)中，与当(🐰)地(dì )的(👇)德国(guó(😗) )军(jun1 )队有(🚂)一连串的冲突，以(yǐ )至到了(le )水火不(🔁)容的地(🗒)步(bù )，最(🐉)后(hòu )二(👴)(èr )人合(🤭)(hé )力炸毁了德国的战(zhàn )舰(🤖)作为(wé(😉)i )报复。
早(🆘)期香港發生多(duō )宗(💰)駭人(ré(💛)n )命案，引(📆)起公眾(🗻)(zhòng )關(guā(💮)n )注，《香港奇案之二：兇殺》以(✡)真人(ré(🕊)n )真(zhēn )事(🗃)改編四(🚗)個故事(📈)(shì )：「鬼(guǐ )頭仔」、「大家姐」(🆔)、「臨(🍈)村(cūn )大(dà )血案」，與(🕔)轟動一(🙆)時的(de )「(🐐)紙盒(hé(📻) )藏屍」(🗞)。編劇團(tuán )以倪匡(kuāng )為(wéi )首，扣人心(🏍)弦的劇(🚮)情引(yǐ(🎠)n )人入勝(🚉)(shèng )。擅長(💯)拍驚慄片的導演(yǎn )桂(guì )治(🔇)洪(hóng )，在(🎩)「鬼」(🈷)與「臨(lín )」故事(shì(📁) )中，殺人(🐏)情節殘(🍤)酷真實(🚒)(shí )，拍出(♎)(chū )恐怖片的味道。看(kàn )完四(🚹)個(gè )兇(😔)案故事(⛅)後，必定(👌)不寒(há(🏁)n )而慄。
孤(gū )儿有勇甚（下田(tián )逸郎(🈹) 饰(shì )）(🏿)流浪到爱知县丰川(🚰)市(shì )寻(🚲)找他(tā(🤫) )的(de )生身(🍬)母亲，在(🌌)河边的情(qíng )死现场(chǎng )，他偶然邂逅(🕚)了(le )16岁的(🎪)美(měi )丽(🤛)(lì )少女(⬜)庄菜（秋吉久美子(zǐ ) 饰）。庄菜和(🖤)有勇一(🐁)见如故(🤟)，将其引(yǐn )入家中居(💵)住。庄菜(😭)(cài )的父(👼)亲(qīn )植(🗡)科康三郎（佐佐木孝(xiào )丸 饰）是(🥕)当地重(👉)工业工(🚛)厂(chǎng )的(♿)领导(dǎ(⛔)o )，一家三口连同终战前(qián )便精神(shé(🛷)n )错(cuò )乱(🙀)的“叔父”冈(gāng )治芳男(💺)(nán )（ケ(🍧)ーシー(🤕)高峰 饰(🏼)）住(zhù(🏈) )在一起(qǐ )。
Philip Hinchcliffe era
Great Italian pulp movie, a classic for the genre! "Roma l'altra faccia della violenza(trad.:The other side of violence)" is a police movie where violence, theft and rape are caught in a mixture of raving unconsciousness and pure havoc. With a great appearance by Franco Citti, this film stands up for one of the best Italian pulp movie ever made. Quite similar to "Roma Violenta" and "Milano Violenta" with Maurizio Merli yet not the same cup of tea. It deserves more rudeness, rawness and pathos for the audience...
虽然此片故事电影和电(🦎)(diàn )视已(🏟)拍(pāi )过(💤)多次，但(🧦)编导(dǎo )李翰祥(xiáng )在(zài )清宫戏的场(🧀)面铺陈(🔒)上别(bié(🌆) )有不同(tóng )，而且情节(🛎)上也有(💳)改动(dò(🛶)ng )，所以(yǐ(🕟) )还是较有可观的。如西太(tài )后反对(😾)维新方(🍝)面，改为(🎛)(wéi )遗老(💑)为(wéi )保(🏝)全功名和荣华富(fù )贵不惜(xī )长跪(🖤)不起，加(😰)重她的责(zé )任感。光(🚢)(guāng )绪幽(💾)禁瀛台(🏅)的出(chū(🚽) )走之夜(🚣)(yè )，西太后又带皇后夜访(fǎng )光绪，并(🦁)(bìng )有意(💣)还政于(🖼)光绪。这(🚮)些(xiē )细节，使西太后更有人(rén )性的(🎽)真(zhēn )实(🕡)(shí )感情(🍪)。但描写六君子的(de )戏(🍉)时过(guò(🌂) )于简略(🏓)，是影片(🗓)的一大(dà )失误。
由布莱恩·德·帕(🤾)(pà )尔马(🗡)（Brian De Palma）指(☕)导， 保罗(➖)·施拉(🌳)德(dé )（Paul Schrader）编(biān )剧的《迷情记》（Obsession / 1976）是(🔎)一(yī )部(🐣)文艺气息相当浓厚(😑)的(de )悬疑(📊)片(piàn )。帕(🐘)尔马导(🍀)演一反(🚏)(fǎn )常态，并没有在影片中过分卖(mà(🤗)i )弄血腥(🏊)(xīng )暴(bà(🐷)o )力，而是(⛽)以细腻的手法(fǎ )把一个(gè )奇异的(🦓)故事拍(🚃)得(dé )如(📨)梦如(rú )幻(huàn )，韵味十(😙)足。
"In a town in southern Sweden, Sven Klang decides to enliven his dance combo with a new sax player, Lasse from Stockholm. At first all goes well; but bit by bit Lasse brings into question all the rigid values, musical and social, by which the faintly supercilious Sven has set his life's course. Gunnel, the vocalist, falls for the newcomer's charms and finds herself pregnant when Lasse and Sven eventually part in high dudgeon. The daily round continues. Eventually Lasse pops up again, and disappoints all save Sven by turning tail in the face of Gunnel's love and his sense of guilt at having fathered her child....The appeal of Sven Klang's Combo lies in its utter lack of pretension, in its small town atmosphere and its vivid characterisation. One imagines that the actors were able to improvise their lines and contribute personal touches that fleshed out their roles. Their autobiographies become fiction; but fiction, as so often, also becomes truth. This film recognises that big emotions stem from small incidents and that one is forever a prisoner of one's generation." (Peter Cowie, 1978 International Film Guide)
Mr Hoffman sells books and provides his female customers with nice moments in a room at the back of the shop. The number of female customers grows very rapidly and when Mr Hoffman isn’t up th the demand, he calls in his two oldest sons who keep the shop going. Unfortunately his youngest son is only interested in reading. One day, as he delivers books to one of the customers, the lady teaches him about the pleasures of sex. In order to celebrate this, the father organises a party and all is well that ends well