故事发(🍶)生在18世纪末法国(👧)首都巴黎(lí )。年轻(🈯)貌美(měi )的(de )女徒工让娜(nà )在(zài )一次偶然的(de )机(jī )会(🐑)认识了西(xī )班(bā(❣)n )牙公使堂·(🥨)迪(dí(🐜) )埃戈并与其(🗒)相好(🍼)。让娜的男友(🍋)阿芒(🧑)(máng )德一气之(🎵)下(xià(🎑) )将(jiāng )迪埃戈(🗜)刺死(🌲)(sǐ )，自己被投(🎁)入(rù(💬) )了(le )监狱。此后(🖼)，让娜(🤺)先后成为杜(🤙)巴瑞(📽)伯爵和国王(🕛)路(lù(⛳) )易十五的情(🧦)(qíng )妇(fù )，并向国王(📘)(wáng )提(tí )出赦免阿(🥈)芒(máng )德(dé )。出狱后(⏳)的阿(ā )芒德参与(🤰)了革命，最后革命群众冲垮了政权，并(bìng )把让娜送(🕹)上(shàng )革(gé )命法庭(🏸)受审(shěn )。阿芒(🔣)德因(📅)企(qǐ )图(tú )解(❓)救让(⛱)娜而被(bèi )处(😒)死，随(💍)后让娜也被(🤳)送上(🕎)断头台。
An extended family split up in France and Germany find themselves on opposing sides of the battlefield during World War I.
电影(🔪)配图(🦒)是(shì )错(cuò )的(🔧)，1922年的(🧒)睡(shuì )美(měi )人(🎮)在IMDb上(👘)都没(méi )有(yǒ(🌃)u )图片(📥)。这张图(tú )上(😺)的睡(🎖)美人是1990年捷(🤚)克斯洛伐克版的(👡)(de )Sípová Ruzenka，豆瓣(bàn )链(lià(🦗)n )接在此：
讲(jiǎng )述(🔰)(shù )商人吉姆面(miàn )临(lín )经济危机，幸(xìng )好去世的祖父留下巨额财产(🏓)给他，但条件(🅾)是他(🕕)必(bì )须在27岁(🦒)生日(💢)(rì )晚(wǎn )上七(🔹)点前(🐭)结(jié )婚(hūn )，结(🙏)果引(🛷)来(lái )全(quán )城(🏋)妇女(🔄)的求婚(hūn )，当(👯)然，最(🚸)后还是有情(😙)人终(🎳)成眷属(shǔ )。
This film's German title would translate as "Journey in the Night", but that "night" is metaphoric: it refers to blindness, rather than anything nocturnal. The film's most notable merits are its photography (by Max Lutze), the direction by F.W. Murnau (a bit lighter than usual from this director) and a remarkable performance by Conrad Veidt ... an actor who never fails to impress me, yet who surpasses his own high standards in this drama.
In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.
“我(🕖)的手(🎸)(shǒu )不(bú )是我(💖)的手(🥥)。他(tā )将我引(😽)向罪(zuì )恶(è )。我该(👰)怎么办(bàn )...”