A group of men of differing circumstances and personalities gather at a monastery to undergo a course of spiritual reappraisal. They comprise of a candle-maker, a politician, an ex-prisoner, a novelist and a petty thief trying to elude the police. All have their own spiritual problems to solve, except the thief. The politician, a former partisan leader, suffers the remorse of causing the deaths of three innocent men on a sabotage mission; he is set for the priesthood. The prisoner, a sick and possibly dying man, lacks the courage to visit his wife who is now happily remarried; his padre has advised him to leave her alone. The novelist bears the moral responsibility for offences committed by young people led astray by his writings; he earns a lot for his work, but is too demoralized to continue. Then the candle-maker - miserly, smooth-talking and bigoted - is unlikely to receive any benefit from his retreat to the monastery...
Classic British comedy following an accident-prone army Private, played by music hall legend Frank Randle in his final screen role, as he attempts to rescue a Corporal (played by icon Diana Dors) from the attentions of a predatory Sergeant-Major.
片(🕘)名：爱(🔑)(ài )本无(🎨)罪 L'amour n'est pas un pêché(🏝)
Despite its ebullient title and the presence of lightweight dancing star Dan Dailey, Meet Me at the Fair has a lot more meat on its bones than most musicals of the early 1950s. Dailey plays an early-1900s medicine show huckster who finds himself the reluctant guardian of orphanage escapee Chet Allen. As he grows fond of the boy, Dailey becomes determined to thwart the corrupt system that allows substandard orphan asylums to operate while political hacks get rich on government funding. Dailey wins the confidence (and love) of orphan committee member Diana Lynn, who helps to foil the machinations of crooked district attorney Hugh O'Brien. The darker aspects of Meet Me at the Fair are lightened by director Douglas Sirk's marvelous recreations of backstage life at the turn of the century. The film is also a special treat for fans of Scatman Crothers, who is never less than terrific as Dan Dailey's sidekick.
木兰易(🍎)服代(dà(🤹)i )父(fù )从(🔶)军,征战(🙅)(zhà(🛃)n )十多(📐)年(😪)间冲(💑)锋(🙆)陷阵(✖),巾(🥄)帼(guó(😽) )不(🦅)(bú )让(⛺)须(🍡)眉,勇(🖌)退(😮)(tuì )入(🐳)侵(🐊)的外(🛑)族(💪)。
在某小学(xué )校(xiào )里，贫苦(kǔ )孩子张化国受尽别人的(de )欺(qī )负。一些(xiē )调皮的学生常常拿他开(kāi )玩(wán )笑，伪校长(zhǎng )也诬赖他是偷表的小偷(tōu )。张化国的(de )父亲在解放前被地主逼(bī )死(sǐ )，母(👳)亲也(yě(🛳) )被(bèi )特(🏦)务魏麻(🍲)子强占(🤞)。在(zài )家(🖥)(jiā )里，张(🌂)常常(chá(😳)ng )受到魏(🎅)麻子的(🏊)虐(💆)待。不(🍍)(bú(💖) )幸(xì(🏓)ng )的(😘)生活(👹)造(🕦)(zào )成(🧙)了(🦁)他沉(🍞)默(👨)寡言(📚)、(🏼)孤僻(🍡)(pì(🧡) )的(de )性格。新来(lái )的女教师王敏很关心这(zhè )个(gè )可怜的孩(hái )子。
二战时期，一批美(měi )国(guó )战俘被关(guān )押(yā )在德军的监狱里，故(gù )事(shì )就发生在17号(hào )监狱（Stalag 17）。有两名囚犯(fàn )想(xiǎng )要越狱，却被德(💣)军所杀(🎱)，监狱里(🕓)(lǐ )的(de )囚(💸)犯们开(🎫)始(shǐ )怀(🗜)疑他们(💋)其中有(🎑)人出(chū(⛵) )卖(💿)(mài )了(🛏)他(🎡)们。大(🍐)(dà(🔅) )家都(🤱)把(🛣)嫌疑(🦋)集(🗺)中在(🏷)一(🥀)个(gè(🦁) )人(🧠)(rén )身(💯)上(🧥)——狡猾的Sefton（威廉·霍尔登(dēng ) William Holden 饰(shì )）身上。Sefton虽(suī )然也是个囚犯，但他靠(kào )组(zǔ )织“赛马(mǎ )”、卖酒还有出租望远(yuǎn )镜(jìng )赚了不少(shǎo )钱(qián )。不久，一位美国中(zhōng )尉(wèi )Dunbar（Don Taylor 饰）被抓(zhuā )进狱中。他在法(🐀)兰克福(🤢)(fú )火(huǒ(㊙) )车站制(🛤)造(zào )了(🦖)爆炸案(📈)炸死了(⏹)不少德(🧕)(dé )军(jun1 )。然(👔)而(💉)此事(🔺)(shì(📵) )随即(🎲)被(🗣)德军(🌽)军(🏖)官Oberst von Scherbach（(🚼)奥(🦅)托(tuō(🐏) )·(🥍)普雷(🐦)明(🐏)格(gé(♌) ) Otto Preminger 饰(🤺)）所获悉。Sefton被认为就(jiù )是(shì )那个泄露(lù )了消息的内奸，挨了一(yī )顿(dùn )揍。然而他(tā )依旧宣称自己是无辜的(de )。Dunbar即将被纳(nà )粹军处死。到底谁才是(shì )真(zhēn )正的内奸(jiān )？到底中尉Dunbar能否逃过一(yī )劫(🚕)(jié )？
The Twiggs are a typical working-class family: Sam (Jack Warner) and Mary (Marjorie Rhodes) are trying to bring their family up in the shadow of the Blitz whilst taking everything in good humour. Their neighbours Joe (Charles Victor) and Emma (Gladys Henson) are constantly in the Twiggs house, borrowing a cup of sugar or using their Anderson shelter and between them the two working class families put the world to rights. But when their daughter falls for an upper class RAF pilot the Twiggs are asked by his mother, Lady Diana Stephens to tell their daughter to call the romance off, as the social gap between the families is too large. Incensed by Lady Diana s offer of money, Sam Twigg throws her out of the house. But events take a sudden turn as the war enters the Twiggs own living room. Will the two families manage to overcome their disdain for each other and let true love find its way?