最近好看的电视剧

泰勒(🍈)(lè )（查理•辛(xīn ) Charlie Sheen 饰(🥢)）是(🤰)越(yuè )战期间(🍺)的(de )一(🎱)名美(měi )国大学生(shē(❄)ng )，他前往(wǎng )越(⏹)南前(🐯)线去(qù )服兵(🍃)役，被分(💿)到了一个步(🔎)(bù )兵(🔔)部(bù )队。部队(duì )里(👷)有两个人一直(zhí )对(🚮)他影响(xiǎng )颇大—(🈳)—伊(yī )莱亚斯（威(🤰)廉•(📽)达福 Willem Dafoe 饰）和(🧚)巴恩(🍄)斯(sī )（汤(tā(🔺)ng )姆•贝(💈)伦杰 Tom Berenger 饰）。他(❕)们两(🚯)(liǎng )人对战争(🆑)的(de )看法截然(rán )不同(🚫)，前者(🏯)不忍(rěn )残杀无辜(🚠)(gū )，而后者(zhě )却杀人(🈴)如麻(👕)(má )，泰勒心(xī(🏝)n )里非(🌨)常迷惑(huò )，到底谁(shuí(🍮) )对战争的(de )看(🌠)法才(🔽)是正确。 Dr. Tsu is a brilliant surgeon with her own exotic island off the coast of Manila. Using her sexy, all-girl army of martial-arts experts, Tsu kidnaps some of the world's greatest athletes. She is able to transplant any body part, so she uses the athletes for spare parts to sell to the world's richest men. Mike Harber is a womanizing, wise-cracking insurance investigator for Lloyd's of London sent to Manila to investigate the disappearance of a jai-alai player, and becomes involved with Dr. Tsu's mad mission. 1938年，犯(🐬)人(rén )亨(🐀)利（Kevin Bacon 饰）试(🔫)图从(🌛)著(zhe )名的阿尔卡特(♎)兹(zī )监狱(yù )逃出，但(🐁)(dàn )最终失败。典狱(⬅)(yù )长格伦对(duì )威胁(Ⓜ)自己(👴)地(dì )位的亨(🤽)利(lì(👅) )恨之入骨，将(🗜)其(qí )抛(🔳)入封闭(bì )的(🤤)地(dì(📫) )牢中长达三(🔉)年，期间伴有(yǒu )不计(🤑)其数(🏍)的(de )殴打行为(wéi )。亨(👏)利终于得以(yǐ )离开(🍟)地牢(😡)(láo )，但他所(suǒ(🍅) )做的(🍺)第一件(jiàn )事是用勺(👍)(sháo )子杀死背(🐱)叛(pà(🌡)n )自己的犯(fà(💦)n )人，于是(🏛)(shì )被控一级(🥍)谋杀(🛫)。 新浪潮老(lǎo )祖母(📂)阿涅斯(sī )•瓦尔达(💞)(dá )处女作，短岬村(🥒)(cūn )也正(zhèng )是瓦尔达(🍳)(dá )成(😕)长的地方。 一(🗓)(yī )部(🧕)清新可(kě )人(🏚)的美国(😮)恋(liàn )爱电影(⚡)。 费里(🐽)尼1969年作品，意(🧤)大利、法国(guó )合拍(🐒)，片长(🏝)138分钟(zhōng )。《爱情(qíng )神(⛲)话》原名(míng )《萨蒂里(lǐ(🎤) )孔》，根(🚕)据公元(yuán )一(🗽)世纪(🌽)罗(luó )马人阿尔(ěr )比(✡)特罗的同(tó(🛐)ng )名小(👇)说改(gǎi )编，影(🎎)片向人(🚒)们描绘(huì )了(💷)罗马(🔑)帝(dì )国荒淫无度(🔵)的享(xiǎng )乐生活。在公(🙈)元一世(shì )纪的罗(🔄)马(mǎ )，Encolpio和他同学的Ascilto，正(🗼)在争(🔉)论着男(nán )孩(🌦)Gitone的所(❔)有权。他(tā )们(🖊)分了自(🕸)(zì )己的财物(😹)并(bì(📭)ng )打算各奔(bē(🗾)n )东西。男孩可以(yǐ )选(🖌)择跟(🙅)从(cóng )谁，他选择了(🐙)Ascilto。已经(jīng )决定要自(zì(💜) )杀的(🧟)Encolpio，因为(wéi )一起(💰)突如(🚸)(rú )其来的地(dì )震而(🍡)幸(xìng )免于难(⏩)。接下(🔳)来随(suí )着在(🈂)Encolpio身上发(🙅)(fā )生的一系(📴)(xì )列(🈳)冒险经历，导演费(🐂)(fèi )里尼用近(jìn )乎漫(🤞)画的笔法将(jiāng )自(🌆)己幻想(xiǎng )中的古罗(⏮)马(mǎ(🌍) )生活展现(xià(👓)n )在观(🎮)众面前，他(tā(🏈) )并没有(🕶)对影片(piàn )中(🤓)的道(🙇)义进行批(pī(🎪) )判或者赞(zàn )许。难怪(🤑)他(tā(💞) )在影片拍(pāi )摄之(🔵)前就发表声(shēng )明，《萨(📰)(sà )蒂(🎢)里孔》将不是(👅)一部(bù )古代历史(shǐ )题材(🆕)影片，而是一(🎌)部(bù(🥓) )科学幻想(xiǎ(👋)ng )片。整(zhě(🕣)ng )个剧情支(zhī(🍔) )离破(🦁)碎，涉及很多古(gǔ )罗马的风(fēng )土人情(🕥)，尤其是当时(shí )在(⚓)道德、性行为、饮(👺)食及(☔)(jí )表演方面(🕖)(miàn )的(🚤)习俗，堪(kān )称古罗马(🧡)(mǎ )的“饮食男(⛓)女”。 意(〽)大利裔画(huà(⏩) )家莫迪里亚尼（安(🎧)迪·(🖖)加(jiā )西亚 Andy Garcia 饰）在(🅱)(zài )短暂的一(yī )生中(🎢)都在(💕)与艺术(shù )大(🛳)师巴勃(bó )罗·毕加索抗(🐙)争。生(shēng )前唯(🕓)一一(🗃)(yī )幅击败毕(🚱)加(jiā )索(🌇)的作品(pǐn )，其(💿)中描(😖)(miáo )绘了他(tā )深爱的女(nǚ )人。落拓(tuò )不(💞)羁的莫迪(dí )里亚(🐾)尼混(hún )迹在巴黎蒙(🕵)马特(🚁)高地(dì )画家(🔒)圈子(📙)(zǐ )里，他过着充斥(chì(😙) )着酒精、大(🔷)麻与(🧟)女人(rén )的放(🌵)荡生(shēng )活。在一次写(📔)生(shē(🏇)ng ) 课上，他遇上(shàng )了(🈸)生命中的挚爱(ài )珍(⛷)妮（(🚿)艾(ài )尔莎·(🎡)泽贝(bèi )斯坦 Elsa Zylberstein 饰），他邀请(💪)她做自(zì )己(💹)的模(✌)特(tè )，为珍妮(🏩)创作了(💦)大量(liàng )肖像(🤼)作品(🚈)(pǐn )。但是在一(yī )幅准备参(cān )加画展与(🌮)(yǔ )毕加索(suǒ )竞争(🍉)的作(zuò )品中，他(tā )留(😮)下了(🤜)珍妮(nī )的眼(🎱)睛没(🚪)(méi )有画。他对珍妮解(📨)释(shì )说：当(🙌)我(wǒ(💊) )了解你的心(🦃)灵深(shēn )处时，我(wǒ )将(📺)画你(😘)的眼(yǎn )睛。他从(có(🍌)ng )珍妮身上获得源(yuá(🏇)n )源不(🔆)断的灵感(gǎ(🤔)n )，让他持续旺盛(shèng )的创作(🕕)激(jī )情。但是(🦊)，他的(🌔)艺术(shù )不能(😚)像毕加(🧣)索那(nà )样被(🍼)大众(🥌)(zhòng )所认同，不(👤)良的生活(huó )习惯让他(tā(💯) )染上难以痊(quán )愈(😨)的结核(hé )病。就在(zà(🛸)i )他领(⚪)取(qǔ )与珍妮(🧜)的(de )婚(🈳)姻登记(jì )证时，遭遇(😓)(yù )了强盗，惨(🈹)死在(🍿)街头。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 中国电(🥝)(diàn )视剧制作(zuò )中心(😧) 杰克(👵)是个潦(liáo )倒的作(🏝)家(jiā )，撞见女友(yǒu )跟(🐃)别人(🧔)在(zài )床上，心(🕉)灰意冷(lěng )，决定离开这(zhè(🚐) )地方。一日，杰(➖)(jié )克(🎳)在酒吧(ba )滋事(🍫)，法兰(lá(🔯)n )克出面救(jiù(🎫) )援，并(🏠)拿走了黑(hē(💓)i )道的钱，惹上了黑道老大(😇)蓝恩(ēn )……