灭绝丧尸屠城

导演亲自扮演(yǎ(😟)n )一(yī(🏄) )位电影导演，他辛(🚰)苦工(🕠)(gōng )作(zuò )收入菲薄，而(ér )且(qiě(🌁) )还无(🔽)法满足自己的妻(🍈)子(zǐ(📆) )。影片(🐥)中夫妻俩(liǎng )在打架、(🥝)交谈(📗)、修补关系(xì )，再(🧑)谈话(🖖)、接(🎷)着打架。 22岁(suì )的(de )青年齐(🏣)木顺(♍)（水(shuǐ )谷丰 饰）(🎰)其家中经(🕶)营一(yī )家(jiā )修车行，他(🔽)靠父(♋)母出钱(qián )开(kāi )了(🕦)一个小酒(💋)吧(ba )，年(📀)轻貌美的美子（(🥞)原田(🧕)(tián )美(měi )枝子 饰）在酒(jiǔ )吧(🥠)中作(🎡)女招待，久而久之(💆)(zhī )，两(✍)人产生了感情。 时值(zhí )1935年(niá(🥡)n )二战(🌬)期间，法(fǎ )国(guó )国(🔅)内局(💀)势混(📽)乱。一对小(xiǎo )混(hún )混雅(💅)克和(🚬)布鲁(lǔ )诺专门以(✒)(yǐ )盗(💺)窃新(🤰)款的雪铁(tiě )龙(lóng )车为(👷)乐。并(🕺)且组建了一(yī )个(🕞)(gè )“前置引(🐠)擎驱(qū )动(dòng )团伙”，与警(🗄)察们(🧐)玩起(qǐ )了(le )猫捉老(🏔)鼠的游戏(🔘)，这一(✍)(yī )玩(wán )就是10年。雅(🍏)克(kè(🐩) )等(děng )人享受着这个惊险而(🎤)刺(cì(🚛) )激(jī )的过程，不断(🍯)(duàn )偷(⭐)窃，逃跑，并以摆脱追(zhuī )捕(bǔ(🐄) )为荣(📎)。而动荡的环境下(🏙)(xià )，好(🛑)坏是(💔)非已经(jīng )渐(jiàn )渐模糊(📹)，好人(🐳)便不再永(yǒng )远(yuǎ(🐔)n )是绅(🗑)士，而(🦓)坏(huài )人也不注(zhù )定就(🍦)是最(🆕)残忍的(de )... 弗(fú )朗哥(🕦)统治时期(🎉)的西班牙(yá )马(mǎ )德里(⛓)，女童(🤼)安(ān )娜(nà )（Ana Torrent 饰）(💽)与两个姐(🐞)妹在(🏄)军(jun1 )官(guān )父亲安赛(🐯)莫死(⏸)后被过继(jì )给姨妈抚养，安(🚩)(ān )塞(💷)(sāi )莫在世时风流(🌄)成性(😀)，母(mǔ )亲(qīn )玛莉亚（Geraldine Chaplin 饰）为(💥)(wéi )他(📕)放弃事业最后落(👑)得在(🍉)(zài )寂(〽)(jì )寞压抑的生活中痛(🌥)苦不(🙌)(bú )堪(kān )，早早去世(🎣)。关(guā(🔓)n )于母(🛃)亲的记忆不时浮现(xià(🛡)n )在(zà(🎬)i )安娜脑海，这(zhè )些(😄)记忆混同(🥕)她对死亡的臆(yì )想(xiǎ(❌)ng )慢慢(🚊)影响了现实生活。姐(jiě )妹三(🚆)人在(💢)姨妈(mā )的(de )看顾下(💘)并不(🌶)安分，姨妈(mā )正(zhèng )陷入一场(🏎)同安(💞)赛莫已婚(hūn )战友(🤒)的恋(✡)情，安(ān )娜(nà )的举止让她愈(💈)发感(🏉)到威(wēi )胁(xié )。安娜(👌)试图(🔱)用(yò(🕓)ng )一(yī )瓶所谓毒药帮助(🍎)生活(💢)不(bú )能(néng )自理的(🏃)祖母自杀(📘)，而那(nà )瓶(píng )物事不过(🤖)只是(🏰)(shì )苏(sū )打，祖母拒(🥫)绝服毒，安(🐪)(ān )娜(🏒)(nà )又将目标对向(📞)(xiàng )了(🤔)姨妈…… The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. IMDB:3.8/10 (85 votes)