跑跑影视

故事(👾)(shì )发生(❇)在第(dì )一次世界(jiè )大战期间(jiān )，弗兰克(kè )、泰斯、斯科蒂和伟斯是(🦇)隶属于(🍪)同一分(🧛)(fèn )队的(🍍)占有(yǒ(🚟)u )，枪林弹(dàn )雨之间走(zǒu )过，彼此(cǐ )之间结下(xià )了深厚的(de )友谊。一(yī )场意(🧠)外中(zhō(🌼)ng )，弗兰克(🍤)不幸去(🚷)世，上级(🍍)派来(lái )了名叫戴(dài )夫的新兵(bīng )顶替弗兰(lán )克的位置(zhì )。戴夫的(de )到来(🌴)并没(mé(🎖)i )有收到(🎩)其余几(⏯)人的欢(😸)(huān )迎，他(🗽)们极度怀疑(yí )这个年轻(qīng )的男孩是(shì )否能够担(dān )负重任。 盖瑞（马(🐪)(mǎ )丁·(✒)弗瑞(ruì(🎧) )曼 Martin Freeman 饰）(📟)是一名(😤)音乐制作人，曾(céng )经在职业(yè )上小有成(chéng )就的他如(rú )今陷入了(le )瓶颈(🖌)之中(zhō(🏟)ng )，而他的(🐌)(de )好友保(🐥)罗(luó )（(✝)西蒙·佩吉 Simon Pegg 饰）却迎来了事(shì )业的高峰(fēng )，这让盖(gài )瑞的心中(zhōng )十(🆓)分不是(🎧)(shì )滋味(⛏)。与(yǔ )此(🍒)同时，盖(🍜)瑞和女(🚹)(nǚ )友朵拉（格温妮斯·帕特洛 Gwyneth Paltrow 饰）之间的(de )感情亦跌(diē )落到了冰(bī(🌍)ng )点之下(❤)。 本片根(🤕)据(jù )《聊(📀)斋志(zhì(🧥) )异》中同(tóng )名故事改编。 一次意外中，王(wáng )子爱侬（大卫·休(xiū )里斯 David Thewlis 饰(🥂)）的心(😔)脏受(shò(🐓)u )到了致(🌂)命(mìng )伤(🚂)害，为(wéi )了挽救王(wáng )子的性命(mìng )，一条龙献出了自己(jǐ )的半颗心(xīn )脏(🦇)。起死(sǐ(🥢) )回生后(🕟)的(de )爱侬(✨)性情(qí(💳)ng )大变，凶(🚒)(xiōng )恶又残暴(bào )，身为王(wáng )子的剑术老师，伯温(wēn )（丹尼斯·奎德 Dennis Quaid 饰(shì(👗) )）认为(👇)造(zào )成(👗)这一改(🎿)(gǎi )变的(💼)罪魁(kuí )祸首是王(wáng )子的那一(yī )半龙心，为了帮助王子找回心性，爱侬(㊙)(nóng )决定(🔃)不惜(xī(😮) )一切代(👤)价(jià )，找(🥔)到拥(yōng )有另一半(bàn )心脏的龙(lóng )。 DETENTION SUCKS BUT IT'S KILLER FUN: It's four years later, and a new group of students has been placed in Saturday detention at the infamous and prestigious Crestview Academy. When Siouxsie, sophomore 'undercrust,' crashes the party to avenge her sister's death, a Saturday detention reserved for the privileged seniors of Crestview Academy turns into a date in hell. It's not long before a naïve pussycat lover, gay drug dealer, smokin' hot preacher's daughter, squeaky-clean senator's son, and the uninvited younger outsider find themselves locked-up in school with no way out, wondering who (or what) has set them up. Hilarity and suspense ensue while each 'bad kid' pits one against the other, and one by one each falls victim to absurdly gruesome 'accidents' while trying to escape. (Based on the best-selling graphic novel sequel 'Bad Kids Go 2 Hell.') This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. The Monkey Kid focuses on the details of a nine year-old girl's daily life during the Cultural Revolution. In 1970 China's intellectuals had been dispersed to the countryside to learn from the peasants. Their children remained in the cities to learn life on their own. Shi-Wei, the Monkey Kid, is one of these children, and she survives her family's fracture by instinctively clinging to happiness; she is a bright light against a dark background. With her parents away she gathers with friends wherever she wants, she shows up late for school, she tumbles down mountains of gravel, she balances on balconies five stories high. Shi-Wei has dizzying choices. And she slides away from the dull embrace of the Cultural Revolution 长长(zhǎng )的黑暗走(zǒu )廊，鲜红(hóng )杂乱(💦)的涂鸦(🔒)，蒙面飘(🤗)(piāo )过的(🉑)黑衣(yī(🐼) )人，厉声(🤼)(shēng )的惨叫，师生离奇(qí )死亡，一(yī )时间，整(zhěng )间学校人(rén )心惶惶。暑期，紧(🙄)张(zhāng )一(🤵)年的同(📧)学终于(🎎)可(kě )以(⛱)放松心(xīn )情露营，然而什么(me )的纸条再(zài )度出现，传说中的(de )杀神即将会(🏥)到营区(🚾)进行行(♑)动，谁是(⏺)第一(yī(⛲) )被杀的人(rén )？谁是最(zuì )后一个被(bèi )杀的人？凶手到底(dǐ )是谁……(🕵) 中野ユ(🐈)キが廉(🕒)太郎に(🕗)出会っ(👢)たのは(🥌)彼が東京音楽(lè )学校へ入(rù )学した明(míng )治二八年(nián )の夏だった。廉(🌂)太郎は(🚂)先輩・(🦃)鈴木毅(🔖)一(yī )と(🤽)友情を深めつつピアニストとしての道を邁(mài )進するが、生来の(🚒)身体の(♍)弱(ruò )さ(🏢)に無理(🥤)がたた(🥅)り療養のため故郷の大(dà )分県竹田(tián )へ呼び戻(tì )される。彼の世話(🙊)(huà )をす(📭)る女(nǚ(🍋) )中の芙(🦈)美(měi )は(🛶)廉太郎(🎠)に思いを寄せるが、音楽への夢を語る彼との隔(gé )たりは大(dà )き(🎀)く、そ(🈷)の気持(🐣)は伝え(🎑)られな(⏹)かった。復学した廉太郎は第一回留(liú )学生の幸(xìng )田延の帰(guī )朝演(🐵)奏会(huì(🍵) )に感動(📷)し、ま(🛤)た由(yó(🎵)u )比クメらを中心とした新しい唱歌運動(dòng )のために『花』から始(❣)まる組(🎏)歌『四(🌽)(sì )季』(⬛)を作(zuò(🤫) )曲、そ(⏰)の才能を開(kāi )花させていく。一方で自分の限界を感(gǎn )じ始めてい(🐿)た毅一(🛃)(yī )は静(🏜)岡の父(🦀)が倒れ(😆)たこともあり、志し半ば故郷に帰っていった。ユキもまた廉太郎(🥎)(láng )の才(✍)能に自(⏰)信を失(🆙)(shī )い、(🍿)その反動で一(yī )層彼に惹(rě )かれ始めていくが、幸田延の推薦も(🐃)あり廉(🌥)太郎(lá(🚽)ng )より先(🕺)に第二(💭)回留(liú(🕝) )学生に選(xuǎn )ばれた。明治三四(sì )年、遅れて廉太郎もドイツ留(liú )学(⛸)を果た(〰)すが、(🎵)ライプ(🌍)チヒ音(🛴)楽院に入学した彼は自分(fèn )の力を思い知らされる。ユキもまたベ(🕚)ルリン(🤞)で才能(🙉)に行(há(🛅)ng )き詰ま(🆙)りを感じ始(shǐ )めていた。だがドイツという異郷で再会した二人は(🛸)お互(hù(🏩) )いに協(🔅)力(lì )し(💶)ベート(👏)ーベン『熱情』の譜面へと向かっていく。そして遂に二人の思いが通じ(🕶)合(hé )っ(📘)た。だが(🆒)『君の(😜)ために(🛺)ピアノ曲を書くよ』と廉太郎(láng )は言い残し、再発した胸の病(bì(👣)ng )を隠す(🔚)ためユ(😝)キを残(😳)して去(💲)(qù )っていく。日本へ帰国した廉太郎は病と戦いながらユキに捧げ(〽)るピア(🔼)ノ曲(qǔ(🔞) )『憾う(🅰)らみ』(🔠)を書(shū )きあげる。だが無(wú )情にも二(èr )三歳十か月という若さで、彼は世(📿)を去る(🆎)のだっ(🕋)た。