七十二家房客第十一季

清太后（夷光饰(🆚)）(🏤)和(🖍)(hé(🦑) )摄政王多尔衮（罗(♊)(luó )维(wéi )饰）及明朝(👟)降(🔝)将(🥙)(jiāng )洪(hóng )承(chéng )畴（乔宏(🆚)饰）都有私情。洪承(🐚)畴(😐)为(🚳)离间多尔(ěr )衮(gǔn )和(🌤)太(🚟)后，游说秦(qín )滩(tān )名(mí(🃏)ng )妓董小宛（尤敏(mǐn )饰(📒)(shì(⏰) )）亲近多尔衮，然后向(🐗)太后进谗言。太后生(➕)妒(💯)(dù(🗣) )意，召董小婉入宫(gōng )，被(bèi )顺治（赵雷饰）(🏮)看(🥋)(kà(🌄)n )到(🙀)(dào )，以为是天仙下凡(fán )。董小婉被封为董(📷)鄂(😉)妃(💐)，生(⚡)下一子。顺治要立(lì(🌑) )为(wéi )太子，多尔衮反(🚎)(fǎ(🕛)n )对(🌮)(duì )并(bìng )对婴儿下毒手(💷)。洪(hóng )承(chéng )畴劝顺治(🕟)杀(🍋)多(📌)尔衮，董小宛发现太(⭕)后(🍖)与洪承(chéng )畴(chóu )的奸情(🥛)，被太后(hòu )打(dǎ )入(rù )冷(🌉)宫(🎙)。洪承畴挑(tiāo )拨(bō )皇(huá(📶)ng )太后放火烧宫，董小(🛶)宛(🌔)亡(🌱)。 本片讲述的是一(yī )群被选入名为“客(kè )观(📧)(guā(📳)n )研(🚂)(yá(㊙)n )究招待所”社会(huì )实(shí )验(yàn )研究计划的(✊)少(🚍)年(😅)犯(🤥)(fàn )被(bèi )要求生活在(🤧)一起的故事。在那里(🚢)，有(🌖)两(🎰)位宽(kuān )容(róng )的社工监(🗒)查他们(men )的(de )生(shēng )活。六(🤤)名(🗜)少(😡)年犯(fàn )对(duì )社(shè )会(📆)关(🍸)怀持有强烈的批判态(😥)度，但都同时又轻(qīng )视(😏)(shì(⛑) )所处的社会。“招(zhāo )待(dà(📰)i )所”里充斥着施(shī )虐(👿)(nuè(🍣) )狂(🥃)(kuáng )和公开随机的暴力。结束语：有人说过(🕶)可(💆)以(🔩)(yǐ(🌤) )作恶490次并得到原谅(liàng )，但(dàn )第491次……(豆(👑)瓣(♟)电(🎏)(dià(🔯)n )影(yǐng )字(zì )幕翻译2.0小(🖲)组) Two attendants in a public toilet in New York save the life of the Mafia boss Attanasia. Attanasia turns one of them into a successful boxer by setting up his matches and makes the other into his right hand. When a gang war starts the two are accused of the murders and are sentenced to death. When the execution day comes they refuse to leave their cell, even when they are proved innocent. 英国出(chū )品(pǐn )的(👠)机(😮)场(🧡)版“grand hotel”（《大饭店》，1932年的美国(🥋)电影(yǐng )，曾获第5届学(📰)院(🚐)奖(👨)(jiǎng )最(zuì )佳(jiā )影片奖(💩)）(⚓)，描述(shù )一(yī )场(chǎng )大雾(📸)造成伦敦机场的班机(🗿)起(📷)降延误，多少富(fù )甲(jiǎ(⤵) )天下的上流社会(huì(🎬) )人(❄)(ré(😫)n )士(shì )因而发生了他们(men )个(gè )人(rén )的重大变(⚓)化(🏙)。参(🌂)加(💧)演出的除了令人艳羡的超(chāo )级夫妻档(🏂)Richard Burton和(🤑)Elizabeth Taylor外(🙌)，尚(👤)(shàng )有(yǒu )当(dāng )时的大(🏺)明星Louis Jourdan、Margaret Rutherford、Orson Welles、Maggie Smith等(děng )。每(🕋)个(🧣)角(💄)色在片中(zhōng )都(dōu )出奇(🔓)的漂亮和富有，导演(🤬)Anthony Asquith也(💓)卖(🎻)力地经营VIP的高(gāo )贵(⚡)(guì(📭) )排场，以至忽略(luè )了(🏏)(le )故(🀄)(gù )事内容的深入描(miá(👍)o )写(🔜)(xiě )，其戏剧效果形胜于(🥩)质，观众不妨把它当(🤐)作(📆)大(🎒)(dà )型(xíng )的“名人行丁录(lù )"来(lái )欣(xīn )赏。Margaret Rutherford更因(🎣)本(🌯)片(🙁)而(ér )赢(yíng )得(dé )第36届学院奖女配角奖和1964年(🤥)金(🍇)球(🎅)奖(🈚)最佳女配角(jiǎo )奖。 After an era of 'nudie-cutie' films from 1959 to 1963, sexploitation film-maker Russ Meyer turned to this 'roughie' rape-revenge, rural sex film with the tagline: "Ever wonder why wives WANDER?"; it starred 42C big bosomed voluptuous star Lorna Maitland as an unsatisfied married woman ("too much for one man") who was raped by an escaped convict in the woods after a nude swim in a swamp - and subsequently had her sexuality awakened, although her unfaithfulness led to her murder (a baling hook to the chest); some states prosecuted the film for obscenity 颠(🗻)沛流离，上(shàng )下(xià )只(🌺)(zhī(📙) )有(💁)十六文的盲人(rén )按(à(📕)n )摩(mó )师座头市（胜(🍜)新(🏮)太(🏩)(tài )郎(láng ) 饰）辗转回(🕷)到(😻)故乡笠间。虽然厌倦(🕉)黑(🥔)道搏杀(shā )，可是命运前(🚘)定(🍻)，此(cǐ )前(qián )死于阿市刀(🏮)下的(de )勘(kān )兵(bīng )卫的(🃏)弟(🕦)弟(⚽)岛吉（须贺不二男 饰）尾随而至，发(fā )誓(🎚)报(🧝)仇(🚒)。剑拔弩(nǔ )张(zhāng )时(shí )刻，传授阿市居(jū )合(hé(🚟) )刀(📦)(dā(👢)o )法(⏱)的浪人之子伴野弥(🎄)十郎（河津清三郎(🧠) 饰(👛)）(🤴)出面制止，并将徒(tú )弟(🤩)(dì )带(dài )回自己的住(⛳)所(💵)。故(🏩)(gù )地(dì )重游，以及弥(🥥)十(🚟)郎(láng )温(wēn )柔的妹妹(👯)弥(🤗)生（坪内ミキ子 饰）(🍵)都(🌖)令阿市心(xīn )发(fā )无限(✖)感慨。然而(ér )严(yán )苛(⏹)(kē(💈) )的(🍀)现实早已改变(biàn )弥(mí )十(shí )郎，他一面逼妹(📗)妹(🕶)嫁(🥅)给殷实人家，一面又暗(àn )中(zhōng )与盘踞附近(💨)的(🌪)天(🎺)(tiā(🐻)n )狗(gǒu )党(dǎng )勾结干着(🌥)绑架勒(lè )索(suǒ )的(de )营(📂)生(🚲)。 孤(🍱)女林洁芳的好友遭花(🤕)花公子冯仁生(shēng )遗(🦗)弃(🆘)，临(🏑)终托芳将(jiāng )一(yī )对(📪)(duì(⬅) )子女交还生抚养(yǎ(🚊)ng )·(🐼)芳(fāng )向追求她的冯汤(💫)美(🏿)求(qiú )助，却不知汤美实(🥫)为生·汤美为追求(🕜)芳(🎨)不(🈯)(bú )但(dàn )拒(jù )认亲儿，更骗芳(fāng )说(shuō )找(zhǎo )到(🛠)生(🚅)，然(🛋)后派人冒(mào )认(rèn )生把子女领走，再暗中卖(⏲)掉(🐛)，幸(🔤)得(🎲)跑江湖的(de )肥(féi )伯伯仗义相救·汤(tāng )美(👃)(mě(💆)i )欲(🤲)迷奸芳，芳男(nán )友(yǒu )李(📐)(lǐ )兆强及时赶至救(📯)芳(🦈)·(🐆)芳、强携孩子找汤美(🚭)算(suàn )帐，发现他即是(🙃)生(🥩)(shēng )·汤(tāng )美最初不肯(🎶)认(🥄)回(huí )子(zǐ )女(nǚ )，后得悉(🎥)此举将失去遗产继承(⚡)权(🚠)，竟强抢子女回家·芳、强偕(xié )肥(féi )伯(bó(😺) )伯(🏜)往(🔯)冯家里论，在(zài )汤(tāng )美妻的央求及保证(zhè(🤧)ng )下(🏝)(xià(✔) )，终(🕰)让孩子与家人团聚· When a travelling troupe of performers accept a commission from the mysterious Count Drago (Christopher Lee) and fail to heed the warnings of a local witch (Donald Sutherland), they find themselves trapped in the CASTLE OF THE LIVING DEAD. Terror ensues as they are picked off one-by-one as the Count enacts a diabolical scheme: the perversion of science to achieve immortality. A grim dwarf hero battles the Count's scythe-wielding henchman; a surreal secret museum of the Count's victims (whose number includes British horror filmmaker Michael Reeves) and the arresting Italian baroque setting all make for a uniquely cult film experience.