地道英雄全集

Don Salvatore Savastano, a boss involved in the smuggling of contraband cigarettes, is forced to watch four masked robbers kill his wife and his only son in a restaurant where he and his family are celebrating the young boy's first Holy Communion. From that moment on Don Salvatore has no other purpose in life but to get his revenge on the four assassins. French version of celebrated crime movie., 5 November 2009 FEARLESS (as the US video of this is known) is an exciting Italian police film, largely shot in Austria (which looks beautiful!), with Merli as a low-rent private investigator and former cop who is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence. But at the forty-minute point, the film enters a new sphere with the arrival of JOAN COLLINS, looking incredibly sexy, doing a striptease in a club, and giving the film a wonderful shot in the arm. This film was made right before her "comeback" with the films THE STUD and THE BITCH, based on literary works by her sister Jackie. I've always admired Ms. Collins and the way she took charge of her career and showed the world how sexy an over-35 lady can be. The crime elements of the film work well, Merli is exciting and witty (as he usually was), and Joan Collins is a seductive femme-fat ale in a role that her fans simply must see. I've watched this film a number of times over the years, and I can't recommend it highly enough...an exciting 70's Italian crime film with the added attraction of Joan Collins at the height of her powers is a dream come true for this viewer! 物理学家安(🍄)德烈(liè(🍈) )·路易斯自(🐁)杀后来到(dào )了一片(🍮)(piàn )绝望之地(🐈)，随(suí )后(👟)一道(👥)(dào )亮光(🛏)从天而降(jià(🎍)ng )，把他(tā(💚) )带到了圣城(🌞)家(jiā )园(yuán )——所有(🚩)和他类似(sì(🧡) )人的归(🖕)(guī )宿地，这里(🎭)地肥水美(měi )，他结交(⏱)了很多朋友(👄)(yǒu )，同时也遇上了自(🈹)己(jǐ )的劲敌(🐽)(dí )：他(👞)过去的自(zì(🌡) )己。他(tā )必须返回人(🎁)间(jiān )，证明(mí(🚣)ng )自己灵(🐙)魂的(💖)清(qīng )白(📌)(bái )才能(néng )重(🔴)返圣城(💗)家园(yuán )。天上(🌻)(shàng )一日，世间十年，下(📊)(xià )凡的他能(🔟)否挽回(👕)再婚(hūn )的妻(🥃)子(zǐ )和疏离的儿女(🕛)(nǚ )之间的(de )情(🚌)感呢？导演(yǎn )用一(👒)种(zhǒng )马尔克(🔸)斯式的(🗳)(de )叙(xù )事体(tǐ(🎧) )例，为观众展(zhǎn )示了(🉐)生(shēng )命的美(👗)好和灵魂的(🕞)价(jià )值(🏪)。 Most enjoyable outing from Mr Lenzi and whilst giallo-esquire is really quite a mixed bag. Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday, this turns into something much darker. There is real suspense including a splendid Hitchcockian scene in an aviary, lots of nudity and some pretty nasty moments. Irene Papas ( 'Zorba the Greek' and 'Don't Torture a Duckling') lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out. Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye. Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward. All three are a great asset and with a decent script and Lenzi's constant inventiveness, this is a fine piece of exploitation cinema. A penniless socialite is hired by two young men as a front in their plan to start a magazine. Soon, however, they find themselves more interested in her than in their publishing venture.