All the lights are gone in New York during a citywide power failure.Four dangerous criminals escape from the prison bus and hide in a posh apartment building owned by wealthy Ray Milland.The convicts begin to terrorize the residents and it's up to Jim Mitchum to stop the orgy of violence and abuse...I haven't seen Eddy Matalon's tedious "Cathy's Curse" yet,but "Blackout" is a pretty tense exploitation thriller.The action is exciting and the cast is impressive.The few scenes of violence are quite hard-hitting.If you are into 70's gritty and washed out excursions into urban paranoia give "Blackout" a chance.This obscure flick deserves to be seen.8 blackouts of 10.
Candice卑尔(🚟)(ě(〽)r )根和(🤙)吉(🛩)(jí )安卡(🌽)洛贾(jiǎ(❄) )尼尼明(🐬)星作(zuò(🤗) )为两个(🥍)来(lái )自(🦏)完全不同(tóng )的世界谁爱上了(le )一个充满雨(yǔ )的夜晚的(de )人。当浪漫(màn )的意大利(lì )记者保罗（贾尼尼(ní )）拯救美(měi )国摄影师丽(lì )（卑尔根(gēn )）从意大利(💒)(lì )村混(🔷)战，他在(💛)爱(ài )情(✒)没有结(💐)果(guǒ )的(🖊)努力。但(🔓)当他们(⛷)再(zài )次(🚼)在三藩(🥔)见面，保(🚬)罗也成(❎)功(🥫)(gōng )拉(🍁)拢(🕠)萃。现(🛀)在(🚣)，他们(🌼)(men )的(⛩)爱克服(♊)(fú )了传(🌾)统的意(👝)(yì )大利(💟)共(gòng )产(😑)党和现(🕍)(xiàn )代之间的差(chà )异，解放(fàng )了美国的女(nǚ )人，扬言要拆分(fèn )开？
小林从(cóng )小就被一(yī )个好心的老(lǎo )头子收留(liú )，而这个老(lǎo )头子有(yǒu )一个孙丫(yā )头，非(🔵)常的(de )乖(🐙)巧漂亮(👓)(liàng )，而这(🦃)个老(lǎ(🎪)o )头子的(🍅)武功非(🌭)常(cháng )的(⛴)厉害，不(💡)(bú )过他(🧝)的武(wǔ(👇) )功都是(🏎)一(🗣)些(xiē(😟) )奇(🥢)怪的(🤣)招(😢)式，小(🎎)林(🆕)从小就(🛴)非(fēi )常(🈵)喜欢这(😎)(zhè )个丫(🐴)头，也(yě(☝) )非常听(🍼)她(tā )话，不久，这个丫(yā )头的爷爷(yé )也就是小林(lín )的师父被(bèi )坏人打死了(le )，为了报仇，小(xiǎo )林勤奋的学(xué )习师父留(liú )给他的武功(gōng )秘籍为师(shī )父报仇。
“Jon Jost’s Chameleon was probably the happiest instance of a mixed marriage at the Festival (Edinburgh 1979): combining a freak, trippy (in fact almost Corman-esque) saga of a dope-dealer and all-round hustler with an abstract distillation of patterns of color and light. The place of the latter in the film is both somewhere within the drug-laced nimbus of its title character, Terry (Bob Glaudini), and somewhere outside its ironic description of the rampant merchandising of all other human activities. In a way, this abstract element almost serves as a secondary narrative, or at least becomes the ‘point’ of the film. At the beginning, Terry is seen hustling a painter of just such abstract designs to come up with six imitations of another painter which he can unload on the art market. With some ‘(🕞)persuasion’, Terry overcomes the painter’s reluctance, and at the end of the film returns to collect his merchandise. But the rolls of paper his is given turn out to be blank, and the painter defiantly protests, ‘(🔉)My life is color, form, the shape of things...’ before Terry knocks him down and leaves him lying in a pool of spilled colors that returns us to the abstracts which were shown in detail in the opening shots. It is probably not too deterministic a reading to see Jost as the painter and the blank sheets as the conventional movie which he has refused to provide for audience consumption.
寇克(🧦)将军(jun1 )，欢(🆔)迎您(ní(🈯)n )重返企(🔎)业号(hà(🏎)o )！
清晨，空(💏)荡幽(yō(🏕)u )暗的卧(🆔)室。潜行(✅)者(😗)（亚(🐲)历(🤪)山大(🍪)·(🍊)凯伊(🏢)达(🌟)诺夫斯(🥢)基(jī ) Aleksandr Kajdanovsky饰(🥤)）悄然(🌽)无(wú )息(🌠)地起身(❎)(shēn )准备(🥟)与另外(wài )两人会合(hé )前往一片恐(kǒng )怖复杂(zá )的地带。可妻子（阿(ā )丽萨·弗(fú )雷因德利赫(hè ) Alisa Frejndlikh饰）却极力哀求(qiú )他不要冒险(xiǎn )进入该地(dì )。而这位训(xùn )练有(🏫)素、 经(♑)验丰富(🏮)的潜行(🏚)者(zhě )，即(🗡)将穿(chuā(🍼)n )越的是(⛸)一片(pià(🤬)n )有着千(😣)变(biàn )万(🌏)化陷阱(🍗)和(🏍)(hé )圈(😂)套(❌)的地(📪)区(😹)“The Zone”。这块(🎮)二(🚉)十(shí )年(💙)前因陨(👉)(yǔn )星坠(🕡)落而荒(🌎)(huāng )芜的(♎)恐怖地(🤜)区，传说有一个(gè )名叫“The Room”的囚室，它(tā )能满足人(rén )们潜意识里(lǐ )最深层(céng )的意愿和(hé )欲望。潜行(háng )者与为寻(xún )求灵感的作(zuò )家（安纳托里·索洛尼岑 Anatoli Solonitsyn饰(shì )）和(🚸)为探(tà(💸)n )明真相(💬)的科(kē(💖) )学家（(🚏)尼古莱(💠)·格陵(🥌)柯 Nikolai Grinko饰）(🎌)，踏上了(🙁)(le )这片变(🚣)幻莫(mò(⭐) )测(🥗)的死(🗄)亡(🌔)(wáng )之(🚆)地(🔕)。