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Guns of the Trees de Jonas Mekas This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. 影(📮)片以艺术(🐰)的手(🏡)法讲述了陈云(🌎)(yún )同志担任中组部部长期间，在(💳)毛泽东同志的(🌶)领导(🔇)和支持下(🤷)创造(⤴)性地开展(⬆)党建(🐓)工作的故(gù )事(👪)，是第一次把延安时期党建工作(⚾)搬上大银幕的(🥉)重大(💏)革命历史(⏯)题材(🛌)影片，填补(📥)了重(😸)大革命历史题(🕗)材创作的一个空白。 A good start simply. The English title, and that's all I know, The Senator and is about two characters, very different, whose destinies meet in a nice heroin-conspiracy-business. First, we have the happy, naive and good-natured taxi driver who would prefer to marry his cousin and ensure that mother may see a doctor because of his leg pain. Then we have the sick law-abiding police Haghgoo that never has broken the law. The driver shows his fine driving in a car chase and become an employee of Khomeri, a really slimy politicians (it is implied in the beginning) who are also heroin dealers. Of course do not know our hero that it is heroin trafficking is all about, and will be fixed - by Haghgoo - in a crackdown. But after a while you realize Haghgoo that his new friend is innocent, let him go and get himself fired for this prank. 在未来的世(🤳)界中，因一场毁(⏬)灭性的生化浩(🏌)劫，造(💩)成地球上(🐡)的男(🙀)性人口几(🌖)乎灭(🚪)绝殆(dài )尽，剩下(🛸)的女性人口认为男性有与生俱(📻)来的暴力本能(🐂)，因而(✳)决定只生(🦆)育女(📻)性后代。然(🆔)(rán )而(🐥)，一位独来独往(⏯)的年轻女科学家（Julie Bowen）却创造出(📋)一位完全不具(🌗)暴力(🗻)特质的新(🎳)男性(🎪)--亚当（Paul Francis (II)）(🖱)，这位(🧒)划时代的(🧜)"新男(😁)性"会为女人当家的未来世界带来什么样的冲(🦒)击？ ［注］：(📏)《笼民(👂)》的正确页(📢)面是(🎾)： 长岛(dǎ(🎌)o )爱与(🎆)死 Love and Death on Long Island;年老丧妻的(🏋)英国学者盖尔迪亚斯，活在一个(🐍)与世隔绝的自(😈)我世(📨)界，他不知(🌌)道地(🥝)(dì )球正在(🌳)转动(💺)，对于世事的变(🤯)迁毫无概念。有一天他忘了带钥(🚹)匙，回不了家，于(😢)是他(🐋)想去看一(🤐)部文(😢)学电影《Ｅ(😸)Ｍ福(🐎)斯特不朽(🐭)时刻(🎠)》，他并不知道电影院里面有很多厅，他走错了戏(🖐)院，看了一部美(🐚)国Ｂ(🛎)级青春片(🔇)，正当(😷)他被影片(🐢)中可(🌪)笑的内容气得(✉)正要离去之际，他瞥见了银幕上(🍃)俊美的少(shǎo )年(💃)男演(🤞)员朗尼鲍(🎥)兹达(✋)。这个少年(📫)让他(➕)想起一幅画中(💋)的美男子，少年朗尼的青春与美(😄)让他心悸，带给(💲)他生命中前所(🏜)未有(➿)的震撼。他(☝)跑去(🐂)买他的画(⛓)册、(➿)剪贴他的照片、搜集他的录影带，温习他的每(🧢)个表(biǎo )情，牢记(🌰)他的(🍱)每一个生(🙉)活点(🤕)滴，彷彿一(🚨)个沉(🐺)迷偶像崇拜的(🚖)少年人。经由这个美少年，他开始(🎄)了解流行文化(💻)，了解(🙈)这个世界(🎙)的脉(❌)动，也了解(🤨)了如(📂)何操作录影机(🏸)。一股强烈欲望冲击著他，于是他(🖱)来到了朗尼居(✔)住的都市纽约(💌)长岛(🌞)。而年轻的(🛺)朗尼(📀)，也以一种(🎉)非常(😑)特别的方式，回报了盖尔对(duì )他的爱。 野野村亚(🏏)美（(村石千春(🔛) 饰）(🚠)和哥哥博(😢)野（(👲)水桥研二(⌚) 饰）(📥)是并没有血缘(🐲)关系的(de )义兄妹，两人的母亲前往(👝)海外公干，将兄(🔍)妹两(🙊)人留在家(⏲)里过(🏚)着相依为(🌄)命的(🗞)生活。虽然亚美(🈸)和哥哥之间经常因为琐事而拌(🐚)嘴吵架，但实际(🚦)上兄妹两人的(🚍)感情(🥪)十分的要(💮)好。