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대학교(🍀)수인 남(💢)편의 무관심 속에(🌑)서(🈸) 살던 현자는 동창(🏬) 은아를 찾아 갔다가(🎈) 은아의 남편 상억(🚒)이 바로 자신의 옛애(🌵)인임을 알고 경악(👣)한다. 현(😹)자는 어느날(🥛) 허전한 마음을 달(🏆)래기 위(🛩)해 캬바레에(🛑) 갔다가 상억을 만(💢)난다. 이(🐁)를 계기로 그(🏼)들의(🏜) 밀회가 잦아(👑)지고 급(👁)기야 주위 사람들(🍌)에(📥)게까지 알(🧛)려 진다(⛷). 그러자 자책감에(🖲) 시(🌗)달리던 현(👟)자는 자(💶)살을 기도한다. 그(👍)러(🍽)나 자살이 미수로(📫) 그치자 남편의 관용(⏺)과 이해로 새출발(🛃)을 하게 되고 상억 역(💪)시 가정으로 돌아(🕺)간다. 本(😋)片叙(xù )述(shù(🏘) )苏联入(rù )侵美国(🍹)，并屠杀(😊)美国的居民(🏏)，居(jū )民(mín )都无力(🈵)(lì )反抗(🎇)，此时有一群(🤷)年青人(rén )联合起(🚴)来(lái )对(🉐)抗入(rù )侵(qīn )者…(🚁)…(👱) ①エスカ(🕞)レータ(🍫)ー Abolfazl Jalili's docudrama La Gale (Scabies) is about the painful lives of young offenders who are serving time in the reformatories of post-revolution Iran. Young Hamed, arrested for handing out political tracts banned by the Islamic Republic, finds himself in a place of great suffering, in which illiterate and penniless orphans wash floors and sell their own blood. When a disease breaks out in the prison, his life within this harsh environment becomes progressively worse, a near-daily fight for survival. The film is a searing indictment against a government that failed to deliver the on the promises with which it came to power: to deliver social justice to the oppressed and downtrodden. Initially released in the mid 1980s, at a time when Iran was at war with neighbouring Iraq, the film was an unwelcome edition to the Fajr Film Festival, as its theme of prison life was deemed critical of the Islamic Republic. In a re-edited version, the film was released in 1989 to critical acclaim. Splatterpunk is an action/horror anthology film made in collaboration with the one and only David Schow. 影片讲(jiǎng )述了(🎢)一(🔺)(yī )群(qún )性(😽)格迥异(🐶)的游客，各自(zì )带(🌑)(dà(⏸)i )着不同(tóng )的目的(🖍)登(dēng )上相传藏有稀(📺)世珍宝的(de )灵(líng )雾(🕯)岛。在影子岛(dǎo )主下(🏣)落不明的时候，岛(🖲)(dǎo )上(shàng )的管家(jiā )们(🗜)也各怀心事。恰好(👰)在此时(💑)连环(huán )凶(xiō(📯)ng )案接踵(zhǒng )而至，凶(🍥)手密室(😨)杀人作案手(🐼)法高(gāo )明(míng )、动(👅)机(jī )也(❣)令人捉摸不定，让(🦏)岛(🔔)上(shàng )的每(🛡)一个(gè(♿) )人都脱(tuō )不(bú )开(🤴)嫌(🐰)疑。在这座(😃)暂时与(🥖)(yǔ )外界失联(lián )的(🔋)孤(🕎)岛(dǎo )上(shàng )，每一个(🅱)人都为了生存(cú(👕)n )而(🐮)(ér )提心吊(diào )胆、(🔅)为了(le )真相而绞尽脑(🏔)汁。 長年(nián )にわた(🍸)り資生堂のCMを手が(🦄)け、「女性美の(🍙)魔(mó )術(🧢)師」とも呼(🛏)ばれる映像作家(⏳)・小島(🍖)淳(chún )二(èr )の(📎)映画(huà )監督デビ(♌)ュー作(✌)。地方都市の郊(jiā(😢)o )外(wài )に暮ら(🌾)す34歳の(👇)良子。画家の夫、(🐒)姑(💛)、小学(xué(♐) )生の息(👋)(xī )子(zǐ )との暮ら(🤭)し(🌫)は周囲からは穏(🍍)やかに見えたが(🔪)、(🕦)良子にとっては(🍺)絶(jué )望(wàng )の日々だ(⏩)った。画家として(⛽)の創作意欲(yù )を失(🐾)い、ヤクザまが(💤)いの男(🌫)に自分の描(🖖)いた贋作を売る(🍱)夫から(🎽)の執拗な暴(⏬)力。追い討(tǎo )ちを(🈲)かける(🤐)止まることのな(🐭)い姑からの(🕖)刺(cì )々(🔙)しい嫌味。良子が(🐕)心(🧠)を通わせ(🚭)るのは(🚟)弟(dì )の圭人(rén )と(🥞)、(🤽)息子の宏だけだ(😴)った。そんなある(🕝)日(🤣)(rì )、良子はある(🚧)事件によって夫を(🖥)失(shī )ってしまう(🍒)。 艾迪·墨菲将主演(📰)(yǎn )Netflix新(xīn )片《我(wǒ )叫(📜)多麦特(🤷)》(Dolemite Is My Name)，聚焦著名黑(🐞)人喜剧(jù )演(yǎn )员(🍋)、《多麦(👴)特》系列电影(😋)主演鲁迪·雷(lé(✍)i )·摩尔(🎒)。克雷格·布鲁尔(🈳)(《嘻哈帝国》《川(⛲)(chuān )流熙(🎎)攘(rǎng )》)执导，Scott Alexander和Larry Karaszewski（《美(👕)国(🍊)恐怖(bù )故(⛎)事》《艾德(🏔)·伍(wǔ )德》）编写(🔛)剧(🎃)本。 Two men meet in a bar in Las Vegas and discover that they have one big problem in common - their wives. They decide to do something drastic about it.