英国(🚽)(guó )名(🔒)导(dǎo )演肯(kěn )罗素以(🙂)风格强烈(liè )著称，但(🛃)他(🍫)执(🕛)导的这部歌舞片却(🔶)平(⌚)易近(jìn )人，热情洋溢(🌰)。尤其(👱)(qí )在舞(wǔ )蹈场(chǎng )面(🐋)的编(🍵)排上(shàng )相当(dāng )别致(🤩)，由男主角克里斯多(🐆)夫(🐂)．(❇)盖(📼)博亲自(zì )编舞，颇有(🏜)百老(lǎo )汇黄(huáng )金时(shí )代(🎑)歌舞(wǔ )剧的(de )特色(sè(🦄) )。剧(jù(🐤) )情描述一名(míng )电影(📛)制(🐫)片家爱上了一个业(💏)余(💋)歌(🔦)舞剧团的演出(chū )，整(🔼)天梦想(xiǎng )着要(yào )将它(tā(🐔) )拍成(chéng )电影，因此(cǐ(🐆) )同(⚽)一(🎡)(yī )段歌舞却有两种(🍳)(zhǒ(🌴)ng )截然不同的表演方(👇)式，对(❤)比之下颇能彰(zhāng )显(➿)电(dià(🚘)n )影的幻想空(kōng )间和(🕣)(hé )造梦(mèng )魅力(lì )。在(🐱)七(🎿)十(😎)年(🕯)(nián )代极(jí )为走红的(🙀)英国模特儿崔姬饰演剧(🛩)团女主(zhǔ )角，相当逗(📌)人喜(🌉)(xǐ )爱。
福尔(ěr )摩斯因(🗯)(yī(🔖)n )为过(guò )分的(de )寂寞(mò(🌅) )，整(🌒)日(😌)注射(shè )可卡因，他的(🖤)好友华生医生强烈反对(🚜)他这样(yàng )摧残自己(🦄)的(🌕)(de )身(🍂)体(tǐ )。一(yī )天，福尔摩(😂)(mó(🤟) )斯接(jiē )到一(yī )封神(⛺)秘的(🤴)请帖，邀他去观看苏(🏼)联芭(🈶)蕾舞。芭蕾舞演员彼(🐫)(bǐ )得洛(luò )娃，希望和(🛣)(hé(🌰) )福(🏝)尔(⚓)(ěr )摩斯(sī )结合(hé )，因(🔑)为她想(xiǎng )要个(gè )孩子，还(🏫)希望孩子父亲的智(🎦)能与(👵)她的资(zī )丽能造就(🎿)个(👑)好孩(hái )子。福尔(ěr )摩(🏠)斯(🤜)婉(🛷)(wǎn )言谢(xiè )绝。几天(tiā(🏁)n )后，福尔摩(mó )斯收到一件(🔆)奇怪的包裹，里面是(🙆)在(🚢)一(👓)个被人(rén )从泰晤士(🆑)河(💶)(hé )中救(jiù )起的(de )患有(🏀)(yǒu )健(🍇)忘症(zhèng )的女(nǚ )人手(🏤)(shǒu )里(👉)找到的，一张(zhāng )写有(🤽)福尔摩斯住址的纸(🐟)条(🕋)。
一(🏃)个(🧔)极度心(xīn )不在(zài )焉(🖲)的(de )广告人(rén )的荒(huāng )诞故(✅)(gù )事。。。
农夫Ralph Gower耕(gēng )田时(📈)(shí )发(🏾)现一具带有皮毛的(🛶)尸(👁)体，他认为这是(shì )传(🖌)说(✏)中(😴)魔鬼的躯(qū )体，并把(🦁)(bǎ )这事告(gào )诉了(le )从伦(lú(👃)n )敦来(lái )的大法官，大(🍙)法(🅾)官(🍎)认为这只是无稽之(🥍)谈(📖)。当天，Gower主人外(wài )甥的(🧠)女友(🔧)晚(wǎn )上受(shòu )到惊(jī(🔧)ng )吓中(🈺)(zhōng )了邪，事情(qíng )使村(🐃)(cūn )民们笼罩在恐惧(🔣)(jù(🌵) )之(📝)下(🏄)，真的是传说中的魔(🔛)鬼复活了吗？最可(kě )怕(🚖)的(de )是，女(nǚ )孩Angel Blake扮(bàn )演(😽)起(qǐ(➰) )原始(shǐ )巫术的巫师(🔬)(shī(😀) )，带领青年们走向一(🐀)条(🐪)歧(👞)路——对魔鬼顶礼(🔌)(lǐ )膜拜。后果是，村里(lǐ )更(💶)多(duō )的人被(bèi )杀。事(📚)情(👩)(qí(📪)ng )完全向着一个疯(fē(🐼)ng )狂(🛁)的方向发展……
For a special mission to destroy drug dealers in Nice, hardcore bachelor inspector Campana has to don the role of a married man with a child. He adjusts himself well but will have to fight a lot before being able to achieve final victory.
An erotic drama about a youthful bride-to-be who takes a holiday to Yugoslavia with a cynical and evil lesbian film critic (and murderess) that leads to debauchery, degradation with a dwarf, a dinner with naked entertainers and other highlights...
最(🍟)近の(🕷)暴力団大滝組の圧(🚄)(yā )迫(🕞)と町ぐるみの浄化(🐣)(huà )運動(dòng )のあおり(🕵)で(🌏)、(👨)カ(🏍)ポネ団は住みなれ(🕹)た新宿を離れる破目と(🈁)なった。そこで神(shé(🔙)n )坂ら(👨)がひねり出(chū )した(🛏)名(📞)案(àn )は、タニーを(🏭)米(〰)国(📉)財閥のドックフェ(😋)ラー三世に仕立て、ミ(👱)スサウナ親(qīn )善使(🕞)(shǐ(❣) )節(♊)を米国に派遣(qiǎn )す(📀)る(🆕)というふれこみで(😣)、実(🔬)は大量スケコマシ(🐻)作戦(🤽)を磐梯熱海に展開(🐛)しようというもの(🔌)で(🖤)あ(💸)っ(🛏)た。計(jì )画は順調に(👙)運んだかに見えたが大(👝)詰めを迎え、タニ(📐)ーの(✝)バケの皮がはげて(😩)し(🔥)まった。そして、折(🆚)り(🙌)し(🛺)も居合わせた大滝(📌)に追いつめられるが、(😠)その危機を神坂(bǎ(🎃)n )の(🍲)少(📺)(shǎo )年時(shí )代のダチ(💣)公(🎵)(gōng )、峰(fēng )に救われ(💓)た。連(✉)(lián )中の逃がれつい(🏰)たと(🛣)ころは、老人尾高(🏿)が埋(mái )蔵金発掘に(🙉)熱(🍂)を(🛡)上(🎀)げている翁島であ(👸)った。一方、大滝組は土(🅿)地の金融業者黒柳(🤩)と結(🏈)託、一大観(guān )光チ(🚇)ェ(🎎)ーン建設(shè )に野(yě(🕷) )望(🎽)を(🙃)燃やしていたが、(🔙)翁島もその計画に入っ(🧓)ていた。神坂らはミ(🌴)ス(🤽)サ(🕷)ウナで一(yī )位を獲(🕸)得(📸)(dé )した銀(yín )子が尾(🌁)高(gā(🏫)o )老人の孫娘である(🍋)こと(🅰)を知り埋蔵金目当(👓)てに発掘作業に熱(😗)(rè(👢) )中(🥛)し(🗽)てしたが、出てき(🏄)たのは埋蔵金(jīn )ならぬ(📨)温泉だった。しかし(🥞)、こ(😑)の狂喜もつかの間(😇)、お玉とバイキング(🔀)、(🌭)そ(💃)して尾高(gāo )老人(ré(🐇)n )も大滝組の犠牲となっ(📘)た。やがて、銀子の(🌐)兄、(🕤)ジョーが舞いもど(🐩)り(👠)、峰とともに神坂(➕)(bǎn )ら(🚐)に加勢(shì )、大滝組(👀)への(🤴)挑(tiāo )戦を誓い合っ(➕)た。やがてカポネ団(🎱)の(🐗)面(✌)々は、大滝組のモー(✋)テル完成(chéng )祝のオ(👯)ート(🏨)・レースに、まぎ(💫)れこ(✔)み、大滝、黒柳め(🎵)がけて突進していっ(👚)た(🥔)。...
法(😶)(fǎ )国新浪(làng )潮名(mí(🍋)ng )将弗(fú )朗科(kē )依斯．特(🐸)鲁(lǔ )芬特自导自演(🥫)的代(😠)表作之一，根据十八(💲)世(👢)纪(jì )法国的一宗真(💚)人(ré(🏩)n )真事(shì )改编(biān )。
Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot.
Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.