这是反(fǎn )映(yìng )某一时期农村老光棍结婚难的电影。金苦生和(🔱)朴(🍾)运(👮)气(🥀)是(shì )乡(xiāng )村(cūn )里(lǐ )的(de )两(liǎng )个(gè )老(lǎo )光(guāng )棍，他们为了参加与城里女工们的集体(🛂)相(🔝)亲(🎋)活(🛍)动(🐘)，来到(dào )了(le )首尔。然(rán )而(ér )，见到的姑娘们都不愿意去乡村生活，她们异口同声建(jià(🌫)n )议(📸)(yì(🎪) )他(⛱)(tā(🔸) )们(🛫)(men )为(📿)(wé(🚗)i )什(🎗)(shí(🌾) )么(🗞)(me )不(🎳)(bú(🎵) )可(🏁)(kě(🍁) )以(🔌)把(🥛)家里的田产卖掉，一起来首尔生活。被说动心的苦(kǔ )生和运气留(liú )在(zài )了城里，一个(💆)做(🚈)了(🕵)超(🌉)市的派送员，另一个在女子桑拿(ná )室(shì )里(lǐ )做(zuò )搓(cuō )澡(zǎo )工(gōng )。在(zài )这里，苦生爱(🚃)上(🕰)了(😇)茶(🧚)馆(🕠)女服务员英珠，运气喜欢上了同(tóng )行(háng )秋子。但(dàn )当(dāng )秋子知道要和运气一起回(🕛)农(🤱)村(🔱)生(⛱)活(🚅)时(🐤)无(😚)情(🖌)地(🏅)抛(👺)下(🔐)了(📆)爱(😷)人(🙉)(ré(🚁)n )。心(🕣)(xīn )灰(huī )意(yì )冷(lěng )的(de )运(yùn )气(qì )承受不了打击，企图自杀，后被苦生救下。苦生决定带(dài )着(🖐)运(🌜)气(🖖)一起(qǐ )返(fǎn )回乡间。一天，苦生和运气救出了被金银店老板抢走(zǒu )的(de )英(yīng )珠(zhū )，深(shē(✨)n )受(🏧)(shò(💧)u )感(🗄)(gǎ(🤙)n )动(dòng )的英珠不禁再次考虑起与苦生的关系......
广告人卡拉劝说朋(péng )友(yǒu )帮助他实(😏)(shí(🔎) )现(🤛)(xià(👄)n )一(🔭)个(🅿)宏(🥎)伟(🗞)的(👁)理(🐜)想(🍋)：(👍)解(🐰)决(🎒)巴(🥅)西(🔻)东北部的干旱问题
搏击新起(qǐ )之(zhī )秀(xiù )布(bù )兰(lán )顿(dùn )平(píng )静(jìng )的(de )生活因为其兄的(🌮)意(🛁)外(🔡)被杀而被打乱，其兄随身携带、属(shǔ )于黑帮老大(dà )的(de )巨额现金也不翼而飞……在(🤡)卷(🍆)入(🌘)还(🧔)债(🔋)风波之余，布兰(lán )顿(dùn )更(gèng )发(fā )现(xiàn )其(qí )兄(xiōng )欠(qiàn )下(xià )了大笔赌债。为谋出路，对(⏬)哥(🥪)哥(🚊)的(🕶)死(🤥)深(🤱)感(🐗)内(📻)疚(🔝)的(♋)布(🈯)兰(😨)顿(👞)投(😼)(tó(🛃)u )靠(📋)了多年(nián )不(bú )曾来往的残疾老父，并在这个名不见经传的小镇上掀起(qǐ )了(le )一(yī )股(🏈)(gǔ(📑) )搏(🖱)(bó(🀄) )击(jī )热(rè )。他(tā )能摆脱黑帮老大的纠缠吗？不甘平淡的布兰顿凭借了自(zì )己的善(😀)良(🕑)、(🏙)勇(🥑)(yǒng )敢以及智慧赢得了甜蜜的爱情，也缔造着属于自己的(de )未(wèi )来(lái )。
Downtown Cairo is an organism that still seems alive back in winter 2009/10, but is becoming increasingly alien even to those born there. Khalid is looking for a flat. He’s a filmmaker. He looks at his images over and over again, as if he were waiting from them to produce some sort of meaning. The stories of his protagonists seem to come from somewhere inside him, he seeks points of reference in the outside world. The more he looks for them, the more they seem to disappear; not abruptly though, but in lengthy moments full of tenderness, such as when he bids farewell to his girlfriend who is leaving him, to his ill mother, to friends who have come to the city to premiere their films. For them, Cairo is a fixed reference point: One left Baghdad and is now living as a refugee in Berlin, another stayed there, a third lives in troubled Beirut. When they decide to send Khalid video material from their cities, it's not so much about helping him with his film than preserving something they still associate with Cairo via this bond, fully aware that it’s already a fantasy. An almost noiseless film in which time is overtaken by history. berlinale 2016
Kommissarie Mårten Späck har kallats till en brottsplats där regissören Harald Hamrell hittats genomborrad med knivar, gafflar, skedar och en hö(🐧)gaffel. Till allas fö(🛳)rvå(🎶)ning drar Kommissarie Spä(🚻)ck slutsatsen att det rö(🖱)r sig om ett sjä(👃)lvmord. Spä(🤕)ck ser kopplingar till andra sjä(🐲)lvmord och konstaterar att kå(📑)ren få(💺)tt en galen seriesjä(🐑)lvmö(⏱)rdare på(📋) halsen. Han kommer snart på(🐺) andra tankar nä(🤴)r hans rå(🎩)barkade kollega Grünvald Karlsson hittar andra spår – något som leder till något större än vad de kunnat ana. En ny kollega, superpolisen Irene Snusk kopplas inpå fallet. Tillsammans ska trion lösa ett av de viktigaste fallen i svensk kriminalhistoria.
George and The Man In The Yellow Hat are having a merry time counting down to Christmas. But neither can decide what to give each other. Will they find the answers before Christmas morning?