缺宅男女

Colt 38 special squad is a rare breed in the poliziotteschi genre. Excellent shot and filled with great casting, cinematographer/director Massimo Dallamano really comes trough on this one. Known for his outstanding camera precision on the Sergio Leone trilogy Colt 38 grapes you all the way. Of course there are a lot good examples for movies in those Italian cop/crime films.Like Milano Calibre 9 or The big racket. But Colt 38 special squad belongs among those films. Rather than just focusing on the usual violence this one delivers also a other angle, those of the mental-pain and struggle. Like a real pro Massimo let's you get involved in those characters and start to care form them. With all well paced storytelling we follow French crime lord Ivan Rassimov as the Dark angel in his mad rage against the city and his cops. Expeccialy against Marcel Bozzuffi as hard boiled Capitan Vanni. An old beef is going on between the two of them. Personal as can be, Vanni and his special crew of cops now not only arresting the locals bastards but are also mix up in the personal vendetta between Vanni and the crew of Dark Angel. The result is well packed storytelling with some brutal, but subtle action. Colt 38 is a well crafted movie with memorable scenes. Think in the line of city bombing and care chases. Rassimov is one's of the most cool killers. But really, Vanni is stealing the show in my opine that is. Of course also in real life those guys competing. Both are die hard actors. Dirty rotten by all those amazing scripts in there carrier. Kinda like De Niro and Pacino in Heat. Do not make the mistake of thinking less about this movie in budget ways. It's great cinema and a prime example of Polliziotesschi madness. Not to be missed Marco Bellocchio's trenchant VICTORY MARCH is about the madness of military life and its children's power games. It deals with the psychological ravishing of a sensitive and literate young man during the first year in his service in the Italian army. He is abused and shoved about by officers and non-commissioned personnel, and when he has the audacity to become a good soldier, he is shunned by the other trainees. The soldier, Passeri, is played by the talented Michele Placido, who was the youngest brother in THREE BROTHERS and the teacher in FOREVER MARY, both made after this film. Much of the movie treats Passeri's relationship with a strict and possibly psychotic young officer (Franco Nero) and his sluttish young wife, played by French actress Miou-Miou. The movie delves into the relationship between power and sexuality, has some scenes that are rather graphic. But it is another example of Bellocchio's exhilarating talent which can be both savage and humane, satiric and dramatic, and most certainly always fascinating. In 1926, famous evangelist Aimee Semple McPherson disappeared for six weeks. When she surfaced, she claimed that she had been kidnapped and held prisoner in Mexico. Others claimed that she was off carrying on an affair with a married man. This movie dramatizes the court hearing held to determine exactly what happened. 虽(suī )然(❕)此片(pià(😍)n )故事电(diàn )影和电视(📅)已拍过(🦏)(guò )多次(🍜)，但编导李翰祥在(zà(🈂)i )清宫戏(💿)(xì )的场(🤞)面铺陈上别(bié )有不(🚣)同(tóng )，而(🕐)且情节上也(yě )有改动(dòng )，所(😧)以还是(🤯)较有(yǒu )可观的(de )。如西太后反(🖋)对(duì )维(🍦)新方(fāng )面，改为遗老(👌)为(wéi )保(🈚)全功(gō(🏢)ng )名和荣华富贵不(bú(🌒) )惜长跪(🔖)(guì )不起(🌄)，加重她的(de )责任感(gǎ(🥕)n )。光绪幽(😟)禁瀛台(🏠)(tái )的出走(zǒu )之夜，西(⏫)太后又(🐣)(yòu )带皇(🅿)后(hòu )夜访光绪，并有(🎣)(yǒu )意还(🦊)政(zhèng )于(🕒)光绪(xù )。这些细节，使(🚐)(shǐ )西太(⛽)后(hòu )更(🤑)有人性的真实(shí )感(🗻)情。但描(🌦)写六君(📒)子的(de )戏时过(guò )于简(💑)略，是影(⛺)片(piàn )的一大(dà )失误。 A biography of the renowned escape artist Harry Houdini, examining his fascination with the occult and his promise to his wife on her deathbed that he would speak from the beyond. Yeong-su and Jeong-ah experience many problems as their budding romance defies the strict rules of the co-ed highschool they attend. After graduation when it looks like they can be free to live their own lives, Yeong-su joins the military and their relationship will never be the same. Hannelore Reitzler elopes with her boyfriend to the Hotel Liebesnest but he leaves her during the night after failing to take her virginity. Not wanting to return home, Hannelore takes a job as a chambermaid at the hotel, which involves giving sexual favors to the guests at an extra charge. Meanwhile, a female cat burglar sneaks into Liebesnest every night and whenever she gets caught, she offers her body to her captors to keep them quiet. 队长是(🛳)传(chuán )统(🏭)人士(shì )，思想保守，阴(💖)(yīn )差阳(🥁)错(cuò )却(👷)被派遣往一个(gè )男(🗑)女自(zì(🍯) )由交往(🕙)的军营中(zhōng )，为整(zhě(😀)ng )率歪风(🏵)，他决定(🥦)(dìng )实施一(yī )系列规(✏)矩，但旗(🐶)(qí )下士(🦏)兵(bīng )阳奉阴违……(⏹) This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions.