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意(🥃)大利西(xī )部片(🏥)宗(🤖)师瑟吉(jí )欧·(👵)莱(🛳)昂的传世经典(🎭)之作(zuò )，继与克林伊(🐬)(yī(🔆) )斯威特合(hé )作(🏯)「(🦐)镖客三系(xì )列(🏤)」(⛴)之后，瑟(sè )吉欧(🏩)(ōu )·莱昂这(zhè )部近三个小时的长篇(🏩)钜(😵)作，被称之为影(🚽)(yǐ(🔨)ng )史上最伟大的(👒)(de )西部片。 故事(shì )发生在1956年(nián )，传(chuán )教士(👁)耐(⏩)特(tè )（查德·(🎏)艾(⛔)伦(lún ) Chad Allen 饰）、吉(🌻)姆(🔐)（Sean McGowan 饰）、皮特(tè )（Matt Lutz 饰）和艾迪(dí(🕐) )（(🎀)Stephen Caudill 饰）千(qiān )里昭(🐭)(zhā(📡)o )昭来到了(le )位于(💃)(yú(😶) )厄瓜多尔(ěr )原(🛍)始丛林中的(de )瓦欧达(🅱)尼(🔬)族的领地，希望(🈁)(wà(🤱)ng )在这片尚未开(🍴)(kā(🤢)i )化的蛮荒(huāng )之(👯)地(dì )上播种下(xià )上帝(dì )的福音的(de )种(🔚)子(🕉)(zǐ )。然而等(děng )待(🕖)着(🐿)他们的却是凶(🚞)残的土著和尖锐的长(zhǎng )矛。 两个月前(📷)(qiá(😭)n )，美国一(yī )艘深(📨)(shē(🦓)n )海潜水艇(tǐng )在(🚼)运(🚜)(yùn )送超级军(jun1 )事物品时，军(jun1 )方收到一(🕡)阵(⏸)勐然攻击及船(🆎)(chuá(🍰)n )员惨叫声后，潜(🍊)艇(📋)无故(gù )失踪(zō(📓)ng )…一段时(shí )间后(hò(🍧)u )，潜(🏢)艇于(yú )距离加(😦)州(🛷)海岸(àn )60英理被(🧤)发(🙋)现，为了搜回失(🈴)(shī )去的货物及查(chá )出事发原(yuán )因，政(🥝)府(🌷)派出(chū )荣恩(ē(🥓)n )博(🖥)士及精(jīng )锐女(🎖)(nǚ )金刚进入(rù )潜水艇…方发现大部(🧣)分(⏩)船员无故被杀(🅰)，只(🧙)剩下一位半(bà(💠)n )疯(🏦)癫的幸(xìng )存者(zhě )，在哭诉(sù )船员(yuá(😚)n )被(📙)不明怪(guài )兽厮(➡)杀(🌮)的故事(shì )……(🤣) 威(📜)斯康辛小镇故(📰)事，群像式的浮世(shì(😧) )绘(🌤)。对美(měi )国地(dì(🌰) )域(🐁)文化有(yǒu )浓厚(🥒)(hò(🎈)u )兴趣的朋(péng )友(💟)，不妨一看(kàn )。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. Its the year 2045. War on drugs in Mexico has escalated as a ruthless drug Cartel use robots to enforce their operations. 安吉拉（桑德拉·布洛(🧤)(luò(🏕) )克 Sandra Bullock 饰）是一个(⛰)(gè(🥥) )与世隔绝(jué )的(🗣)程(chéng )序员，电(diàn )脑是(shì )她的好帮(bāng )手(🚛)也(🎍)是好朋友(yǒu )，她(⛩)的(🌳)大部分生活都(🗒)围(🛡)绕着电脑有条不(bú )紊的进行(háng )着(🥁)。一(👋)次偶然(rán )中，安(💽)吉(🎿)拉收(shōu )到了(le )同(🐲)事(👲)寄来(lái )的一张(🖲)磁盘，而之后没多久，这(😚)位同事(shì )便死(😬)于(⚡)非命。之后，在(zà(😹)i )一(📻)次(cì )度假中，安(🛃)吉(jí )拉邂逅了(le )一名英俊帅气(qì )的男(🚲)子(🤦)，但很快聪明的(🐚)安(🍊)(ān )吉拉便发现(🐋)了(le )这名男子(zǐ )心中(zhōng )所怀的不(bú )轨(👴)。