财运五福星

Broadway's Finest is a diverting story about three struggling men who impersonate New York City under cover cops and chase down a notorious drug dealer in order to create their own cutting edge police drama. Desperate for success, they enter the dangerous world of undercover police work to get the authentic material they need to create their show. As the exploits of the ill-prepared detectives get them deeper and deeper into the case, they are driven to extremes. Do these guys really know what they're playing with? Will they survive the dangers of the street? Things are rarely what they seem in this gritty dramatic comedy. In these so-called post-modern times in contemporary art and media, which extol ostensibly non-judgemental ambiguity both ethical and narrative, there is a hunger for full-blooded, ferocious art that does not shy away from meaty issues of spiritual corruption, of right and wrong. No writer answers this need so perfectly and passionately as William Shakespeare. While the rest of the world can take him totally for granted and can afford to deconstruct and casualise him, he is barely heard of in Thailand, a country that is actually living through Shakespearean times. 中世(shì(⛏) )纪的英格兰(lán )，诺丁(dī(🈲)ng )汉舍伍德森林(👍)内(⚫)(nèi )，传奇侠客(kè(👼) )罗宾(🐏)汉（马(mǎ )汀·(🔂)瑟(😄)恩 Martin Thon 饰）声(shēng )名(🏋)远播(🚶)(bō )。他与兄弟(dì )们(🧘)劫(jié )富济贫，深(shē(🌁)n )受百(📙)姓爱戴，也受到(🤛)达(💄)官贵(guì )人的切(👳)(qiē )齿(❌)憎恨。这(zhè )一日(🍆)(rì(👕) )，罗宾汉在(zài )森林里(lǐ )救下了被追杀(❔)的(de )美丽女孩玛(mǎ(🙍) )丽安(📠)（雷蒙(méng )娜·(📼)库(👰)恩 Ramona Kuen 饰），并将之(🤽)(zhī )带(♊)回自己的营地(dì(🕵) )。玛丽安原(yuán )准备探望父(fù )母，谁知中(🏠)途(🚨)遭(zāo )遇了觊(jì(🍭) )觎她(🎦)财富的歹徒(tú(🧥) )。虽(🧜)然她感(gǎn )激罗(🛺)宾汉(⏱)的(de )救助，可是这个(👾)(gè )高傲并(bìng )有着(😦)崇高(🚽)信(xìn )仰的(de )女孩(🤮)根(🥋)本不(bú )认同这(👅)群绿(🎋)林好汉的生存(😲)方(🍆)(fāng )式，她(tā )与罗宾汉爆(bào )发连(lián )番争(📽)吵，一(yī )度想离(lí(🎫) )开此(⏳)地寻找父母(mǔ(🤚) )。 影(🙆)片主人(rén )公是(🔋)一名(🥌)退(tuì )休的(de )音乐教(🦒)授，名叫米(mǐ )沙·布兰科夫，在不同寻(🚴)常(🎒)(cháng )的情况下揭(🌄)(jiē )开(🎟)了自己的身世(🔦)(shì(🏌) )秘密。在贝尔格(🐺)莱德(👎)曾(céng )经矗立着纳(🎋)(nà )粹集中营的一(🗄)片废(🔐)墟上，人(rén )们发(💴)现(♓)(xiàn )了一个装满(👢)(mǎn )文(📐)件(jiàn )的铁盒子(🎸)。这(🔛)是在1941年，一位名叫伊萨克(kè )·威斯(sī(🔓) )的集中营犯(fàn )人(😆)把(bǎ(👚) )它埋在地下(xià(🧕) )的(🀄)。教(jiāo )授得知威(🐬)斯才(😁)是(shì )自己的真正(📗)(zhèng )父亲。他在(zài )离开(kāi )之前，把孩(hái )子(🕧)交(🌊)给(gěi )了布兰科(📥)夫一(♐)家(jiā )抚养。盒子(🕥)(zǐ(🥕) )中还装着一(yī(🏀) )本未(🎴)完成的曲谱(pǔ )，曲(🉑)名(míng )叫做《当天色(🕙)破(pò(💋) )晓》，是伊(yī )萨克(😷)·(🏰)威斯在集中营(🏞)中创(🍠)作(zuò )的作品(pǐ(🐠)n )。教(🤪)授决心(xīn )完成(chéng )父亲未尽的(de )作品，并(🙉)且在废墟上进行(💝)一(yī(🕰) )次告慰(wèi )亡灵(🚨)的(🕉)演奏(zòu )。 《忒修斯(⏮)的船(🐟)(chuán )》由三(sān )个看似(🚌)互无关联(lián )的独立故事(shì )组成。 在英(🚡)(yī(🙆)ng )国萨(sà )福克郡(🔧)一个(📽)(gè )偏远的(de )小村(😈)庄(🖋)，有一座(zuò )古老(🤞)的修(🔈)道(dào )院，一种神(shé(🚼)n )秘的黑暗力量笼(🆎)(lóng )罩(🚌)那里(lǐ )长达几(💒)个(🙁)世纪。在这种力(🎶)量(lià(🤴)ng )的驱使下很多(🆗)年(📀)轻的夫妇到(dào )那里自(zì )杀，因此很(hě(😤)n )多年(nián )之前人们(⏭)就(jiù(📛) )被禁止去那里(💷)，只(📬)有一(yī )棵象(xià(🔏)ng )征不(🐵)祥(xiáng )的错综缠拗(💌)(niù )的古(gǔ )树在那里来(lái )作为警(jǐng )示(🐮)的标志。有四(sì )个(❕)朋友(✝)在假(jiǎ )期游览(🎁)当(🏮)地(dì )时，无意中(✝)闯进(🍇)(jìn )了这个(gè )神秘(🈲)的地方，究(jiū )竟会发生(🧟)什(shí )么呢……(🔴) Winner of five awards, including Best Actress, at Tehran’(♓)s 2013 Fajr Film Festival, THE BRIGHT DAY weaves a story that has its roots in the complexity of Iran’s draconian laws governing capital punishment. A kindergarten teacher hopes to aid the father of one of her young students, a man accused of manslaughter, by convincing each of seven reluctant witnesses to come forward. No one lacks a hidden agenda in this drama in which shades of truth collide with self-interest and the specter of payback. 因为一场车(🚋)祸(huò(🏎) )，男人(rén )（奉太(👳)奎(💙) 饰）在(zài )医院里苏醒(xǐng )过来时，发现(🔡)自己失忆了。他到(🕵)警(jǐ(🥢)ng )局确认自己(jǐ(💁) )身(🎅)份(fèn )，遇到一个(😙)(gè )奇(🌍)怪的女子（朴信(🅱)惠 饰(shì )），她准确(què )地讲出了男(nán )人(♌)的(de )名字、年龄(lí(👓)ng )以及(🗿)家(jiā )庭状况。然(👀)而(🥝)别(bié )人都看不(🎓)见(jià(🏢)n )这名女子。 YOMYOMF, the You Tube channel owned by Fast and Furious stalwart Justin Lin, is celebrating Halloween with a new horror anthology directed by some of the most interesting horror directors currently working in Asia. Lin will serve as an Executive Producer for the project alongside Anderson Le, Director of Programming for the Hawaii International Film Festival. One short will premiere each Thursday during the month, and the filmmakers include Oko Anwar (Modus Anomoli), Woo Ming Jin (The Tiger Factory), Eric Matti (Tiktik: The Aswang Chronicles) and Noboru Iguchi, who, judging from the title of his short, apparently did not get enough of filming butts when he made Zombie Ass. The gimmick for this one, titled Silent Terror, is that (surprise!) the directors were not allowed to use any dialogue in their shorts.