他的软心糖

阿戈斯之王亚克里斯(🏣)(sī )的(🛒)女(💾)儿达娜厄美丽动人，连(🤴)(lián )天(😇)(tiā(🏫)n )神宙斯（Laurence Olivier 饰）也(yě )为(🈺)(wé(🈺)i )之(👞)倾(♍)倒(dǎo )。在宙斯的感召下(xià(🏅) )，达(⭕)娜(✅)厄生下一个男孩，取名(mí(😗)ng )珀修(🚬)斯。但是蒙在鼓(gǔ )里的阿(🕔)(ā )戈(🔲)(gē )斯认为女儿不贞(zhēn )，遂企图(🍑)(tú )杀(🚵)害女儿和孙子。他(tā )的罪(🤦)行引(⛷)起宙斯的愤怒，宙(zhòu )斯(sī(🌵) )命令(📢)波塞冬（Jack Gwillim 饰(shì )）拯救达(🔘)(dá )娜(✍)(nà(💻) )厄母子，并放出(chū )北(bě(💿)i )海巨(🤟)妖(🙎)(yāo )，摧毁阿戈斯。数年(niá(🤓)n )后，珀(🎟)修(🚕)斯（Harry Hamlin 饰）成长为英(yī(📮)ng )气(📁)(qì(🍼) )逼(🤛)人的美少年，宙(zhòu )斯的对(✡)(duì )他(📜)(tā )的爱无以复加，甘(gān )愿(🐁)赐予(💂)他华丽出众的武器。在此(🏠)之后(🥂)，四处游历的珀修(xiū )斯(sī )遇到(🚧)美丽(🕕)的公主(zhǔ )安(ān )德鲁美(mě(🔞)i )达（(😢)Judi Bowker 饰）。安德鲁(lǔ )美(měi )达原(🤥)本要(🔭)嫁给忒提斯（Maggie Smith 饰）的儿(🍇)子卡(🌟)里(🦅)波斯，但(dàn )卡里波(bō )斯(🥢)(sī )触(🥞)怒(🕘)宙斯而被变(biàn )成(chéng )丑(😍)陋的(✉)(de )怪(🍽)物。珀修斯的介入(rù )更(✅)加(🍛)激(🕜)起(🕴)忒提斯的愤怒。一(yī )场(chǎ(👯)ng )卷进(🌒)奥林匹斯众(zhòng )神(shén )的战(😒)争(zhē(🧑)ng )就(jiù )此展开…… 本片(pià(✍)n )是(shì(♋) )由《一笼傻鸟》的原班人马(mǎ )拍(👆)摄的(🧑)续集。影片讲述艾宾(bīn )（(🍾)米歇(🧞)尔·塞侯 饰(shì )演(yǎn )）由(🈹)于(yú(🐎) )不满男友雷纳托说(shuō )他(📷)(tā )年(🥫)纪(🎷)大，于是扮成女人的样(🐔)(yàng )子(⛅)走(🕵)上大街，希望证(zhèng )明自(😟)己(jǐ(🚝) )魅(📌)(mèi )力不减。却不想(xiǎng )半(🍣)(bà(👙)n )路(⛪)遇(🆗)到(dào )正在逃亡的间谍，卷(🚷)(juàn )入(🏭)了一场国际间谍战……(🌄) 一(yī(🔅) )年(nián )一度的万圣节再(zà(👻)i )度(dù(🖐) )来临，大(dà )街小巷都沉浸在(zà(🦒)i )欢(huā(🌴)n )乐气氛中。然而，这个节日(🚳)(rì )对(🍓)于卢米思医生（唐纳德(🖌)·普(🏺)(pǔ )利森斯 Donald Pleasence 饰）来说(shuō )却(🔖)(què )是(💯)一(🏡)个(gè )彻头彻尾的灾难(😑)，因(yī(😉)n )为(🎤)他负责控制的杀人狂(🛠)迈尔(🌑)(ě(🐂)r )斯（Tony Moran 饰）逃走了，很(hě(🥅)n )显(🛣)然(🔝)，他(🍗)(tā )想在这个属于他(tā )的(🍱)(de )节日(🧑)中(zhōng )再度大开杀戒。 A group of castaways wash ashore on a deserted island in this Italian sex/gore movie. They are unaware that a sex-crazed radioactive monster is also on the island. He attacks and rapes several of the women, who die horrible deaths because his sperm is radioactive. The survivors must find a way to either escape the island or kill the monster. 本片(👜)(piàn )讲(🤴)述的是一个年轻女孩在(㊗)被(bè(👬)i )自(zì )己的母亲男友强(qiáng )迫(pò(🥐) )发生(💈)性(xìng )关(guān )系后因为愧疚(🏿)而(é(🛹)r )离(lí )家出走的故事。当她(👣)开始(🔴)独(dú )自生活时，她才发现(😇)有一(🔩)大(🏯)(dà )群(qún )男人并不是真(👯)心(xī(🎓)n )想(🌒)(xiǎng )要帮助(zhù )她，而是对(🆎)她别(🗣)有(🏉)(yǒu )所(suǒ )图..... 秦梦丈夫被谋(🥏)财(🔚)害(🔇)命，化(huà )成冤魂求助妻子(👡)附身(🕹)(shēn )布娃娃(wá )上(shàng )京告御(🚜)状的(🎤)故事(shì ) “L’homme atlantique est peut-être le premier film à vous faire regarder les images les yeux fermés. (…). Il est juste de dire que ces quarante minutes de noir sont les plus belles images que Marguerite Duras ait imprimées sur la pellicule.” Gérard Courant A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists. 铃木(📘)清顺(shùn )大正（浪漫）三部曲(✋)：《流(💕)(liú )浪(làng )者之歌》、《阳(yáng )炎(🎣)(yán )座(🙊)》和(hé )《夢二》中的第二(èr )部(🔉)(bù )作(🕗)品。