A waiter (Amparo Munoz) with the personality of a house plant but not quite that intelligent, gets by on his good looks as he enjoys the favors of women. A duchess lands him a job as a gardener in the palatial spread of one of the ministers of Adolfo Suarez (Prime Minister in Spain at this time). The wife of the minister (impotent himself) seduces the mindless gardener, and apparently finds something lacking because then she goes after the minister's secretary. Unbeknownest to her, the gardener has just converted her into a budding mother. Meanwhile, terrorists decide to kidnap the gardener as a kind of bait (or practice run) for kidnapping the minister. Although it is not revealed until later, the secretary is in league with the terrorists, but then so is the minister. The whole lot of them, in fact, is really controlled by an international ring of corporate types promoting the use of nuclear energy. In brief, an impotent, secretly terrorist minister with a pregnant wife, stupid yet randy gardener, and lesbian, terrorist secretary is running part of the Spanish government, apparently about to be taken over by nuclear energy. ~ Eleanor Mannikka, Rovi
罗德岛附(🔼)近(jì(🌾)n )的某海滨(🐥)小镇(🍧)(zhèn )，风景如(🐩)画，舒适(shì(👺) )宜(yí(🦗) )人，引得四方游客前来度(dù )假。但这里(🏠)似(sì(⛪) )乎(hū )却(què(😀) )隐藏(☔)着不为人(🥁)(rén )知(🐍)(zhī )的秘密(🐷)。来此度假(💛)的游(📱)客(kè )或暂居此地的居(jū )民(mín )起初会(🆙)受到热(rè )情款(❎)待，然(🍧)(rán )而不久(🥌)后他(🏟)们便(biàn )被(➡)残忍杀掉。更(gè(🔌)ng )为(wéi )恐怖的是(🦇)，这(zhè )些已经死去(qù )的人随后会再次(🖼)(cì )出(🔮)现岛上，以(🚢)主(zhǔ(🉐) )人(rén )的身(🌃)份笑(🛤)迎八(bā )方(🌭)宾朋。
This award-winning 1981 film is as realistic a portrait as exists about the struggles of working-class families in industrializing Brazilian cities. The two families whose stories are told, live out the contradictions, violence, and almost overwhelming difficulties that are part of living in Sao Paulo, Latin America's most industrialized metropolis. The film won Fernanda Montenegro (CENTRAL STATION) one of her first international best actress awards, and the film itself was awarded the Special Jury Prize in 1981 at the Cannes Film Festival. It's definitely one of the best films to have come out of Brazil in the 80's.
在(zà(✳)i )洛衫(✡)磯，一個(gè )叫(jiào ) Emilie 的法國女人剛離(lí )開(🌐)(kāi )她(🏅)的情人。她(🛏)正在(🚹)替自己(jǐ(🦆) )和她(☔)八歲的兒(🌪)(ér )子(zǐ ) Martin 找(🐀)(zhǎo )房(🐠)子，暫時以(yǐ )路(lù )上撿來的傢俱來安(🌆)置他們(men )的家。她(🏤)的慌(🌌)亂(luàn )不(bú(🐩) )安與(🌊)其說是透(💳)(tòu )過她自己表(🥊)(biǎo )達出來，不如說(shuō )是透過她所觀察(chá )的(de )人們表達(🦕)出來(🥞)(lái )。她只是(🦐)默(mò(🍬) )默地生活(⛄)在不(💲)斷(duàn )地自(😗)我放逐中。
20年(niá(🤛)n )前，向峰（张(zhāng )纪中 饰）爱(ài )上了大(🎡)凉山(📺)有(yǒu )舞(wǔ(😛) )蹈天(🍉)赋的彝族(📕)姑(gū(🧤) )娘(niáng )曲木(❣)阿芝（程(📦)晓英(🥢) 饰），并在共同的创(chuàng )作(zuò )中(zhōng )收获(🍮)彼此的爱(ài )情(🐀)(qíng )。但(✌)经过十年(😻)动乱(🍆)之后，留给(👹)他的只有(✳)痛(tò(🥩)ng )苦(kǔ )和内疚。在曲(qǔ )木阿芝最困(kùn )难的时候，自己(jǐ(🌑) )选择(🦁)了逃避。回(🌕)(huí )想(⏸)(xiǎng )到此，向(👵)峰心(xīn )绪难耐(🥑)。今(jīn )天他以舞(🕟)蹈编导(dǎo )的身份再次进入(rù )大(dà )凉(🔽)山，意(❎)外发(fā )现(🌵)曲木(✍)阿芝(zhī )还(👯)活着(🎊)，他激(jī )动(⤵)(dòng )相认，却(🎌)遭到(🦎)曲(qǔ )木(mù )阿芝冷淡拒绝。倔犟的曲(qǔ(📟) )木阿芝不能原(🐟)(yuán )谅(〽)(liàng )一(yī )个(🛐)男人(🃏)在身临(lí(👈)n )绝境时所(💸)表现(🌰)出的怯懦，也(yě )不能原谅他对爱(ài )情(qíng )的负心。经过(👞)(guò )一(🦃)段时间观(⬜)(guān )察(🏃)，曲木阿芝(🈁)在(zài )向峰的创(🍚)作方案(àn )中(zhō(🧑)ng )看到了向峰的(de )悔恨和痛苦(kǔ )，了解到(🧔)他在(🌩)文(wén )革中(🛐)的不(📣)幸遭遇(yù(🏀) )，她的(💂)内心被触(📕)(chù )动了......
故(🎇)事发(➖)(fā )生在等级制度(dù )森(sēn )严的英国，年(🕝)轻(qīng )的(de )康妮（(🥑)西尔(🧡)维娅·克(🚎)里斯(🌳)(sī )蒂 Sylvia Kristel 饰）(🥣)终于等(dě(🗣)ng )来(lá(🤩)i )了(le )与自己分别多(duō )时的丈夫克利福特（Shane Briant 饰），但同(🛳)时也(⏰)等来了(le )丈(🐽)(zhàng )夫(😄)下半身永(🙏)久(jiǔ )瘫痪的噩(👫)耗(hào )。面对残酷(🎈)的现(xiàn )实，善良的康妮(nī )只(zhī )得默默(⚽)接受(🦏)。