女(👷)人们 - 剧(jù )情
无(🎙)谓(wè(🐕)i )的胡闹和纯(chún )纯的爱(🍓)情，三(💢)年(nián )高中时光(🍸)转(zhuǎn )瞬(♏)即逝，少男少(shǎo )女们(💒)迎(yíng )来(⏸)了毕业的(de )时刻(🃏)。利一(🤸)（千(qiān )原浩史(🗂)(shǐ ) 饰）(🗼)、裕之(zhī )（千原靖(⬛)史 饰）(🕦)、小铁（やべ(🚚)きょ(😨)うすけ 饰(shì )）、凉(liá(🏷)ng )子（鈴木沙(shā )理奈(🦈) 饰）这(🥗)群死(sǐ )党从此(🥎)走入(🦆)(rù )社会。小铁虽成(chéng )为(🤯)烹饪(🥕)(rèn )师，却不改(gǎ(🚖)i )争狠斗(🥙)勇的本色(sè )，时(🥒)常打(🙀)架(jià )惹出乱子；利一(👶)(yī )在(👹)小铁(tiě )的餐厅(🌟)当保(bǎ(🐸)o )镖，凉子则开办(bàn )了(👤)自己的(➗)美(měi )容院，两人(🏘)的恋(🕢)(liàn )情从最(zuì )初(🐙)的激情(🙇)四(sì )射渐渐归于平(🧢)淡(dàn )。某(🧣)日(rì )，中(zhōng )学的(💲)同(tó(🌝)ng )学直美（菊池万(wàn )理(🚷)江 饰）出(chū )现在利(💔)一面前(🏨)，这个厌(yàn )倦了(🔠)平凡(🔡)生(shēng )活和爱情的大男(🚈)(nán )孩(📕)接受了直(zhí )美(💪)的示爱(📛)，最终(zhōng )选择和(🍙)(hé )凉(😿)子分手。曾经无比纯粹(🎹)的(de )情(💠)感，终于(yú )在生(😒)活现实(🔔)的碾(niǎn )压下支(🥔)(zhī )离(🐵)破碎…(🤐)…
The dating scene among four young African Americans is examined in this well-intended, yet unfocused romantic comedy. Couple A are Brandy (Campbell) and Montel (Cundieff) who realize that they have a chance at true love. Couple B are their friends Adina (Parker) and Clyde (Torry) who try to sabatoge Brandy and Montel's happiness in order to save them from being "sprung" (in love) with each other. The camaraderie between the couples is funny, some of the time, but the humor often turns from vulgar to juvenile and scenes drag on a bit. Cundieff and Campbell are too bland to carry over the used plot but Torry is a comedic find who makes the film tolerable.
影片讲述了(Ⓜ)五十(💯)(shí )年代的曼谷(🥛)(gǔ )黑道(🧤)上，与伙伴(bàn )们怀着(🌤)(zhe )青春的(🏳)本钱(qián )，一边随(💡)着猫(👛)王(wáng )的ROCKROLL肆意(yì )舞动(dò(♐)ng )，一边(biān )在腥风血雨(😮)、你(nǐ(💅) )死我亡的江(jiā(🔅)ng )湖里(➖)翻来覆去。少年阿(ā )飞(🐞)的生命在(zài )丰富的(📘)情节和(👿)漂(piāo )亮的画面(🌩)推(tuī(🤠) )动下，被处理得(dé )饱满(🙏)而(é(🎩)r )不乏层次，剧力(🚅)跌宕起(🍳)伏，流露出黑帮(🖐)(bāng )袅(💚)雄的悲剧感。本片上(shà(💢)ng )映后(🔷)大受欢(huān )迎，除(🌛)夺得当(🐄)年(nián )票房冠(guàn )军外(🦁)(wài )，还获(🚡)得当年泰(tài )国(💡)电影(🍬)(yǐng )学院最佳影(yǐng )片、(👢)最佳导演及(jí )最佳(💍)男(nán )主(⛄)角(jiǎo )奖以及(jí(♑) )布鲁(🛁)塞尔国际电(diàn )影节最(✨)佳影(yǐng )片奖。
ある日(🧀)、沖縄(👪)の海に奇怪な(🐧)生物(🍾)が現れた。オニヒトデ(🌈)を思(🎃)わせる「それ(🍐)」は毒(🔂)液で漁師(shī )を(🥕)負傷(🎂)させ、瞬(shùn )く間に日(📘)本(bě(💏)n )全域に広がっ(💟)た。それ(❇)は伝説のニライカ(🕒)ナイの(🍹)古(gǔ )代文明(mí(📣)ng )が環(🖤)(huán )境汚染の解決の為(🕧)の生(shēng )体浄化シス(💑)テムと(🗃)して生み出し(🍜)たが(🛬)、暴走したために結(😚)果としてニライカ(🐝)ナイの(🔟)滅亡の一因と(💖)なっ(🥘)た怪獣(shòu )ダガーラの(😓)復活(🖥)(huó )の前兆であ(🌨)った。
Director Daisuke Gotoh clearly doesn't understand the erotic psychology behind a successful (or even interesting) women-in-prison film. I mean, the primary component of dykey-women-molesting-other-women-behind-bars seems to have completely escaped him in this one! Yoko Saito is certainly well-cast as the pretty Scorpion, unjustly accused, convicted, and thrown into a California women's penitentiary on clearly spurious grounds. But once she's there, nothing even remotely interesting happens. Yes, there are some dykey-looking women about, as well as some pretty young female inmates just waiting to be sexually victimized by them. But it never happens. There's really no lesbianism whatsoever. Instead, it's the male warden and his guards doing all the dirty work. So why the women-in-prison setting? If he didn't want to include scenes involving girls with other girls he should have set this story in a nightclub or brothel. Obviously this director knows (or cares) nothing about this genre of films, and it was very disappointing as a result.
Hugo Pool is a quirky tale of a Los Angeles pool cleaner (Alyssa Milano stars as Hugo Dugay) who falls in love with a young man dying of Lou Gerhig's Disease.