Catherine is a servant girl working for the local mayor and victim of the sharp tongues of the mayor's wife and her friends. This is made clear in a first scene where she is asked to get the key of the mayor's desk at a cultural party the wife is attending. She is harassed by the whole elite who dislike the intrusion of the maid. In this scene it's made clear also that the wife has a secret lover who will later challenge the mayor's political career and will use Catherine as a scapegoat for his own ambitions. This role of "bad guy" is played by Renoir himself. The mayor who is fond of Catherine and is afraid that she'll be more victimized by his wife asks his sister to give Catherine a position in her own household. The sister has a son with tuberculosis (role played by Dieudonné). He's so weak he has no success with women of his class but of course Catherine will like instantly this fragile man. He dies after kissing Catherine while the rest of the town is celebrating carnival. The kissing scene at the window mixed with the fireworks is a brilliant moment of silent melodrama. Catherine is in mourning and because of that driven away by the mayor's wife and her friends. It is indecent that a servant girl is in mourning and shows public affection for someone who is not from her own social status. The emotions of Catherine are the element of disorder in the social ordered world of the rich. Catherine goes away and hides in a cheap hotel in the city where she is also bullied by a local pimp who sees in her an easy target to exploit. By accident Catherine is seen in the hotel window with the pimp, so more reason for gossip by the elite. When she returns to the village looking for a job she is rejected everywhere, even by the local Christian relief organization of which the mayor's wife became president. She meets the mayor again who is shocked by the attitude of the town, takes her in his home again and promotes her to his secretary. The wife is furious of course and leaves her husband to live with her mother. It is start of a slander campaign against the political credibility of the mayor. The lover of the mayor's wife sees what is happening as a golden opportunity and makes a public attack on the moral character of the mayor (what's new under the sun?) Catherine wants to avoid the downfall of her protector and leaves the mayor, explaining herself in a note. She hides in an old tram for the rain while the mayor is driving around in his car frantically looking for the girl. Two vagabonds are thrown out of a pub and out of frustration push the tram car, so it starts a crazy race up and down the hills towards the bridge and the valley abyss. Catherine is already accepting her death but is saved in time by the mayor who has made his choice for the girl. The social implications of his choice are not shown but are clear for all.
Based on Shakespeare's play: As Venice welcomes their victorious general, Othello the Moor, back to the city, some of them are waiting for Othello to choose his new lieutenant, while others are busy courting the popular Desdemona, the daughter of a Senator. Othello chooses the loyal Cassio as his lieutenant, arousing bitter jealousy in Iago, another soldier, who vows to scheme against his general. That same night, Othello elopes with Desdemona. Othello is soon sent to Cyprus to repel a Turkish invasion, and he arranges for Iago and his wife to bring Desdemona with them to Cyprus. When Iago's wife learns of a treasured handkerchief that Othello gave to Desdemona, this provides Iago with an idea that he hopes will destroy Othello by provoking him to jealousy.
In Nerven, writer-director-producer Robert Reinert tried to capture the "nervous epidemic" caused by war and misery which "drives people mad". This unique portrait of the life in 1919 Germany, filmed on location in Munich, describes the cases of different people from all levels of society: Factory owner Roloff who looses his mind in view of catastrophies and social disturbances, teacher John who is the hero of the masses and Marja who turns into a radical revolutionary. Using different fragments the Munich Film Museum could reconstruct this forgotten German classic which is a historic document and anticipates already elements of the Expressionist cinema of the 1920s.
一对(🐭)骗(🦋)(pià(🧥)n )子(👵)夫(⏯)妇(fù )企图(tú )从年轻女(nǚ )子爱丽(lì )丝·福克纳那(nà )里偷走(zǒu )信件(😵)(jià(🚚)n )，并(📉)用(🏻)来(🍈)(lái )敲诈它(tā )们的(de )作者，一(yī )位不负责任的王储。歇洛克·福尔摩斯(😶)也(🐸)(yě(❤) )想(🗾)拿到这些信件，在(zài )寻找的过程中，他遇(yù )见爱丽丝并爱上了她(tā(❕) )。莫(🕧)里(🤞)亚(🐃)蒂(📄)教授与骗(piàn )子夫妇联手，企图杀(shā )害福尔摩斯……
Une mère perd d'abord son fils, puis son mari dans les tranchées françaises de la Première Guerre mondiale. Elle se dévoue alors à(🧓) la cause franç(📨)aise en venant en aide aux blessé(✈)s de guerre.
一(🏈)场(🔢)火(huǒ )车对撞的惨剧(jù )夺去131名(míng )乘客的性命，大卫•杜恩(ēn )（Bruce Willis 布鲁(👶)斯(💙)(sī(🏹) )•(💡)威(😟)利(lì )斯 饰(shì )）奇迹般(bān )地成为(wéi )这场(chǎng )灾难过后(hòu )的唯一幸存(⭕)者(⛲)，且(🈹)浑(🥜)(hú(🎧)n )身上下毫发无伤。在(zài )他参加遇难者追悼会(huì )之后，他在车窗上(🏌)发(🥎)(fā(🎨) )现(🎆)一(🚭)张神秘便条，写(xiě )道：“你这一生生过(guò )几次病？”
《野猫》讲述了男主(🎿)人(💃)(ré(🛴)n )公(🤟)像(👋)山(shān )里的野猫 有一(yī )股野劲(jìn )，最后终于收(shōu )获了爱(ài )情。