在(zà(🚵)i )星(xīng )巴克工作的山姆（西恩•(🏜)潘(💃) Sean Penn 饰），虽(🛵)已成(chéng )人(🐾)(rén )，但智力水平(píng )只(zhī(🏻) )有(🤼)7岁。一(yī(🚿) )次偶然，他(😔)收留(liú )了一个流浪女。该(📢)(gāi )女子(🖌)帮山姆生(🌬)(shēng )下了一个女(nǚ )儿后消(🔱)失得无(🌽)影(yǐng )无踪(👤)。
10年前，鼎(dǐng )鼎(dǐng )大名的高(🤒)中大(dà(🈹) )哥大崔基(🌀)东(dōng )和消沉的模范生(shē(🏀)ng )朴英俊(🌩)去(🥓)庆州教(🏚)(jiāo )学(xué )旅行。在一个明月(🐪)高悬的(🐼)(de )夜(🔸)晚，他们(🥐)经历(lì )了(le )一场改变彼此(cǐ )命(mì(🌦)ng )运(🥇)的事件(💒)。10年后，两人(👗)偶(ǒu )然邂逅在庆州。高(🏑)(gā(👯)o )中时那(🔌)个“高(gāo )中(🦐)(zhōng )大哥大”崔基东成了一(🥡)个(gè )多(💁)血质的体(🕳)育教(jiā(🚓)o )师(shī )，而消沉的模(✋)(mó )范生(🏾)却成了(le )一(🤹)个智能黑帮。两人想起10年(👽)前那(nà(🈯) )一(yī )场事(🕦)件，相握(wò )的手指不禁(jì(🤲)n )开始用(🗝)力。
After everyone is snowed in at the House of Mouse, Mickey suggests they throw their own Christmas party. Everyone is happy, except for Donald who just isn't in to the Christmas spirit. So Mickey shows a series of cartoons that show just what Christmas is all about. It features a star studded cast of Disney characters from everyone's favorite animated Disney movies.
さまざ(📶)まなホテルで幽(yōu )霊と(🌖)遭遇し(🍞)て(🏾)きた、(🕳)グァム大学研究員(yuán )･辻(shí )維(🌄)周(📤)。そんな(🔭)彼(bǐ )が体(🕹)験した、ホテルでの(📶)怪(🕥)奇現象(🐗)の数々を(👠)ショッキング･シーン(🏭)を満載(🆘)して再現(💨)。
布里奇(📩)特•琼斯(sī )（蕾(🔍)妮•齐(🧙)维格(gé ) 饰(🏚)）是一个(gè )32岁的单身女(🐕)子。她的(🍐)工作及生(💔)活(huó )都(dōu )是平淡无奇的(💥)(de )，她唯一(🛣)想(xiǎng )得到(🔪)一份真挚的(de )爱情，就算有(🥌)一(yī )众(🔛)(zhò(💄)ng )好友在(🕙)身边及时安慰，布(bù )里奇特还是(💲)没(🌻)(méi )有(yǒ(🌚)u )好(hǎo )过点(📉)。新的一(yī )年(nián )里，她要(🛐)过(👢)一种新(🆘)的生活(huó(🐫) )。她选择用日记(jì )把(bǎ )自(📤)己生活(🌮)里的(de )点(diǎ(👫)n )点滴滴(🅿)都(dōu )记录下来，她(📶)开(kāi )始(🚧)变得喜悦(🥓)起来(lái )。
卧底警察阿豪(há(🦊)o )（钱嘉(🔌)乐 饰(shì )）(🕌)在一次伪钞交(jiāo )易中，不(🥀)幸被违(🏰)(wéi )法(fǎ )钱(🏓)庄识破身份(fèn )，身中数枪(🍡)(qiāng )，有终(👥)生(🚤)瘫痪的(😯)(de )危险，除非能够(gòu )短(duǎn )时间内筹(🏹)集(🌕)巨额手(📆)术费，方有(👺)治愈的希(xī )望(wàng )。而警(🌛)队(👕)怀疑阿(⏮)(ā )豪(háo )勾(🤨)结罪犯，将其除名，亦(yì )拒(🉑)绝支持(🧚)手术。阿(ā(🔥) )豪在警队中的(de )好(hǎo )友阿(🖕)东（杜(👈)德伟 饰）(💖)等四(sì )人为阿豪的遭遇(👬)(yù )深(shē(🌭)n )感不平，在(🛍)走(zǒu )投无路的情(qíng )况下(🍆)，四人抢(🗻)劫(jié )了地(🏐)下钱庄，岂(qǐ )料(liào )抢劫所(⬇)得远不(🏂)(bú(🐮) )能满足(📛)手术(shù )费用，四人遂决(jué )定继续(🙏)抢(🙄)劫。
A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.