浮夸国语版歌词

In "The Weapon,the Hour and the Motive" the murder victim is a priest.Father Giorgio is stabbed to death in his congregation church.Two police detectives Franco Boito and Moriconi investigate his murder.The main suspects are Giorgio's two lovers Giulia and Orchidea as he wanted to break up with both.There is also an orphaned boy who saw too much from his attic hideout and he will resolve the mystery.Overlooked Italian giallo stylishly made by Francesco Mazzei.There are some silly comedic moments and some effective shocks.The throat slashing scene is fairly graphic and there is a bit of nudity and sexual perversion.Mazzei is capable of building suspense pretty well too."The Weapon,the Hour and the Motive" deserves more 本(💥)片由(💑)Paul Morrissey和(hé(💌) )意大利CULT大(🧒)师(shī(😖) )Antonio Margheriti(又名(míng )Anthony M. Dawson)联合执导，意大利制片巨头Carlo Ponti促成了(le )两位(🍫)大师(💭)的(de )合作(zuò )，Antonio Margheriti还兼(🤤)任特(📦)(tè )效(🌠)工作(🎏)，当然(🧣)还有(🔭)(yǒu )监(🦕)制(zhì )Andy Warhol，已经无法(fǎ )弄(🏳)清是谁赋予这(zhè )部伟大经(🏫)典CULT电影极(jí )品惊(jī(📆)ng )世骇(🏘)俗的(🤕)气(qì(💮) )质。Frankenstein是(✝)被反(🅾)复制(🚍)(zhì )作(zuò )的CULT形象(🗣)，而这次(cì )更是变本加(jiā )厉。恋尸癖男爵、疯狂(kuáng )的(🚋)纳(nà(🍧) )粹倾向科(🧞)学(xué(📤) )家Frankenstein博(🍑)士要(👜)打(dǎ )造完(✋)(wán )美(🚱)无缺的极品男女(nǚ )，他收集了(le )各种(zhǒng )人体器官(➡)来(lá(🐹)i )拼装新人体，而(😣) Frankenstein博士(🖤)对(duì(👧) )于这(🛫)些血(🏻)块(kuà(🎣)i )肆意(👁)(yì )无所谓的态(tài )度(🐜)使得影片有一种(zhǒng )Gore Comedy的风(fē(🖤)ng )格，喜剧元(yuán )素在这(🌘)样一(🈲)部赤(🤷)(chì )裸(😱)血肉(👉)的作(💱)品里(🐳)时(shí )常凸(tū )现(➗)，为了赋(fù )予极品男人超级(jí )淫(yín )荡的内心灵魂以(👆)(yǐ )完(🙁)成极品男(🛹)(nán )女(🗨)的(de )终(🧤)极交(😷)合，Frankenstein博士需(🎱)(xū )要(💛)物(wù )色一个人选(xuǎn )然后砍下他(tā )的头(tóu )颅。他(🌑)误认(🙆)为跟随(suí )强壮(🧠)农夫(🌶)一(yī(🙏) )起去(🍀)(qù )嫖(💺)娼的(🕊)却一(🏆)(yī )心想成为修士的(🛰)同伴更(gèng )淫荡更善于(yú )男(🤟)女(nǚ )之事，于是(shì )趁(➿)两人(🐬)酒醉(🚤)时砍(🤞)下(xià(🎃) )那位(🕡)(wèi )同(🙂)伴的头颅(lú )。当(🛃)再造活人之(zhī )后，他却发现极品(pǐn )男人(rén )居然内向(🏒)胆(dǎ(🧔)n )怯，根本无(🥥)法完(🕤)(wán )成(🎒)(chéng )交(📠)合。影片中(🏬)几(jǐ(👣) )乎每个人都(dōu )有一(yī )颗邪恶的心，除了(le )Frankenstein博士(shì(🆔) )之外(💈)，跟他(tā )有姐弟(🐢)关系(🔋)(xì )并(🌁)近(jì(🦃)n )亲结(🔘)婚的(🗜)妻子(🚫)是个(gè )虚伪，淫荡(dà(😍)ng )的女(nǚ )子，她表面(miàn )指责强(🍼)壮农夫的野合行(há(🕋)ng )为，私(🚎)下却(🍧)(què )要(♓)他(tā(🌷) )满足(🧗)自己(➕)的(de )欲求，她还提(📜)出要(yào )“使(shǐ )用”新极品(pǐn )男人，并出卖强(qiáng )壮农夫，最(🌻)后在(😄)与(yǔ )力大(🈴)(dà )无(🔲)比的(🌄)人造(🧣)(zào )男人交(👜)合时(📳)因发(fā )错(cuò )指令(lìng )而被死死抱(bào )紧，断筋碎(suì(🍩) )骨而(🛁)(ér )丧命。博士的(❣)助手(🕹)(shǒu )受(❇)他(tā(🎳) )影响(🎲)，会用(🔋)(yòng )手(🙊)撕开并插(chā )入女(nǚ(🎨) )人胸腔来满足自己(jǐ )的邪(💮)念，最(zuì )后却(què )使得(♊)人造(😸)女(nǚ(🚮) )死亡(🔼)，自己(🤒)也被(👹)盛怒(👆)的(de )博士杀死。最(🥪)令(lìng )人吃惊的是(shì )博士的一对孩子本(běn )想救(jiù )出(🎷)农夫(🌇)，却(què )因看(🌧)见橱(🕑)柜里(🗑)的(de )内(🔉)脏血块而(☝)把他(👑)吊(diào )得更(gèng )高。Frankenstein博士由(yóu )还出演过《Blood for Dracula》中Dracula 伯(bó )爵的(⏯)(de )Udo Kier饰演(👻)，绝对(duì )经典！ 坂(🎣)東(dō(🔙)ng )宏は(🌆)、反(🏬)逆と(👀)無頼(🤠)で青(🎮)(qīng )春を使いはたし(👒)、今では口(kǒu )の中(zhōng )で「(🔽)なんとかしなくち(📳)ゃ」(💆)とつ(🎣)ぶや(🈯)くだ(🦗)けで(💈)ある(🐈)。彼の弟分、南(🔌)部(bù )卓郎は、この年(nián )令にありがちな人生への(🌫)楽観(🎉)(guān )があり(♓)、い(😟)つで(🖤)も「(✖)なんとか(🐐)なる(🗿)さ」で物事をかたずけ、そのくせ宏なくし(🐟)ては(😸)何(hé )ごとも手(✳)出し(🌵)がで(💇)きな(🚺)い小(😨)(xiǎo )心(🚕)のチ(🏊)ンピラである。宏が(🤞)したたか者(zhě )の不動産会(📲)(huì )社々長・中根の(🕡)悪だ(🎷)くみ(🚵)の芝(😄)居を(🗼)手伝(🍧)(yún )っ(🏘)たのも、宏に(❌)してみれば欝屈した心情の発(fā )露にしかすぎな(🖊)かっ(🍽)た。しかし(🈯)、下(🍬)賎(jià(🚂)n )なゼ(🤹)ニのため(🏆)、中(⛩)根を半殺(shā )しにしてしまった宏は、卓郎が(👲)気(qì(💢) )安く“俺んち”と(🍉)いう(🧙)、若(🍥)い娘(✡)のマ(🎤)ンシ(🗃)ョン(🏑)に身(shēn )を隠すはめ(📍)となった。マコというその(🚝)娘は、石黒(hēi )京子(🏋)とい(🛬)うブ(🕡)ルジ(⬇)ョア(🌕)娘の(🎏)友(yǒ(🌷)u )人の代りに部(🙃)屋(wū )と九官鳥をあずかっているのだという。いつ(🥗)も上(shàng )半身裸(🏅)で、(📑)それ(🛤)が彼(📮)女(nǚ )の部(🙋)屋着(😺)のようだった。翌(yì )日、宏は中根の入(rù )院し(🥚)ている病院(yuàn )に行(🐤)き、(🐲)見舞(🐟)い客(kè )を(🗞)よそ(🌤)おっ(🕓)て中(zhōng )根を脅した(💄)。しかし、それはあまりにもドジだった。居合(🥫)わせ(🖇)た刑事に(♍)恐喝(🐭)現行(🚙)犯(fà(🎙)n )で逮捕されて(✍)しまったのである。宏がいなくなると卓郎はもう(🎪)何(hé )もできな(🍛)い。マ(🚕)コと(📡)二人(🍠)で、宏を(🔜)探し(⬆)に出かけた途中、大道(dào )売りとのケンカで(🧔)叩きのめされてし(👓)まっ(🏎)た。一(🌙)方、留置(🤶)(zhì )場(💢)の宏(🏽)は、口から出まか(🗡)せに、マコから聞いていた富豪・石(shí )黒病(🐁)院の(🚃)名(míng )をか(🐓)たっ(🔳)たお(🏅)かげ(😐)で、釈放され(✝)た。次(cì )の選挙にうって出ようとする石黒(hēi )が行(🔊)方不明(míng )の娘(🧗)(niáng )の(☝)消息(😛)を知(🏄)(zhī )りたい(🚫)ばか(🤗)りに保(bǎo )釈金(jīn )を払ったのである。宏、卓(zhuó(🤧) )郎、そしてマコ（(👇)実は(🦗)彼女(🛷)こそ石(shí(😹) )黒京(🐔)子自(🕜)身なのであるが）(🗂)の三人(rén )はあてのない旅(lǚ )に出た。それから(🛍)二月(📩)(yuè )後。ひな(🥕)びた(🔺)温泉(🌚)宿で(🌕)、卓(zhuó )郎とマ(💳)コはシロクロ・ショウを実(shí )演していたが、そ(📵)れとて未熟な(🧤)二(è(🔪)r )人で(🔡)はゼ(🐸)ニにもな(🚔)らな(🥅)い。「することがなくなりゃもう老人(rén )なん(🤴)だ。誰も俺(ǎn )たちを(💯)探し(🎨)ちゃ(📻)いない、(🤷)誰も(👶)俺た(🔪)ちを待っちゃいな(🕑)い。このままじゃ俺は、28歳(suì )のポンコツさ。俺(🤙)たち(🍜)ゃ中(zhōng )年(🛂)をと(🤡)びこ(👊)して(⛓)、いっぺんに(📁)ジジイになっちまうんだ」。宏(hóng )のことばにマコ(🐎)が思いつめた(🌁)よう(🥇)に云(💄)い出(🌦)した石(shí(🥚) )黒京(🐥)子誘拐(guǎi )、すなわちマコ誘(yòu )拐に、三人は(📉)久(jiǔ )しぶりにゾク(🐦)ゾク(♌)と胸(🥨)が騒いだ(😑)。横浜(📪)(bāng )棧(🏟)橋の外れ。連絡を受(🈷)けた石(shí )黒雅(yǎ )彦と弁護士(shì )の長谷川の乗(🏅)る車(💠)が棧橋に(😕)つい(🗞)た。宏(📀)(hóng )は(🦍)身代金を受け(🎹)取るべく石(shí )黒と交渉した。しかし意外にも石(shí(😼) )黒はマコを見(🍞)て京(🚈)子で(🚊)はな(🖲)いと、交(🧣)渉を(🥨)拒否(fǒu )し、その場をたち去ってしまった。石(📌)(shí )黒の言葉に呆然(🛺)とし(🗂)た宏(🤱)たちもや(🈲)むな(🕛)く車(🏤)を動かした。だが走(🌊)る車のトランクの中(zhōng )から、元刑(xíng )事中村(🐕)が顔(🎊)(yá )を出(chū(🛂) )して(📦)騒ぎ(🐤)始め(🥣)た。先程、駐車(♑)場で会い、気絶(jué )させて入れておいたのである(🐸)。パトカーの追(👴)跡が(⌛)始ま(🐾)った(👵)。激しい銃(🌕)撃(jī(💗) )戦。撃たれた卓郎に代って、宏が銃を棄てて(🐌)ハンドルを握る。パ(🚩)ンパ(🕜)ンと(🔽)響(xiǎng )く銃(🤨)声を(👴)楽し(📟)んでいるかのような宏。目の前には碧(bì )空がとこまでも広がっ(💪)てい(🤑)た……。 Giulio Borsi (Marcello Mastroianni), a reactionary pharmaceuticals executive, has just set off for a weekend with his young mistress (Carole André(🗒)) when the two are taken hostage at a gas station by three anarchists. Hunted by the police and transformed into media stars by the press, the trio escapes with their hostages to an isolated villa. For a brief moment, it seems as if class contradictions can be overcome, but then there is a showdown between the authorities and the far-left outlaws. Dino Risi’s darkest political satire was loosely based on a true story and anticipated the armed struggles between the Brigate Rosse and state power. It is also a clairvoyant account of the increasingly sensationalist and bloodthirsty media. At times, it almost seems like a model for the Gladbeck hostage crisis of 1988. A twisted sleazebag stalks and strangles gorgeous women in this Spanish terror classic. just viewed this movie and decided to take the time to make some comments since no one else has.overall I give the movie a 7,the score would be higher if there were less blood and more clothes on the females.Deserves an R rating.In the 1960's and 70's I spent many hours being entertained by dubbed movies,this one is dubbed so it is to my liking.What I like about it in no certain order is as follows:The movie is about the mafia...it's made by Italians,has alot of Italian actors...it seems fitting.Set in the early 1900's in America it has a dark look and mood...great atmosphere.I believe the character lionel stander plays is the same one ernest borgnine had in the movie "pay or die" that of an Italian on the police force combating the mafia,based on a real person.His character gives a sense of realism to the movie and made me wonder if the movie was based some on fact.The little I know about the real person is similar to the character in the movie.In the past I havn't seen much of Lionel stander in the movies but his performance as a tough cop is very good.He is not the main character though,a young man(placido ?)is,he plays a young immigrant that is a victim of circumstance.He is a just person that kills an expendable gangster in the heat of a fight,the victim had previously killed an elderly friend of his.He gets employment from the mob being unaware of the serious unlawful part he has in one of their cold blooded operations...he is a tragic figure.Other viewers might feel this movie is just another low budget poorly dubbed movie.The film left me with the feeling it may have been based more on fact than much more expensively made films about organized crime.It also left me wondering if the young main character was based on a real person-I liked the movie.