Peruvian filmmaker Alberto 'Chicho' Durant directs the ensemble film Doble Juego (Con Game). Rafo (Fabrizio Aguilar) is a would-be filmmaker in Lima struggling to pay his bills and support his girlfriend Laura (Mari Pili Barreda). He gets scammed by a Spanish con artist (Fernando Cayo) as part of an elaborate scheme involving several other Peruvians. The film is based on the corrupt administration of President Fujimori. Con Game was shown at the Sundance Film Festival in 2004 as part of the World Cinema program.
Prata Palomares is a product of the "Cinema Novo" movement in Brazil, which sought to create a truly Brazilian approach to filmmaking. In this hallucinogenic, violent film, two guerilla warriors (Itala Nandi and Renato Borghi) appear in the middle of an unknown military skirmish. Their quest is to return to military headquarters. Along the way, they see a young man drinking blood gathered from the shrine of the Bleeding Virgin; he then shoots and attempts to eat a buzzard, and then meets an incarnation of the Bleeding Virgin who is being tortured and disfigured. When they see a priest killed, one of the twosome seeks to take his place and meets the same fate. The survivor then boards a boat which will probably take him to his destination.
物(📍)理(🍞)(lǐ )学家(jiā )安德烈(liè )·路易斯自杀后来(lái )到了一(yī )片绝(jué )望之地，随后(📨)一(🔉)道(🚝)(dà(🍿)o )亮(🛏)光(🈂)从(🥇)(có(🔺)ng )天(💥)而降，把他带到(dào )了圣城(chéng )家园(yuán )——所有和他类似(sì )人的归(guī )宿地(🚳)，这(🍷)里(🐈)地(🎿)肥(🔛)水(🐾)美(🍵)，他(🎵)(tā(💮) )结交了(le )很多朋友，同时(shí )也(yě )遇上(shàng )了自己的劲敌：他过去的(de )自己。他(🧡)必须返回人间，证明(míng )自己灵(líng )魂的清(🥄)白(🥙)才(⛰)能(🌪)重(🔋)返(fǎn )圣城家(jiā )园。天上一日，世(shì )间十(shí )年，下(xià )凡的他能否挽回再(zài )婚(🚽)的(🍐)妻(💴)(qī(🙃) )子(〰)和(⏺)(hé(🙂) )疏(🏧)离(🚞)的儿女之间的(de )情感呢(ne )？导演用一种马尔(ěr )克斯式(shì )的叙(xù )事体例，为(🤭)观(🔁)众(🍞)展(🎰)(zhǎ(🚈)n )示(👲)了(😧)生(💌)(shē(🕡)ng )命的美好和灵魂的价值。
一位从(cóng )越南归来的美国(guó )老(lǎo )兵，在路易斯(🎬)安娜的家中发现(xiàn )老婆与(yǔ )别人偷情(🌷)。愤(🏌)怒(🚾)的(🥌)(de )他(📡)受(shòu )到一种(zhǒng )奇怪的鸟叫声驱使(shǐ )，杀死(sǐ )了老婆与她的情人(rén )，结(jié(🕳) )果(🛠)自(🏴)己(🔐)(jǐ(😗) )也(🕌)被(🥘)怪(🤬)鸟(🌄)硬生生啄(zhuó )去了双(shuāng )眼。多年后，一群年轻(qīng )的大学(xué )生到美国路易斯(😭)安(🎩)(ā(🛃)n )娜(🔶)某(😅)处(🤫)(chù(🎢) )寻(🌗)找(🈹)(zhǎo )一种罕见的鸟类，结果被(bèi )困在一所荒郊野岭的房子(zǐ )里。而(ér )更令(⏳)他(❌)们没想到(dào )的(de )是，那里除了有怪鸟之(🔧)外(🎺)还(🤛)有(👂)(yǒ(🕓)u )大量丧(sàng )尸！
为了给女儿买(mǎi )一架(jià )钢琴，刚刚假释出狱并且(qiě )无家可(🥚)(kě(🍹) )归(🤷)的(🏭)丹(🚄)尼(🎗)斯(👅)找(🕥)到(😯)同(tóng )样没(méi )有工作(zuò )的老伙计瑞内一同(tóng )前往纽(niǔ )约销(xiāo )售圣诞树(👱)，影(📅)片(🚊)讲(⛷)(jiǎ(✴)ng )述(💃)了(❎)这(🔏)(zhè(🍡) )两个魁北克男人走(zǒu )狗屎运(yùn )的幽(yōu )默故事。
学校组织(zhī )参观科(kē )技(🦆)馆(🧜)，老师给同学们布置(zhì )一篇作(zuò )文，让(👀)同(🌏)学(♈)们(🚂)写(🐣)(xiě )一(yī )写参(cān )观科技馆的见闻和感受。奇奇同(tóng )学的爸妈这些天出(chū(👎) )差(📜)不(🌎)(bú(🔅) )在(🤼)家(🚾)，奇(🖊)奇(🎼)由(🚷)叔叔负责照(zhào )顾。看(kàn )到奇奇在写参观科(kē )技馆(guǎn )的见闻(wén )，叔叔说自(💢)己(🐿)手(🥂)头(🏩)(tó(🙀)u )刚(🚗)好(🤡)有(📸)(yǒ(🔻)u )一个(gè )航天探险的项目，缠着要(yào )跟奇奇探讨探讨。其实，奇奇(qí )的叔叔(🐑)就(🧠)是一个混(hún )混，除(chú )了泡网吧玩游戏(🐍)，什(🚸)么(🗺)也(🏈)(yě(🏺) )不会。
物理学家安德烈(liè )·路易(yì )斯自杀后来到了一片绝望(wàng )之地，随(👊)后(🙁)一(✉)道(😵)亮(🦆)光(👾)从(🖇)天(⬛)(tiā(👲)n )而降(jiàng )，把他(tā )带到了圣城家园——所有(yǒu )和他类似人的归宿(xiǔ )地，这(🎡)里(🔵)地(🐂)(dì(🛃) )肥(🎳)水(🈵)美(💮)，他(🦅)结(🥃)交了(le )很多朋(péng )友，同时也遇上了自己(jǐ )的劲敌(dí )：他过去的自己。他必(🏮)须(🐪)(xū )返回(huí )人间，证明自己灵(líng )魂的清(👆)(qī(🏹)ng )白(🤛)才(🏠)能(🏣)重返圣城家园。天(tiān )上一日(rì )，世间十年，下(xià )凡(fán )的他(tā )能否挽回再婚(🛏)的(💐)妻(😹)子(👴)和(🦄)疏(🤒)(shū(📊) )离(😁)的(🐇)儿(ér )女之间的情感呢？导演(yǎn )用一种(zhǒng )马尔克斯式的叙事(shì )体例，为(🐼)观(🏿)众(🕘)展(🥐)示(🔸)了(💾)生(📢)命(🦎)(mì(🛠)ng )的美(měi )好和灵(líng )魂的价值。
一次意(yì )外让年(nián )幼的(de )爱子（崔江姬 饰）(🚯)不(📢)仅失(shī )去了爸爸，还失去(qù )了妈妈(mā(🙀) )（(👏)金(📃)(jī(👋)n )英(🎋)爱 饰）对她的疼(téng )爱。妈(mā )妈对稍有残疾的哥哥的偏(piān )爱使得(dé )中学(🌥)时(🚙)代(⤵)的(🤯)爱(👵)子(🐅)(zǐ(🏎) )性(🏠)(xì(💛)ng )格叛(pàn )逆古怪，不过这位天才少(shǎo )女以她(tā )出众的文笔还是赢(yíng )得了(🌗)(le )很(⏱)多(🐴)人(🚨)(ré(🚂)n )的(🤽)喜(🥔)爱(🙊)。成(👨)年后的(de )爱子只(zhī )身在首尔打拼，虽(suī )然已(yǐ )经29岁了(le )，但她的性格却丝(sī(🧗) )毫(✅)没有(yǒu )改变(biàn )。没日没夜的笔耕(gēng )只能(☝)维(🥑)(wé(➕)i )系(🏃)基本的生活，与(yǔ )妈妈的(de )关系(xì )则更让爱子头痛。此时正(zhèng )处于她事业(♿)发(🦃)展(🏚)的(👡)关(🧠)键(💭)时(📅)(shí(🛑) )期(🕣)，可是妈妈的旧疾偏(piān )偏这时(shí )复发，无能的哥哥完全不(bú )能指望(wàng )，爱(👡)子(✋)只(📒)能(🍳)自(🍈)己(🚾)来(💶)(lá(🎞)i )照(📱)顾(gù )妈妈。这对冤家母女如今(jīn )被迫形(xíng )影不离，自然冲突(tū )不断(duàn )，可(🍗)是(💂)(shì )母女俩居然习惯了(le )这种对(duì )于彼此(🚆)依(♎)赖(👤)。
Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important piece of evidence. However, before they can get an arrest warrant, they hear the news of the hitman being hired to kill Meyers.
A Man Called Peter is a 1955 American drama film directed by Henry Koster and starring Richard Todd. The film is based on the life of preacher Peter Marshall, who served as chaplain of the U.S. Senate late in his life, in an account written by his wife Catherine Marshall. It was nominated for an Academy Award in 1956.[4]