BOYS ON FILM comes of age with ten uplifting and powerful tales recounting the lives of everyday heroes with no special powers except striving for their own identities and fighting for the right for us all to be ourselves.
伊(yī )桑(🗺)·霍克执(zhí )导新(🤭)片(piàn )改编(✋)自西比尔·罗(luó(🌛) )森的(de )回忆(📮)录《树屋回(🐙)忆(yì )》，霍克与罗森(🛒)共(gòng )同创(🧟)作(zuò )剧本(🙁)，讲述已故(gù )乡村(😭)音(yīn )乐人(🎑)布雷兹(zī )·弗雷(🤬)(léi )的生平(⏫)故事。音(yī(❗)n )乐(lè )人本(🚛)·迪基(🎋)、阿莉娅(🍧)·肖卡特(tè )加盟(🔳)出演。作为(💛)美(měi )国著(🤤)名乡村及(🥑)西(xī )部歌手(shǒu )，布(⚡)雷兹 ·弗(🔍)雷深(shē(🔂)n )受酷爱音(🕠)乐的德州(🧡)(zhōu )人霍克(🎬)(kè )喜欢。而弗雷的(🖌)(de )饰演者(zhě(👽) )本·迪基则(zé )与(🏍)弗雷(léi )同(🐍)为阿肯色(🏦)人，想(xiǎng )必霍(huò )克(🍮)也在演员(📨)的选择(zé(🏎) )上考虑到了这一(❔)点(diǎn )。原著(🧤)(zhe )西比尔·罗森作(💦)(zuò )为弗雷(🎸)(léi )长期女(🥌)友和(hé )灵(🛺)感缪(miù(🐚) )斯，为弗雷(📤)的音(yīn )乐(lè )创作(⚓)生涯带来(🏘)无限灵感(🍐)(gǎn )。
暴力(lì(☝) )の街に朝は来な(⤴)い―。激動(⏹)の大阪(🕕)(bǎn )裏社会(🌷)(huì )を牛耳(😦)る喧(xuān )嘩(🌠)屋集(jí )団・バト(🏥)ルファミ(🤖)リー。金・権力・(📵)暴力(lì )―(😬)。孤(gū )独な(🧥)狼たちは今宵(xiā(🙊)o )も血に飢(😐)え、力(lì(🚒) )を求める―
本片(⭐)讲述张文(👯)(wén )强在警校期间(🥂)素有(yǒu )战(⤴)狼之(zhī )称(🌘)，所以被上级(jí )选(📡)中去(qù )执(🔼)行卧底任(rèn )务，期(😙)(qī )望一举(💯)端掉关豹(🔷)等(děng )赌场(👙)黑恶势力。为了心(🚖)(xīn )中的正(zhèng )义，张(🥌)文强(qiáng )忍(🔝)痛与(yǔ )心(🐍)爱的女人(🍿)周娜(nà )分手，用上(🐪)级给他安(🚑)排的(de )新身份，去到(👘)了关(guān )豹(🍢)的对(duì )手(📇)陆老板的阵营(yí(📒)ng )中。关(guān )豹(🍞)表面上是(☔)(shì )一只(🔯)笑(xiào )面虎(🕠)，斯文假面(🥚)(miàn )下(xià )却把(bǎ )握(🏅)着赌坛的(🤓)绝对权(quá(🌜)n )力。张文强利用自(🎈)(zì )己的勇(🍾)(yǒng )敢机智一步步(🕐)爬(pá )上“赌(🎎)(dǔ )雄”的位(😔)子(zǐ )。有了(🐆)(le )张文强这张好牌(💸)，陆老板的势力开(🏐)始压制(zhì(👇) )关豹，两拨(🐙)人开始(shǐ(👫) )明争暗(àn )斗，而他(🔣)们不知(zhī(🚞) )道的是(shì )，有了张(🙏)文强的情(🍊)(qíng )报信息(🤨)，警方布下(xià )了天(🖍)罗(luó )地网(🚸)，正等待着(zhe )两拨势(⏱)(shì )力的碰(😻)头，伺机一(📦)(yī )举歼灭他们。关(☝)(guān )键(jiàn )时(💎)刻(kè )，关豹(👇)却离奇死亡(wáng )，究(🏈)竟是谁害(🥄)死了(le )关豹？剧情(💊)又为何一(🐤)再(zài )反转(🛶)？
俳優の(😇)竹野(yě )内豊（４(🕖)７）が主演を務(👢)(wù )めるテ(🌂)レビ東京(🐴)春の開(kā(🚿)i )局記念(niàn )ドラマ(💪)「ミッド(🥒)ナイト・ジャー(🌈)ナル 消(💂)(xiāo )えた誘(🐾)拐犯を追え！七年(🔫)目の真実(⛑)」(３月３０日、(🚊)後９・０(🔣)０)の新(xī(🔽)n )たな出演者(zhě )が(🔚)２０日、(😱)同局から(🗳)発(fā )表(biǎo )された(🏓)。
Mónica, a 47-year old dancer, receives a call from Spain: her father is terminally ill. After 20 years, Mónica must return to the remote village where she was born. When she arrives, her father has already passed away and her mother decides to sell the family home asking Mónica to stay to help her. Winter comes. The perpetual silence, the extreme cold and the difficulty of living with her mother are proving tough for Mó(🍒)nica, who takes refuge in what she knows best: dance. 'Facing the Wind' tells the story of a family unable to communicate. It is indeed a thoughtful and loving portrait of a traditional rural lifestyle, which is beginning to disappear. It's a story about distances. But most of all, 'Facing the Wind' is an inner journey to learn again how to live and love better.
影片(piàn )以70年代唐(🐴)山大地震(🆓)(zhèn )为背景(🦀)(jǐng )，以诗意(🐚)的镜头(tóu )语言讲(👏)(jiǎng )述了一个动(dò(😤)ng )人凄美(mě(📟)i )的爱情故(💛)事：返城(🐢)(chéng )小伙子王小土(🎥)（李滨饰(🐗)(shì )）爱上(shàng )了美(😏)丽的小(xiǎ(♒)o )镇教师(shī(👵) )欧海恋（于非非(🈁)(fēi )饰(shì )）(🚗)，而这段恋情却遭(🧠)遇(yù )了欧(🌵)海恋父亲(🤼)的反(fǎn )对，一(yī )次(🏵)“偷表”事件(🥘)(jiàn )令王小(🎮)(xiǎo )土身陷囹圄(yǔ(💱) )，两个(gè )年(🍉)轻人的爱情也(yě(👎) )面(miàn )临着(🧒)巨大的考(⛑)验。2年后(hò(🏑)u )，小土和海恋的爱(🗣)(ài )情依然(rán )艰难(💣)，然而他们(🦀)(men )却不知(zhī(🧓) )道，一场毁(🏑)(huǐ )灭性的(de )地震灾(😙)害将带来(🔯)永(yǒng )生难忘的伤(😮)痛......
19-year-old Celeste and 26-year-old Sihem, both heroin addicts, are admitted to a rehab clinic the same day. They have a feeling they’ll be good friends. When Sihem tells Celeste that she had been pregnant but ended up having an abortion, Celeste says, “That’s not your fault.” Celeste is also comforted by Sihem when Celeste blames her mother for visiting her. However, the clinic takes to issue their intimacy and the two end up leaving the clinic to find a new home. For the two, everything is uncertain, and it is also heartbreaking to see their families suffer because of them. It is also not easy to resist the temptation of drugs.
In Nazaré(👏) da Mata, a small town near Recife in the Brazilian state of Pernambuco, young people don’t hold rap battles, but samba battles. The Afro-Brazilian culture of the maracatu, a dance and music spectacle related to carnival with roots in the era of slavery, is in their blood. A local evangelical pastor, however, regards this cultural heritage as inspired by the devil: he thinks the people should renounce the maracatu in order to let God in.