电(diàn )视(shì )君被Unknown盯上，于是想请(🌬)假(jiǎ )面(📡)骑士做(😬)(zuò )保(bǎ(🕦)o )镖，但由(📜)于骑士(🚙)有三个(💃)(gè )，所以(💯)他(tā )把(🤟)(bǎ )三(sān )人都请来，以选出最(zuì )强的一位……
A poignant yet understated film which focuses on the everyday hardships of an isolated Iranian community on the border with Afghanistan, Delbaran centres on the story of a 14-year Afghan refugee working in a truck stop in the 'town' which gives its name to the film. The film is unusual in having very little dialogue and offers nothing by way of explanation of the wider context of war and cross-border migration which forms the backdrop to the events that are portrayed. The characters in the film are all too aware of the conflict and the sounds of automatic weapons are always within earshot, but they are so much an accepted part of their lives that they feel no need to comment on them. And that is one of the strengths of the film that makes it so compelling a portrait of life in this remote community. At one level, very little seems to go on in the film which has the feel of a documentary without a voiceover. In fact, a lot happens off camera, as revealed by indirect images and sounds, but the main emphasis of the film is the extraordinary yet humdrum nature of life in a marginalized community. The film has a distinctive look and feel, with an emphasis on images, movement and sound, and, although one would be hard pressed to identify a conventional narrative structure or message, there are aspects that resonate in the mind long after watching it. A recurring image is of three or even four men riding a single motorbike back and forth along a dusty mountain road. An especially poignant moment in a film in which the hardships of life mean that the characters hardly ever show great emotion, is when the central character of the 14-year old boy, Kaim, is offered medical help for an ear infection: his smile lights up the screen at this small act of human kindness. Highly recommended.
年轻生命的消耗像是一(🌙)(yī )首风(😑)驰电(dià(😌)n )掣(chè )的(🌁)摇滚乐(📩)，以热情(💏)洋溢(yì(🏦) )的节奏(🎀)，疯(fēng )狂(🌬)(kuáng )起始(🤴)，然後又(👄)在某个(📉)(gè )浑然(🚥)忘我的(🛰)(de )时(shí )刻(⛄)，曳然而(🎂)止。电音感(gǎn )官的放纵(zòng )、暗夜生涯的浪荡、过渡(dù )爱情的沈(🏅)沦(lún )、(⛪)江湖义(🙏)气的不(⏮)归路，都(💎)(dōu )是多(🚞)少热(rè(🚔) )血(xuè )灵(🐉)魂曾经(⏫)走过的无悔无(wú )憾。
一个(gè )夏(xià )季(jì )的雨天，女生金太嬉(xī )（李银珠(💮)饰(shì )）(🎻)走进男(🈷)生徐仁(🐼)友（李(🐉)秉(bǐng )宪(🔫)饰）的(🔊)(de )伞(sǎn )下(🕤)避雨，男(🐎)生对她(🤲)一见(jià(📝)n )钟情。大(👱)学(xué )里(🌥)(lǐ )二人(🏍)的感情(😈)逐步升温，雨夜，二(èr )人(rén )吵架又和好，感情浓得(dé )化不开。任(rèn )友服兵役(🥇)前一晚(〰)，没有(yǒ(😄)u )等到答(🍊)应前(qiá(🦅)n )来(lái )送(📀)行的太(🌔)嬉，就此(🈺)缘悭(qiā(👨)n )一面。
The National Crime Squad (NCS) was formed in 1998 from the amalgamation of the six former regional crime squads and tackles serious and organised crime across England and Wales. Conceived as a single drama in two parts, NCS Manhunt followed an NCS team led by DI John Borne as they investigated a criminal who was targeting a police officer. A full series of three two-part dramas followed a year later.
巴(bā )西(xī )将军 Antônio de Souza Netto（1801.2.11-1886.7.2）的传记片，他参与了(le )巴(bā )西(xī )半个(🕞)世纪的(🍶)战争，从(🛩)(cóng )最初(🏊)的1836南里(👢)(lǐ )奥(à(🐽)o )格兰德(🏨)独立战(🤵)争一直(🖤)到(dào )1864巴(🐊)拉圭战(🧐)(zhàn )争(zhē(🤼)ng )
米歇尔(🕧)（奥黛(💹)丽·塔(😛)图(tú ) Audrey Tautou 饰(✖)）是一名(míng )模(mó )特，一天，在刚刚和男友分手之(zhī )后(hòu )，她遇见了名为弗(🏬)朗索(suǒ(🙄) )瓦（埃(🏜)德(dé )瓦(🐄)(wǎ )·贝(😏)耶 Edouard Baer 饰）(🚗)的兽医(😂)。在(zài )弗(🌋)朗索瓦的(de )花(huā )言巧语之下，米歇尔来(lái )到了他家(jiā )，两人本应该能度(✉)过美妙(🍧)(miào )的一(🎡)夜，然(rá(🐫)n )而(ér )让(🤫)弗朗索(📬)瓦没有(😬)想到(dà(🏫)o )的是，米(👖)歇(xiē )尔(👄)(ěr )竟然(🧖)在他家(🙆)自杀了(🔕)。弗(fú )朗(🚵)索瓦将(🈳)(jiāng )米(mǐ(🏣) )歇尔送到了医院之后不(bú )告而别。