朱(🎁)丽叶（(🐕)凯(kǎi )特(📩)(tè )·温(🛑)丝莱(lái )特(tè ) Kate Winslet 饰）和波林（梅兰(🦄)妮·林(💊)斯基 Melanie Lynskey 饰(🦔)(shì )）相(👋)(xiàng )识于(😓)一所校(🈸)风严谨(🆗)的女子(🖼)学校(xià(⏲)o )中(zhōng )，一见如故的(de )两人之间很快(🎢)就建(jià(💥)n )立起了(💓)真挚而(🚌)(ér )热(rè )烈的友情。在两人共有的日记本(běn )上(shàng )，记录(👕)着名为(🧙)《波洛夫(🤠)尼亚》的(de )虚(xū )构故事，故(gù )事(shì )的(😸)主角是(⏲)查尔斯(💔)国王和(👻)黛博拉(👦)王(wáng )后(🏰)(hòu )。
八国(👅)联军入(🤮)京，朝廷(👐)出奔，举(jǔ )国(guó )局(jú )势一度混(hú(🕡)n )乱(luàn )。黄(🌿)飞鸿（(🖤)赵文卓(🈯) 饰）与(⤴)父亲黄(📜)(huáng )麒(qí(🎪) )英(yīng )（(✉)刘询 饰(🖇)）、十四姨（王静莹(yíng ) 饰(shì )）(🐘)、徒弟(💖)梁宽(kuā(😻)n )（莫少(📵)聪 饰）、鬼(guǐ )脚七（熊欣欣(xīn ) 饰(shì )）一行人南下番禹，欲(😑)与十三(🐖)姨(yí )（关(guān )之琳 饰）、猪肉荣(👨)（郑则(🐳)仕 饰(shì(🐠) )）、牙(♊)擦苏（(🛒)郭(guō )晋(🤱)安 饰）(🔍)汇合。师(💽)徒于路(😝)同担心(xīn )海(hǎi )盗(dào )夺粮的南粤(🚴)米仓发(♋)生误会(💡)，两(liǎng )帮(📙)(bāng )人(ré(🏙)n )不打不(🏊)相(xiàng )识(👬)(shí )，黄飞(㊙)鸿助其(📱)将盗米贼扭送衙门(mén )，惊(jīng )觉盗(🥤)米竟是(🍑)差役领(📎)班谢四(💜)（张(zhāng )铁(tiě )林(lín ) 饰）指使。原来南海海盗趁局(jú )势混乱，活(💫)动(dòng )频(❗)(pín )繁，使番禹一地早无官员统制(🍨)，差(chà )役(🛸)(yì )不得(💭)已靠偷(🔰)盗维持(🐽)口粮。黄(👞)飞(fēi )鸿(📣)(hóng )有感(💮)谢四等(🛢)(děng )人(rén )忠义，遂放弃赴港计划，与(😠)当地(dì(👆) )海(hǎi )盗(〽)(dào )单眼(🏞)英、张(🤮)云麟、(🥉)张保仔(🌞)等人(ré(✉)n )展(zhǎn )开(🏑)(kāi )连场搏杀(shā )……
至爱的母亲(⭐)突然离(🛵)去，摩莉(🐐)变(biàn )得(🌚)(dé )沉(chén )默寡言，连做父亲的也拿她没(méi )法(fǎ )子(zǐ )。于是，唯(wé(🖐)i )一的办(🧜)法是找个好(hǎo )帮手料理整个(gè(⏭) )家(jiā )。在(🦂)芸芸众(👨)多的应(🌐)征者中(🍣)，歌莲(liá(🌤)n )娜(nà )脱(💻)(tuō )颖出(👸)现，因她(📖)具有独到的见解(jiě )及(jí )新奇的(🚠)主意(yì(🐟) )，这使得(📊)忧郁的(🍊)摩莉漫(⬜)漫变得(🦃)了充(chō(🥅)ng )满(mǎn )生(㊙)(shēng )气。
铸(💘)剑名师干将（马崇乐 饰(shì )）为(🏩)(wéi )生性(🤥)残暴(bà(🈶)o )的(de )楚王(🐱)（马精武 饰）铸剑，剑成之(zhī )后(hòu )，多疑的楚王杀死了干将(🌖)。干将(jiā(🚙)ng )之(zhī )妻(qī )莫邪（杨青(qīng ) 饰）早(♿)就料到(👹)此事(shì(🥨) )，便造了(⌛)两把(bǎ(😂) )剑(jiàn )，一(📥)雌一雄(🗂)，雌剑献(🦃)给了楚(💲)王，自(zì )己(jǐ )则留下了雄剑给儿(💿)子眉间(🚌)尺（阮(🍩)(ruǎn )巡 饰(🥁)）。
SYNOPSIS
Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife.
ある(🤡)日、キ(🤗)キとラ(✒)ラの家(🐝)にクッ(🍺)キーの匂(bì )いにつられて一匹(🕊)の子供(💵)ペガサ(🛸)スが迷(⏰)い込(rù(🐀) )む。
二嫫（艾丽娅 饰）靠卖麻花面(miàn )维(wéi )持(chí )生计(🥍)，丈夫（(💹)戈治均 饰）是昔(xī )日(rì )的(de )老村(👀)长，后(hò(📝)u )来落下(🙁)了病根(🌀)做不(bú(😙) )了重活(🤙)，家中(zhō(🚾)ng )重(chóng )担(🚛)全落在(🔶)二嫫身上。隔壁的“瞎(xiā )子(zǐ )”（刘(🏆)佩琦 饰(🌧)）家有(🌆)电视和(🕷)一辆(lià(😅)ng )破(pò )卡(😪)车，在村(♐)(cūn )里(lǐ(👐) )算是不(🌥)错的人家。二嫫的儿子虎(hǔ )子(zǐ(🔟) )经(jīng )常(🈹)跑到“瞎(😺)子”家蹭(👍)电视看(🤵)，自(zì )尊(zūn )心颇强的(de )二(èr )嫫暗下决心要买台全县最(🔷)大的电(🌕)(diàn )视(shì )回(huí )家。“瞎子”对二嫫有意(😏)思，为(wé(⏺)i )她(tā )在(🌗)县城介(🧠)绍(shào )了(🗜)一份工(⚪)作并定(🍸)时(shí )接(🤛)她回村(🖖)，后(hòu )来(lái )两人在车上发生了关(🛤)系。村里(🆑)人(rén )对(🥖)(duì )二(è(🆘)r )嫫和瞎(🛴)子指指(🚺)点点，“瞎(⛳)子”老婆(🐇)（张海(🤰)燕(yàn ) 饰(shì )）和二嫫在家门口打(🤢)了一架(🕉)。二(èr )嫫(💩)(mó )去(qù(🎼) )县城卖(👡)血，最后终于买回了大(dà )电(diàn )视......
马克（布(bù )拉(lā )德(🐡)·兰弗(🎩)洛 Brad Renfro 饰）是一名11岁的少年(nián )，一(yī(🤺) )日，年幼(❔)的他目(🔴)睹了一(🛒)个男人(📍)(rén )自(zì(🤜) )杀(shā )的(🕵)全过程(🤔)，在死前(♈)，男人告诉了马克一个惊(jīng )天(tiā(🔹)n )秘密。受(😼)惊的马(👻)克随即(🏳)接受了(🌖)警(jǐng )方(Ⓜ)(fāng )的(de )盘(📟)问，但对(🚯)于那个(💘)不能说的秘(mì )密，马克选择(zé )了(💜)(le )守口如(🌧)瓶。可即(🔭)便如此(📐)，马克还(🚞)(hái )是(shì )被(bèi )和黑手党暗中勾结的联邦检察(chá )官(guā(🔪)n )福特里(🏨)格（汤(tāng )米·李·琼斯 Tommy Lee Jones 饰）给(🥏)盯上了(🙏)，后(hòu )者(🚩)(zhě )向(xià(😼)ng )马克提(📟)出了控(🌤)诉。
Set in 1950s Tunisia, the film is about a 25-year-old woman, Alia, who returns to her place of birth—a prince's palace in which her mother, Khedija, worked as a house servant and mistress. Alia had fled the palace ten years earlier, at which time she spent burying tortured memories of her childhood. In her visit to pay respects for the death of the prince, Alia wanders through the largely abandoned palace where she is confronted by these memories represented as detailed flashbacks of her childhood. She begins to piece together a narrative about her mother's sexuality and sexual exploitation in a space ordered by gender and class difference, and is re-awakened to her persistent questioning about her father's identity. As Alia negotiates her past, she also deals with her current relationship to her lover, Lotfi, who has asked her to have what seems to be yet another abortion. Her development throughout the film contrasts her awakening to a past of sexual and social servitude which many of the female servants experienced in the palace against her own contested independence fraught with pain, conflict and uncertainty.