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到处流浪的(😴)(de )芳远(🎈)（申永均饰(😉)(shì )）(🏋)在某乡村(cūn )寄宿(🎢)的时候(hòu )拾到了(🕙)一双(shuāng )日本式女(🚎)袜(wà )，并因此结识(😠)了袜子的主人(rén )美丽的锦分(fèn )（高银(🦅)儿饰(shì )），她嫁进(🔼)(jìn )婆家已经三(sā(🧜)n )年，每天辛苦地照(👫)顾着(🔅)重病(bìng )在床(😢)的丈(🚑)夫(fū )。对锦分(🚢)一(yī(🚞) )见钟情的芳(🚵)(fāng )远(🔫)决定在村(cū(🐛)n )子里(📁)长住下来好(😗)有更(❄)多的机(jī )会(🕷)与其(🏆)接触(chù )，在姜(🦄)佥知(🐈)(zhī )（许长江(➖)饰(shì(😩) )）的手下当长工(📂)，一来想帮(bāng )锦分(🐡)偿还欠(qiàn )下姜佥(🕗)知的(de )钱，二来锦(jǐ(👪)n )分的丈夫的(de )状况看来也将不久于人世(🚢)，到时想办法(fǎ )两(🐆)人能够在(zài )一起(🕉)。两人(rén )很快相爱(🥂)了(le )，为(🍉)了逃避知人(💎)的目(🥑)光，他(tā )们... 为(👆)了逃(🗜)脱(tuō )地狱坟(🏷)墓的(👷)(de )禁锢，吸血(xuè(👷) )鬼（(🚪)马汀·坎普(📵) Martin Kemp 饰）(🔆)需要纯洁处(👢)女的(🤹)鲜(xiān )血，在黑(🚓)暗(à(🐀)n )和痛苦中等(☕)(děng )待(🚏)了千百年(nián )，一个(👕)名为夏洛特（艾(👣)莉莎(shā )·米兰诺(🍐) Alyssa Milano 饰(shì )）的年轻女(🎍)(nǚ )孩成为了吸(xī(🔫) )血鬼的目标(biāo )。 This is a fascinating, colorful and very-well made film that looks like an epic and is in fact an intelligent drama about sculptor-painter- architect-poet Michelangelo Buonarrotti. Here portrayed by the much taller Charlton Heston, and admirably, he is presented as a man who want only to create beauty, a man without "people skills" or interest in much of anything else--not women, nor war not the dynastic dreams of men--only the Renaissance idea of utilizing one's abilities. He even pays attention to religion only because the world interests him, and he equates his heaven with what men can achieve--and Earth with the same sort of place he expects to find as an afterlife. Carol Reed directed and produced this fascinating look at the Renaissance, with its warrior priests, its worldly dreamers and its subtle change toward a politics of gunpowder, secular pursuits and worldly morality. Philp Dunne, author of "David and Bathsheba" wrote this thoughtful spectacle film as well. In the cast besides Heston are Rex Harrison as Pope Julius, close-fisted patron, admirer and nemesis, Harry Andrews as his rival Bramante, Diane Cilento as the woman who would like to love him, Alberto Lupo, Adolfo Celli, Fausto Tozzi and a narration by Marvin Miller. The opportunity to see the real landscapes in which Michelangelo was born, worked and became inspired is a wonderful one for the viewer; the entire Carrara marble quarry section is stunningly beautiful. The film has battle scenes able done by Robert D. Webb, Leon Shamroy's cinematography, a prelude by Jerrald Goldsmith and sterling music by Alex North, production design by John Cuir and Jack Martin Smith and memorable costumes by Vittorio Nino Novarese. The basic thrust of the storyline is twofold; against the wars conducted by vigorous and all-too-worldly Pope Julius, the war to win secular hegemony for his Papal rule, the counter-current is Michelangelo's desire to further his career in Rome by obtaining a commission from the Pope. He does, an assignment to refurbish the Sistine Chapel for him. But after an attempt at some saints, he leaves Rome, and flees to his beloved Carrara. There, surrounded by mountains, he has a vision at sunset and suddenly knows what he must do. Obtaining Julius's reluctant permission, he sets to work covering that modest ceiling with tremendous figures, a bearded Jehovah, a recumbent Adam touched to life by a divine spark, the world's most famous fresco painted from a homemade scaffolding; in spite of illness, missed meals, filth, deprivation, cold, an injury that nearly costs him his eye and more, including the Pope's indifference to his intense passion for his art, Michelangelo endures. "When will you make an end?" Julius cries. "When I have done," the artist insists. And at the end, Julius, beaten on the field of battle, admits he may also have been wrong about the ceiling...that his fostering of Michelangelo's work may be the most important thing he has ever done. Of course the puritans of the era object to the nakedness the artist has depicted, but Michelangelo says he painted people as God made them. The movie, based on the biography "The Agony and the Ecstacy" by Irving Stone here concentrates on a seminal moment in the great artist's career. He may be a sculptor as he insists; but after seeing this moving and fascinating film, no one can doubt that he is also a stubborn and single-minded man--and a painter of genius. Most underrated; often fascinating fictionalized biography. Heston and Harrison are good, everyone else good as well. Worth seeing many times, if only for Dunne's dialogue and the scenery. プロカ(📎)メラマンになる(🧕)ことを夢見て上(🥊)京した新(xīn )平は(📞)、母の入院の知(🙆)らせ(📓)を受け、5年(🤣)ぶり(😀)に故郷の高(🈸)知へ(🔠)帰省(shěng )する(🙁)。そこ(😀)では難病を(📥)患う(🌿)元恋人(rén )・(⏪)香織(🚶)の妹さくら(😏)が、(✍)「よさこい(😂)祭り(🆎)で新平と踊(yǒng )る(🤴)」という5年前の(🈵)約束を胸に、つ(🤢)らい闘病生活を(⚫)送っていた。新平(🕣)はさくらとの約(yuē )束を果たすため、(🔞)香織や親(qīn )友の(🌩)司を巻(quàn )き込み(🚾)、伝(yún )説のよさ(🎮)こい(🔭)チーム「い(🛒)ちむ(🤴)じん」を再(🎊)結成(🥄)する。「デコ(🌊)トラ(🙇)の鷲」シリ(🌖)ーズ(🥇)を手(shǒu )がけ(💷)る香(⏪)月(yuè )秀之監(💐)督が(🐤)、実話を基(🌩)によ(♋)さこい祭りに情(😴)熱を燃(rán )やす若(💚)者たちの姿を描(📥)く青春ドラマ。主(🏓)演に「赤(chì )い糸(🔠)」の溝(gōu )端淳平。 Its the year 2045. War on drugs in Mexico has escalated as a ruthless drug Cartel use robots to enforce their operations. 移(yí )民到美国的(de )男主(😃)角进了贵族学校(🎛)，但还(hái )是受到同(📊)学(xué )岐视。他希(xī(♿) )望自(⚾)己成为(wéi )优(🕥)秀的(🥧)像凯(kǎi )文（(💗)JRM饰）(🤵)那样的人，于(🤠)是，他(💑)为此说了(le )一(♍)个又(✉)一个(gè )的谎(🛹)言…(😧)… 1938年，犯人亨(😐)(hēng )利(🔞)（Kevin Bacon 饰）试图(📿)从著(⛹)名的阿尔(ěr )卡特(😁)兹监狱(yù )逃出，但(👛)最(zuì )终失败。典(diǎ(♈)n )狱长格伦对威胁(🍃)自己地位的(de )亨利(🎎)恨之入(rù )骨，将其抛(pāo )入封闭的地(dì )牢(🤣)中长达三(sān )年，期(🈂)间伴有不计其数(💛)的殴(ōu )打行为。亨(😾)(hēng )利(🔬)终于得以(yǐ(🏕) )离开(🏰)地牢，但他所(🥉)做的(🎯)(de )第一件事是(🥑)用勺(🈷)子杀死背叛(🅱)(pàn )自(🎵)己的犯人(ré(🖐)n )，于是(🤡)被控(kòng )一级(🎣)谋杀(🔣)。