一眉道人国语

Just released ex- convict Guido watches his girlfriend get killed on the way home from prison. He thinks the killing is connected with the events that led to him going to jail five years back. Guido starts to investigate...In many ways a typical late DiLeo- crime film: unimaginative lightning, boring sets, unimpressive action sequences. Yet I think just because of the grittiness of the script, this one easily rises above the other DiLeo- turkeys I've seen. Decent acting in the form of especially Barbara Bouchet and Guido's main adversary Martin Balsam, who stand out positively. Most importantly, the plot really thickens towards the end climaxing in a truly memorable final scene between Guido and Martin Balsam's Rizzo. Go Gorilla Go is probably most notable for its strange title, and this carries over into the film; as while it takes obvious inspiration from some big genre classics; the film features some strange plotting and a storyline that is a bit unusual on genre terms. Director Tonino Valerii previously directed the excellent but complicated Giallo My Dear Killer and clearly has a talent for delivering convoluted story lines as Go Gorilla Go features one too! The film focuses on Marco; an undercover police officer who is also working as a body guard for a shady underworld figure. He's also got a brother who is not exactly squeaky clean and has contacts with a few other 'Gorillas' who are in the same line as he is. It's not long before our hero gets involved in a kidnap plot along with his brother and his underworld boss and this plot is ran parallel with a load of others and the whole thing gets rather complicated. Luckily, however, it's all spun together with a whole load of action scenes; many of which are really well done. We've got the usual compliment of car chases and fist fights, but the main standout is a sequence that sees the lead character trapped in an elevator with the bottom taken out. The final car chase, which involves a train a la The French Connection, is also very well executed. The lead role is taken by Fabio Testi and the actor looks the part and plays it well. The rest of the cast is filled out mostly by lesser known Italian actors, but they get on well as an ensemble and bad dubbing aside, the film is above average in the acting department. The way that the story flows does get a bit too confusing at times as we constantly switch from one thing to another, but at least the proceedings are kept entertaining for most of the duration, before exploding in the final third. This film is not very well known and as such has become rather hard to come by. In the grand spectrum of Italian police films; this one is not one of the more important ones or one of the best, but for anyone that considers themselves a fan of this genre; Go Gorilla Go is certainly worth a look and comes recommended. 陈健康(kāng )（翁家轩(xuān ) 饰）出(🐌)生(shēng )在一个极为普通的家(jiā )庭之中，他本身亦(yì )是那种大街上随处可(kě )见的高中(zhōng )男生，对(duì )于爱(🈲)情和家庭的温暖(nuǎn )有着极度(dù )的渴望和(hé )向往。嘉嘉（王璐瑶(yáo ) 饰）由母(mǔ )亲（许素(sù )莹 饰）一(🌮)人拉扯养大(dà )，困苦的(de )生活令母(mǔ )亲变得愈(yù )发神经质起(qǐ )来，而嘉(jiā )嘉对于这(zhè )一切却早(zǎo )已经(🎓)习以为(wéi )常。两位(wèi )各自带着(zhe )伤痛的年(nián )轻人走到了(le )一起，然(rán )而他们的(de )恋情却充(chōng )满了变数和压(🔙)力。 At first glance, our two stars of Born Winner, Pericles (Joe Dallesandro) and Sandro (Massimo Ranieri) do not appear to be Born Winners at all. Sandro, played by the charmingly handsome Ranieri, is unceremoniously dismissed from his job after a party he is catering for is robbed at gunpoint. Shortly after, he fails in his attempts to find a new job. Fate, or what you will, allows a piece of paper with Sandro's address to fall into Pericles' hands. Pericles is the man who committed the robbery at Sandro's last catering job, causing Sandro's dismissal. Soon, our Pericles, who is the gorgeous Joe Dallesandro incarnate, is living with the newly directionless Sandro; Pericles soon takes Sandro through the fast, thrilling, dangerous, and fleeting, swiftly fleeting, curves of life. As Pericles tries to help Sandro earn a living as a petty thief, Sandro tries to help Pericles learn to love life again. Joe Dallesandro is remarkable as an ex-championship motorcyclist whose career prematurely ended after a nasty accident. The fates of Pericles and Sandro leave an indelible mark upon the viewers; as the other poster commented, the curves are muddled, but they are muddled with good cause. 起(qǐ )初，我不(bú )相信是真(zhēn )的。我以为其他人看(kàn )不见我是(shì )因为他们(men )没有注意到我，或是(shì )因为(🕥)他们(men )对我不感(gǎn )兴趣，归根结底，我(wǒ )是微不足(zú )道的。直(zhí )到后来，我才意识到(dào )我是隐形(xíng )的，我的(📌)(de )确存在着(zhe )，而他们却(què )看不见我(wǒ )。我身上(shàng )正在发生(shēng )一些事情…… The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years after Capone was imprisoned. It's a tension filled weekend for Tommy Lynley when he and Helen go the family estate to hold their engagement party. Tommy is estranged from his mother owing to the time he found her in bed with their family physician, Dr. Trenarrow, while his father was dying of cancer in the next room. He's on less than good terms as well with his brother Peter who feels that Tommy abandoned him when their father died. When Mick Cambrey is found dead in his shop in the village, the police arrest his father-in-law John Penellin, the Lynleys long-time estate manager. Lynley and Haver soon determine that the death is related to drug smuggling. When one of the weekend guests, Justin Brooke, is found dead on the estate, they realize something other than heroin was being smuggled.