郷(xiāng )ひろみ(⏰)の映画初(📍)主演(🛁)(yǎn )作。遠藤(téng )周作(♌)の同名の(🏂)青春(🎌)(chūn )小説を映(yìng )画(🌙)化。『愛(à(🕹)i )と誠(🚀)』以来、青(qīng )春映画を撮(🆖)(cuō )り(🥪)続けてきた山(shān )根成之監(🧘)督(dū(📰) )がメガホンを取り、脚本(😐)をジ(📿)ェームス・三木が手がけ(🛣)た。郷(🅰)ひろみが主題(🔊)(tí )歌「さら(🔇)ば夏(🥑)の光」を歌っ(🌜)ている。共演は、(💠)女友達の(🐥)ハン(🧖)バーガー・ショ(🈴)ップ店(dià(🗿)n )員役(🐤)に秋(qiū )吉久美子(🚮)が、大学(😚)浪(là(🍄)ng )人の親友役に川(🧚)口(kǒu )厚が(🛌)キャ(❓)スティンされた。地方出身(🚲)(shēn )の(🚫)貧しい青(qīng )年が愛し始め(💳)た女(🎏)友達を親(qīn )友に譲ったこ(🙏)とか(❌)ら、明るく生きながらも(🗼)愛に(♉)苦しみ、人生(🖨)の厳しさを(🛷)知(zhī(🥧) )っていく姿が(🚸)描(miáo )かれる(🥊)。
In all likelihood, a one-off revival of Wakayama's 11 film GOKUDO (SCOUNDREL) series, which originally finish in 1974.
拍(pā(🔌)i )摄过程
票(🍄)(piào )房(👅)77年第4.
The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest.
弗朗哥统治(🏖)(zhì )时期的(🥇)西(xī(💾) )班牙马德里(lǐ )，女(🏽)童(tóng )安娜(🙅)（Ana Torrent 饰(🥇)(shì )）与两个姐(jiě(🧤) )妹在军官(👩)(guān )父(🌡)亲安赛莫死后被(bèi )过继给(🛢)姨(yí(🙋) )妈抚养，安(ān )塞莫在(zài )世时(🍜)风流(🤩)(liú )成性，母亲(qīn )玛莉亚（Geraldine Chaplin 饰(🚔)）为(🥤)(wéi )他放弃事业(yè )最后落得(📋)(dé )在(🦋)寂寞压抑的生(🌮)活(huó )中痛苦(🐗)不(bú(🙄) )堪，早早去(qù )世(🥗)。关(guān )于母亲(🐖)的(de )记(😀)忆不时浮(🐈)(fú )现(🦌)在安娜脑海，这些(🃏)记忆混(hú(🚎)n )同她(🥓)对死(sǐ )亡的臆想(🔠)慢慢影响(📖)(xiǎng )了(👞)现实生(shēng )活。姐妹(🎙)三(sān )人在(🍊)姨(yí(📖) )妈的看顾(gù )下并不安分(fè(🈺)n )，姨妈(🧘)正(zhèng )陷入一场同安赛莫(mò(🤣) )已婚(🛵)战友(yǒu )的恋情，安(ān )娜的举(🏖)(jǔ )止(🍽)让她愈(yù )发感到威胁(xié )。安(⏪)娜试(🛌)图用一(yī )瓶所(💷)谓毒药(yào )帮(⚪)助生(📥)活(huó )不能自理(💪)的祖母自(zì(🚵) )杀，而(🏌)那(nà )瓶物(📨)事不(👗)过(guò )只是苏(sū )打(💫)，祖母(mǔ )拒(🥐)绝服(🆚)毒，安娜又将目标(🖊)对向了姨(✨)妈…(🤳)…
内向的(de )波兰裔(💝)青年塔尔(📝)科(kē(🚍) )夫斯基（罗曼·波兰(lán )斯(📧)基 Roman Polanski 饰(🔔)(shì )）独自来(lái )到巴黎，希(xī(👌) )望在(🗣)此租(zū )住一间公寓。这间(jiā(🕦)n )房之(🆑)前的(de )房客西蒙·肖（Romain Bouteille 饰(shì(👑) )）不(🎎)知出(chū )于何种(🦅)原因(yīn )跳楼(🔋)自杀(🚳)。在西(xī )蒙于医(🥙)院中(zhōng )气绝(🚪)身亡(👂)(wáng )后，塔尔科夫(🌀)斯基(jī )顺利地成(🌆)(chéng )为了新(🍡)的房(🐆)(fáng )客。