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Gotthold Ephraim Lessing published his "dramatic poem" in 1779 as a direct response to censure by official orthodox religious circles, to which he was subject after publishing a work by Samuel Reimarus that was critical of religion. He set his story in Jerusalem at the time of the Crusades, where Christians, Jews and Muslims were in constant and close confrontation. It threatens to end tragically in religious conflict, but the main character succeeds, with insight and shrewdness, in reconciling the religious communities. Lessing's drama is acknowledged in German literary history as a "humanist manifesto" that defends "religious tolerance and the freedom of ideas". Scriptwriter Hans Kyser adapted the drama to great cinematic effect, incorporating as a powerful prologue, the opening episode that Lessing resolved only at the end of his drama. Manfred Noa used the brutality of the Crusades and their exotic setting to stage visually impressive crowd scenes. Experienced actors from box-office hits were magnificent in the leading roles, among them Werner Krauss (Das Cabinet des Dr. Caligari / The Cabinet of Dr. Caligari by Robert Wiene) as Nathan, and Carl de Vogt (Die Spinnen / The Spiders by Fritz Lang) as a young Templar knight. As in the original drama, this emotionally charged production ends in an impassioned plea for reason and for tolerance towards people of other faiths. 根(gēn )据《聊斋(➡)志(😯)(zhì )异》中同名(míng )故事(🐩)改(🌦)编。 一场(chǎng )意外让宾(📜)虚(👳)(xū )（拉蒙·诺瓦罗(🌄) Ramon Novarro 饰(📗)）沦(lún )为了可以被(✋)(bè(🔆)i )随意买卖的(de )奴隶，他(🍈)被(🎿)(bèi )卖到(dào )了一艘兵(💸)舰(👣)(jiàn )上，成为了(le )一(😏)名水(📠)手(🏁)。某日，兵舰(jiàn )遭(🍬)遇海(🚀)盗的(de )袭击(jī )，就在(⛪)这生(shēng )死存亡的紧要(🥋)关头，身(shēn )强体壮的宾(👖)(bīn )虚成功挽救(jiù )了兵(🙃)舰司令(lìng )官的(de )性命(🈷)，司(🍨)令(lìng )官感谢宾虚的(😣)救(📭)命之恩(ēn )，不仅赋予(🚐)(yǔ(🤮) )了他自由，还将其收(📳)为(🍰)(wéi )养子(zǐ )。 布特（古(🌊)(gǔ(⏭) )斯塔夫·冯(féng )·沃(🤟)根(🏕)海姆(mǔ ) Gustav von Wangenheim 饰）是一家(🕶)(jiā(🛃) )不来梅地产(chǎn )公司(📈)的(📧)职员(yuán )，受(shòu )公(🔲)司委(🍛)派(🔉)去(qù )一座古堡(🌨)与(yǔ(🥕) )诺斯费拉图(tú )伯(🌓)爵（马科(kē )斯·夏瑞(🔄)克(kè ) Max Schreck 饰）做房屋买卖(😖)(mài )交易，但是在古堡附(🏄)近(jìn )的旅店投宿(xiǔ(🥁) )时(🐐)，人们得(dé )知他目的(🕊)地(📵)(dì )的反(fǎn )应都很奇(✍)怪(🦉)(guài )。到了古堡，见到面(🚪)目(🈵)(mù )枯槁、行为(wéi )古(🚋)怪(💊)的诺斯(sī )费拉图伯(😮)爵(🚌)(jué )，也(yě )得知他昼伏(🍒)(fú(🦇) )夜出的生活(huó )习惯(🔘)，布(🥊)特(tè )对他的身(🔪)份(fè(🕛)n )心(🏙)生窦疑，终于探(📅)知他(💔)(tā )就是(shì )传说中(👢)的吸(xī )血鬼。布特(tè )逃(🖥)出古堡，伯爵也一路(lù(🍃) )奔向他买好(hǎo )的、位(💗)于不来梅(méi )的房子。布(😜)特回家后，得知吸血(🏛)鬼(🙈)(guǐ )伯爵已经到(dào )来(💡)，而(👯)且正(zhèng )是他(tā )令小(🏫)城(🍅)瘟疫(yì )肆虐，他和妻(🗽)子(🐾)艾伦（Greta Schröder 饰）一起(🚉)(qǐ(🌕) )，开始设法(fǎ )消灭吸(💀)血(🥀)鬼(guǐ )伯爵(jué )…… Bargeman Louveau finds an abandoned boy, Victor, and with the authorities permission takes him back to his own family where he raises him. 10 years later Victor and Louveau's daughter Clara have fallen in love, and it is then that Louveau is called to Paris, where it has been discovered that Victor is really the son of Maugendré(🔕), a charcoal shipper on the Nivernaise canal. Meanwhile, Victor protects Clara when a jealous bargehand attacks her and he manages to save the family barge from crashing into the lock. Returned to his real father, Victor is sent away to be educated but misses Clara and his life on the barges. When Maugendré(🖨) realizes this he lets him return and when they are married he gives Victor and Clara a barge of their own. L'un des premiers chefs d'oeuvre du réalisme cinématographique. Il s'agit là de la première version de l'oeuvre de Zola. L'originalité du film tient à(🔙) sa longueur (107 mn) tout à fait inhabituelle pour cette é(🆑)poque ainsi qu'au tournage en exté(🎊)rieur, sur la fosse 5 d'Auchel. L'un des premiers chefs d'oeuvre du réalisme cinématographique. Il s'agit là de la première version de l'oeuvre de Zola. L'originalité du film tient à(🌘) sa longueur (107 mn) tout à fait inhabituelle pour cette é(🈁)poque ainsi qu'au tournage en exté(🎨)rieur, sur la fosse 5 d'Auchel. 根据谢(xiè )苗·(🍉)所罗门诺维(wéi )奇·尤(🌏)什克(kè )维奇（Сем(🏚)ён Соломо́(🍈)нович Юшке(❔)́вич）的同名(🍯)小(🅱)说改编 This film comes from the Schloss Archive of His Highness, Herr Graf Ferdinand von Galitzien: