Four students majoring in art leave the civilization for a couple of days to be able to dedicate some time to their current art projects. They've rented a remote house where the nearest neighbour is miles away and nothing but woods surround them, but just as they start getting settled in, strange things start to occur. Something's been waiting for them and now there's only one rule; trust no one... ESPECIALLY not yourself!
2001年11月(❔)，阿富(🖲)汗(hàn )加(jiā )兹尼省(👸)。一(yī(🗼) )支(zhī )来自美国的(🖥)特种部(bù )队小分队与CIA探(😆)(tàn )员(yuán )本杰明·(⌚)凯恩(👳)(ēn )斯（乔纳斯·(🖼)鲍尔(👼)(ěr ) Jonas Ball 饰(shì )）在此碰(⚓)头(tó(🍉)u )，他们要在当地寻(🌄)找(zhǎo )一个名叫莫(✴)罕(✒)(hǎn )默(🐞)(mò )德•阿班的男(🔟)人。在(🍽)线人阿布尔(ěr )（(🍽)Chems-Eddine Zinoune 饰）(✉)的引导下(xià )，他们(🌄)来到据说莫(mò )罕(hǎn )默(🌦)德(👴)藏身的(de )山(shān )区。这(🍡)里流(🐎)传着恐(kǒng )怖的传(♒)说，在(🎆)(zài )半(bàn )个多世纪(🥀)前英(🍝)(yīng )国就曾有一支(🕔)上万(wàn )人(rén )的部队在此(🚴)(cǐ )地(dì )凭空消失(🦇)。从特(📰)种(zhǒng )队员踏入这(👌)片(pià(🏡)n )陌(mò )生领域的那(⌚)一(yī(🤲) )刻起，恐怖离奇的(🕚)(de )事(shì )件便如影随(⛸)形(⬇)(xíng )。队(⏪)员们接连失踪(zō(🌴)ng )，他们(🍔)仿佛走(zǒu )入(rù )一(📃)条通(🕢)往黑暗世界的不(🛡)归之路……
謝洛美·(🔁)漢(🙅)尼(ní )耶飾演一名(👗)剛進(🥝)入(rù )巴(bā )黎一家(😗)規模(😆)(mó )龐(páng )大的顧問(⛏)公司(🆓)任見(jiàn )習職員的(😓)年輕(qīng )人(rén )，而負責訓練(🔕)(liàn )他的是公司的(🚝)一名(🔭)(míng )紅(hóng )人，這人自(🤼)(zì )視(➿)(shì )甚高，完全不接(😔)受(shò(🛢)u )任何爭辯或意(yì(👾) )見(jiàn )。年輕人被派(🔋)往(🤽)外省(🔹)負責督導一(yī )間(🕗)(jiān )鋼(👙)鐵公司的核(hé )數(➿)工作(🤔)，他很快發(fā )現自(🤼)己的工作(zuò )其(qí )實是(🍰)為(🍧)公司的全線裁員(🤹)作準(📠)備。他(tā )突然很懷(🦎)念與(♌)(yǔ )身為單親母親(⛑)的女(🎢)(nǚ )友(yǒu )在巴黎那(✍)較(jiào )簡(jiǎn )單，不需要作出(🐎)那(nà )麼多妥協的(🤧)生(shē(📃)ng )活(huó )。但事實往往(🦄)(wǎng )並(🚹)不是那麼簡單的(🖥)(de )……(🈴)
在一个魔(mó )法(fǎ(🍶) )消失后的时代，公(🏠)(gō(🦄)ng )主阿(🥑)莱蒂（桑(sāng )岛(dǎ(😙)o )法子(🤞) 配音）独自居住(👶)在高(🦗)高的城(chéng )堡(bǎo )塔(🐃)楼里(🔱)，等待(dài )来迎娶她(💋)的(🎬)骑士。而国王为了(♉)从(có(🍺)ng )众(zhòng )多人选中选(🌬)出驸(🎟)马，提出只要谁(shuí(♓) )能(né(🥎)ng )将魔法师的宝(bǎ(🦃)o )贝带回来，谁就可(kě )以(yǐ(🤗) )取公主做新(xīn )娘(🐁)(niáng )。时(🚷)光荏苒，公主(zhǔ )每(🕍)天以(😑)书本来(lái )消(xiāo )磨(🔇)时间(👣)。一晚(wǎn )，一位勇士(🎅)偷偷溜(liū )进(jìn )了公(💤)主的(🎲)闺(guī )房(fáng )，向公主(⚡)示爱(👀) ，可(kě )被公主回绝(🍤)了(le )。打(🍂)发走了拜访者，一(🌂)个小(🐐)魔女从(cóng )暗(àn )道(🐇)里(🗄)走了出来(lái )，告诉(🤫)公主(😆)魔法失(shī )效(xiào )的(😱)根源(🤸)，自(zì )己(jǐ )也丧失(⛱)了法(🐑)力，再也无法变回(🈴)原(yuán )样(yàng )。第二天清晨(ché(🔕)n )，一个拥有法力的(🐚)(de )魔(mó(🌵) )法师（小山(shān )刚(🉐)(gāng )志(🐞) 配音）乘坐着飞(🏇)(fēi )艇(🌩)造访城堡，迎(yíng )娶(🔎)公主。魔法(fǎ )师用自己的(🛂)魔法威(wēi )逼(bī )国(♊)王交(🏯)出公(gōng )主(zhǔ )。其实(📟)，昨晚(👢)公主(zhǔ )在与小魔(😨)女的(🌷)(de )交(jiāo )谈中已经醒(🧚)悟了，意识到不能再(🤽)(zài )消(😙)(xiāo )极地等待下去(🧞)(qù )了(🏞)，应该主动追求(qiú(❤) )自(zì(🚪) )己想要的生(shēng )活(🍢)(huó )。收拾了行囊，趁夜色溜(✊)出了城(chéng )堡(bǎo )…(🔨)…
Carmen is happy. She is in love with Carlos, a young man filled with optimism, the exact opposite of his taciturn and tormented friend Leon. On Carlos’(🙁) advice, Leon pays a visit to Professor Kamus, whose invention reveals the truth about beings and things. This invention is none other than the cinema, which he presents as a sixth sense. From then on, an unfortunate misunderstanding puts Carlos and Carmen’s love in danger.
Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.
A look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.