学电脑(nǎo )的(de )何(⚫)贵炒股赔了以(yǐ )后(hòu )，潜心(👰)研究一种(✍)(zhǒng )软(💯)件，想把损(🗽)失(shī )捞(lāo )回来(🐢)，他的这一(yī(🧕) )软(ruǎn )件被(🏻)某证(💎)券研究(jiū(💻) )所的(😳)主任朱君(🎟)看(kàn )中(zhōng )，企图利用他的(de )软(🤳)(ruǎn )件欺骗(🔽)刚入(💵)市的(de )股民(🥩)，同时又暗(àn )拉(💼)庄家，大搞恶性(xìng )炒(chǎo )股活(🥂)动，何贵出(🚀)(chū )于(🔲)良心，决定(🎨)揭(jiē )发朱的阴谋，在激(jī )烈(🐢)(liè )的股市(🗝)活动(💒)...
You can't hold too much against this knowing that it was made in four days, and I had expected it to be campy anyway. (It's not all that campy in reality. With the exception of Kevin Kalisher and Huntley Ritter, who don't take themselves seriously, the rest of the cast plays it halfway straight; Riley Smith is exceptionally bad.) The ridiculous story is actually paid attention to, which kind of shocked me; I assumed the whole purpose with these ultra-low-budget horror movies was to cater to the basest sexual fantasies and not give a damn about the story, but they use lots of words like "technological" and "physicality" in the script to get their point across. (Although it's possible that the story is important only to explain why there's so few cast members.) Nobody cares about this stupid storyline, and the only things that are interesting in the film are the mocking of cults and the soft-core homoeroticisms (which aren't all that edgy). I would have enjoyed it more if there were just some random killings for no reason. The film is grainy, with a TV-quality look and acting level. There are a few "sexy" scenes that are alright -- the boys writhing in bed in their boxers, feeling themselves up; or being tied down and making orgasmic faces while wine is poured on them -- and some of them are kinda funny. And I liked the digs at L. Ron Hubbard and the intended irony of a story about religious cultists told with intense gay overtones, but it still isn't any good. 3/10
致命(mìng )遗(🍁)(yí )产 No One Sleeps
年轻而善(🤴)良(liáng )的男孩海豚某天在(zà(👩)i )路(lù )上邂(🍬)逅了(🏑)正处于(yú(🐇) )失(shī )落中的女(🌙)生春天(tiān )，两(🎾)人因在路(🖱)边(biā(🤗)n )摆(bǎi )摊贩(🎺)卖Ｖ(🙀)ＣＤ而(é(🍡)r )遭(zāo )到各方管制，由(yóu )此获(📅)得艺术冲(🙏)动(dò(🍇)ng )的(de )海豚决(⏭)心拍一部(bù )属(⛺)(shǔ )于自己的电影。然而充满(♟)理想的(de )他(🎬)一味(🏏)追求高雅(🆚)而(ér )从(cóng )不去观察身边的(⛅)(de )生活，春天(🥍)因失(🚇)(shī )望而离(😹)开，留下海(hǎi )豚(🚆)(tún )重新审视自己的(de )一(yī )切(🧡)。最终他再(🛺)(zài )一(🤾)次以自己(🤘)的真挚(zhì )赢(yí(👌)ng )回了春天的(😞)心。
这(zhè )部(🏍)影片(🔓)由是整个(🥍)“拯救(🕑)母亲河行(🤤)(háng )动(dòng )”的一部分。与(yǔ )纪(jì(🚔) )录片《支撑(🏹)》同(tó(⬆)ng )时开拍。
患(⬛)者と看(kàn )護婦(🐊)、医師と看(kàn )護(hù )婦、そ(😀)して看護(🎯)(hù )婦(⏸)と看護婦(🦃)…。とある大学(😇)病院を舞(wǔ(🕜) )台に、看(🥇)護婦(🍈)、医者、(🎯)患者が繰(qiāo )り(🌦)広げる淫靡なドラマを、(✍)過激なエ(🗯)ロス(📏)・シーン(📮)を満載して描(🌎)く。
After many years of having worked as a tour guide at the Senegalese slave museum, Alloune decides to go to America in search of his ancestors. They were taken away from his village 200 years ago and sold as slaves in the New World.
一(yī )股(gǔ )邪惡勢力正在(🏧)小(xiǎo )村(cū(👒)n )莊裡(😦)的黑暗角(🎤)落慢慢蔓延，而唯(wéi )一(yī )能(🥚)對抗這股(👨)邪惡(🎊)(è )勢(shì )力(🚊)的卻是一位村(🕶)(cūn )裡的年輕女子，但(dàn )這女(😦)子卻有著(🍺)極(jí(🚶) )不(bú )愉快(🕍)的童年記憶(yì(😕) )：在她八歲(➖)生日(rì )的(🤫)那天(🕰)，她的父親(🐰)(qīn )謀(móu )殺了十(📕)五條人命(mìng )並同時結束了(🌇)自(zì )己的(🍜)性命(🐮)。但現在(zà(🌥)i )，為了全村的性(🐩)命(mìng )安(ān )危，她必須面(miàn )對(🔇)殘酷的過(🏍)去並(🐼)用(yòng )她(tā(🐐) )的靈魂抵抗邪惡(è )勢(shì )力(🎊)，與惡魔做(🎸)(zuò )一(🕍)決戰……(🐷)