A broken-down sheriff is forced to join forces with an obsessed Victorian vampire hunter to defeat an undead force consuming a small frontier town in 1892 New Mexico.
A look at the life of the thoroughbred filly that dominated horse racing in the early 1970s.
珍(🆕)（凯瑟琳·海格尔 饰）是个完(wá(🛶)n )美伴(bàn )娘(🌙)，已(yǐ )经穿(🈚)过(🌺)27套伴娘服(🐏)的(de )她笃(dǔ )信真爱(ài )，可是(🦎)面对自己(🍞)暗(àn )恋许(🆘)久的人——(🈴)她(tā )的上(shàng )司乔治(zhì )，珍(🍂)却总是爱(🛌)在心(xīn )，口(🥁)(kǒu )难开。
在(✴)这(👙)个世界上(🎊)有一(yī )个不太繁华却宁(🙀)静(jìng )祥和(🤺)(hé )的城市(🐙)(shì(🔦) )乌托兰市(🎫)，这里的(de )人民(mín )爱好和(hé(🏧) )平，彼此友(🌑)爱。冰(bīng )球(🧝)似乎是乌(🧖)托(🥅)兰人(rén )民的(de )最爱，街头巷尾经常能(👂)够(gòu )看到(🙈)人们扛着(🚴)球(🥜)杆(gǎn )的身(📆)(shēn )影，甚(shèn )至连圣母玛丽(💞)亚、爱神(🌞)(shén )丘比特(🆕)(tè )的雕像都(🍇)入乡随俗(sú )扛起了球杆(💸)。这一(yī )天(🌴)，一条令(lì(👫)ng )人振奋的(💕)消(🕌)息传遍(bià(👐)n )乌托(tuō )兰市，世界闻名的(🕶)萨耶萨(sà(👝) )耶王国皇(🏥)家(🚚)冰球队(duì(🦁) )即将(jiāng )来该市(shì )访问，并(🚼)与乌托兰(🌄)(lán )市冰(bī(🦋)ng )球队进(jì(⚫)n )行(🕛)一场友谊赛。当(dāng )地人民欢欣鼓舞(🈴)，倍为(wéi )期(🍉)待，对来自(🚞)远(💤)方的客人(🍽)(rén )给予极大的尊重和(hé(🔶) )礼遇(yù )。而(📙)另(lìng )一方(🥛)，表情严肃傲(🤕)(ào )慢的(de )胡可道(dào )将军带(🆕)领萨耶萨(🕙)耶(yē )王国(🔂)皇家冰球(🐏)队(🐢)抵(dǐ )达乌(✉)(wū )托兰。
一座偏僻的小镇(📦)，一间(jiān )冷(🐭)清的(de )酒吧(🐹)，冗(⚪)长无奇的(🌤)(de )生活因为一个人的(de )到来(🧤)(lái )而改变(➖)(biàn )。
十二岁(📩)的尚恩和(🚟)(hé(🏽) )爸爸(bà )亲切的(de )说再见，没想到却(què(🔛) )是永别，在(🈂)爷爷不(bú(🐲) )逃(🧖)避(bì )现实(〽)的(de )特种保护伞下，尚(shàng )恩(🚻)的伤疤在(🏏)愈合。他上(🤯)山放羊(yáng )，一(🎐)头羊被偷之后(hòu )，尚(shàng )恩(🐞)的报(bào )复(🍦)顿变成自(🛑)毁，被(bèi )迫(⏮)匿(♉)居山上。岁月(yuè )无声(shēng )过去，寻找他(✨)所渴望的(👣)温(wēn )暖人(⭐)(ré(📇)n )情。
“二战”时(😡)期，盟军(jun1 )要实施安奇奥登(📡)陆(lù )计划(🎄)(huá )，迫于(yú(🐶) )对一门叫安(🥪)奇奥大(dà )炮的(de )超级武(wǔ(🍫) )器的忌惮(💢)，要派两(liǎ(⚽)ng )个精锐特(🤪)工(🐉)去摧毁(huǐ(🍍) )这门(mén )大炮，结果两个傻(🥜)逼被派(pà(👳)i )了去，最后(🎂)(hòu )经过一(yī(🏹) )连串搞笑事(shì )件，阴差阳(🎂)错的最(zuì(🎌) )后完(wán )成(🔇)了任(rèn )务(🈲)。
This is a very powerful film. Admittedly parts of it are hard to watch, but it is an outstanding piece. In a nutshell, it is about a hippie commune that has been set up by someone who believes that the best way to help the homeless and often deranged cripples in Moscow is by offering them sexual love. I did not realise (because of the black and white, and the fact I watched this film before looking up to see when it was made) that this film was shot recently in Moscow, using real homeless people in their real situations. I assumed, because of the black and white, and the whole hippie commune idea, that this was the 70s. Shockingly, this includes his real-life footage of the current situation of the marginalised in Moscow, and that upset me to the core. Obviously some of the characters are actors (or, rather, are acting), but many are simply being shot in their everyday surroundings. Let's hope that some good comes out of films such as these, in the same way that Cathy Come Home helped change the situation for many in the UK all those years ago.... Is Aristakisyan Russia's new and very own Ken Loach? We shall have to wait and see.