皮皮在线电影

詹(zhān )姆斯．高(gāo )曼编剧的(⛑)本片(♐)描述(🌅)俄国最后一位(wèi )沙皇尼(ní(🍈) )古(gǔ(🥋) )拉斯(🏝)二世晚年的生平故事，从1904年(nián )开(🔅)始描(♊)(miáo )述(shù )至1918年(🔴)俄国(🚯)革命后他们全(🥅)家被处决(jué )的经(🅿)过(guò(👶) )。是一(🏬)部气氛沉重的史诗(shī )式宫(🅰)闱影(🐷)(yǐng )片(💮)(piàn )，故事(shì )有点单调沉闷。导(🐆)演富(🌴)(fù )兰(🈴)克林．J．沙(📁)夫纳(🎋)(nà )的手法比较(✊)庄重，出色(sè )的(de )美(🚋)术及(🔫)(jí )服(fú )装设计使当年的俄宫景(🙆)色得(🔦)以(yǐ(🤹) )在(zài )银幕上(shàng )重(chóng )现，迈克(🦌)尔．(🧕)杰斯(🏥)顿等演员亦普(pǔ )遍出色(sè )，本片(🛂)曾获(🕞)最佳艺术指(📮)导、(🍄)最佳服(fú )装设(👜)计(jì )两(liǎng )项金像(🌌)奖。 Two couples live through attraction, distraction, sympathy, friendship, quarrel, jealousy, fidelity, and the Devil supervises it all by delivering solemn warnings in choice moments. A Creepy Mystery and a Morbid Sexy Story! This obscure movie tells about a man who has dedicated his life to look for the love, but the people around his world have totally tired him, including his woman. His life becomes a great mystery. When he's alone hears some creepy laughters, until the day Satan appears in front of his eyes. Devil is embodied and in human form, and leaves him five warnings. First, to find a woman. Second, to possess her. Third, to defeat the rival. Fourth, to abandon she to another man. The fifth warning will be discovered by himself. 神(🗞)坂と(🏷)タニーは、トルコ嬢(niáng )相(🕦)(xiàng )手(👫)のマ(🖕)ッサージ業を思(sī )いつき(✏)、ホ(🔂)ステ(🐧)スの引き抜(🕐)き作(🔅)戦にも手(shǒu )を(🤘)染めるがあえな(🎭)く失(🍜)敗。そんな中、ブラン子がアル(📟)バイ(🚠)トし(🌃)ていた会社の社長(zhǎng )・緑(🛷)川の(💄)机(jī(🚱) )の中から盗んだ封筒に、造船(📚)会(huì )社の新(xīn )船(💏)(chuán )建(🧥)造費に絡む汚(🏽)職ネタの録音テ(🦄)ープ(📦)が！ 神(🍴)坂たちは１億円のデカイ(🏊)仕事(💑)(shì )を(🀄)企む！ 海妮和丈夫吉姆-考尔(✳)德(dé(🚏) )是小(😢)镇上(shàng )的(de )一(🚫)对牧(➕)(mù )马人。一天，烧(🔎)杀抢掠(luě )、无恶(🐸)不(bú(🐭) )作(zuò )的强盗(dào )埃姆特、弗兰克(🤵)和罗(🤝)福(fú(🔌) )斯(sī )洗劫了(le )她(tā )的家园，丈(👹)夫被(🦒)打死(💴)，自己也(yě )惨(cǎn )遭蹂躏(lìn )。强盗一(🏢)把火烧了她的房(⚓)子后(🌆)扬长(zhǎng )而去，海(🐛)(hǎi )妮含泪掩埋了(🎶)丈夫(🔄)的尸(🥉)体并誓死(sǐ )报仇。海(hǎi )妮从(⚡)大火(🛋)中爬(📊)出来后遇上一个叫(jiào )布瑞(🗒)斯(sī(👜) )的(de )男(🌝)人，布瑞斯是(🔦)一个(🚆)除(chú )暴济贫而(🤓)(ér )枪(qiāng )法精准(zhǔ(🌇)n )的枪(🐈)手。在海妮的恳求(qiú )下，布瑞(ruì )斯(🥦)(sī )把(🤮)海妮(☕)(nī )带到墨西哥学习枪法。海(🈷)(hǎi )妮(🙆)练就(🌠)(jiù )了(le )一手好(🍉)枪法后回到了以前(👤)的小(xiǎo )镇(zhèn )并逐(😟)个(gè(⏭) )杀(shā )掉了埃姆(♎)特、弗兰克和罗(🐖)福斯(🌏)，最终(😩)替(tì )丈(zhàng )夫报仇、为自己(🌷)雪耻(🥢)。 Min-su and In-suk's seemingly happy home is shattered when Min-su's aldultery comes to light. Yeong-hie, Min-su's jealous mistress, arranges for In-suk to be kidnapped and informs Min-su that he must marry her or his wife will suffer the consequences 《夫君(🤼)》是卡萨(sà )维(wéi )蒂的作品中(🕢)“真实(🛺)电影(🚠)”风格的(de )代表(⬆)作(zuò(🛐) )，通过三位白人(😓)男性在好(hǎo )友离(💑)世后(🔀)(hòu )面(miàn )临的中(zhōng )年危机，暴露了(🐒)美国(🎒)城(ché(🚚)ng )郊中产生(shēng )活(huó )的虚伪(wě(🔢)i )和空(🦖)洞。格(💙)斯、哈利和(🧐)(hé )阿(ā )奇三人(rén )从(🌍)(cóng )小一起长大，又(😇)一起(🏉)度过了年少(shǎ(🏧)o )轻狂的(de )学(xué )生时(🤽)代。现(⛎)在，人(💦)到中年的他们(men )都拥有(yǒu )了(🍄)(le )成功(🌧)的事(🤦)业和美满的家庭。一天(tiān )，他(🍜)们(men )接(🉐)(jiē )到(🖕)好友斯图尔(🍉)特因(⚽)突发心脏病去(🌷)(qù )世(shì )的消(xiāo )息(😇)(xī )，这(🐷)使他们猛然意识到(dào )青春易逝(🥢)(shì )，死(👿)亡已(🥦)(yǐ )经如影随形。为了化解(jiě(🤤) )悲痛(🎅)的情(🍥)(qíng )绪(xù )，逃避(👊)(bì )家庭的矛盾，三人(📈)坐上(shàng )飞(fēi )往伦(🙉)敦(dū(🌅)n )的(de )飞机，满怀期(🧓)待地入住一家高(🗽)级(jí(🤖) )酒店(👔)，在(zài )赌场结识年轻漂亮的(👣)女士(💒)，试图(🐵)(tú )来场一(yī )夜(yè )风流。但最(🚶)终，他(👷)们的(🆑)努力是尴(gā(🎆)n )尬而(❗)徒(tú )劳(láo )的，美(📀)好的青春早已一(⏰)去不(🚙)返。失(shī )望的格(gé )斯和阿奇决定(👝)返回(🐜)纽约(🎱)(yuē )，哈利却(què )打(dǎ )算留在(zà(🍟)i )伦敦(🧛)。离开(🛢)了熟悉的环(✋)(huán )境和老友(yǒu )，哈利(😦)会面对怎样的命(🔨)运呢(👖)？ Carla (Carla Aulaulu), Mascha (Mascha Elm-Rabben), and Magdalena Munn (Magdalena Montezuma).[40] They perform as second-rate cabaret singers during the Nazi era, forced to disband when Carla takes a job with a Viennese theatre and Mascha has a nervous breakdown. Pilot haphazardly (and without much clarity) follows their individual activities; instead of depicting Carla's "show," for instance, we see her singing its main song while apparently working in a Viennese pastry shop. Magdalena attempts to find work for Mascha by posing as her aunt and appealing to a Nazi official; later Mascha rescues Magdalena from drowning herself. The two eventually find jobs as secretaries, after brief stints as "creative artists." Magdalena's voice-over then informs us that all three women meet again after the war at a Bruckner concert. They begin discussions about regrouping to go to the United States, this time as reformers rather than performers, to preach integration (apparently we are now in the late 1960s, the time of the film's production). Carla, nostalgic for their earlier Nazi stage career, is hard to persuade, but eventually they leave for the United States. Their rapid downfall as teachers there results from the publication of a Nazi-era photo of them; added to this is the controversy of Mascha's undepicted liaison with an American bomber pilot. We are told there is a trial (also undepicted), and the three go back to Germany where they perform for American troops. Carla has a miscarriage from the bomber pilot and suffers badly. The final image shows Magdalena supporting Carla as she walks around weakly in front of the same building we saw in the film's opening shot. Set in Dublin (a rather surprising giallo setting), Iguana opens audaciously with an acid-throwing, razor-wielding maniac brutally slaying a woman in her own home. The victim's mangled corpse is discovered in a limousine owned by Swiss Ambassador Sobiesky (Anton Diffring, Where Eagles Dare) and a police investigation is launched, but when the murdering continues and the ambassador claims diplomatic immunity, tough ex-cop John Norton (Luigi Pistilli, A Bay of Blood) is brought in to find the killer…