这(zhè )是一部(😤)改(🎷)编(😄)(biān )于1936年经典的反(fǎn )大麻公(⛑)益(📛)影(yǐng )片《Tell Your Children》的重(chóng )拍版本，讲(jiǎ(💍)ng )述(🔕)(shù )了一个清纯(chún )少年受大(👹)麻(🆗)(má(🔸) )的影响而坠(zhuì )落(luò )深渊的(🈺)故(📛)事(shì )。电影以音(yīn )乐剧的形(😬)式(🎦)(shì )呈现，并在多(duō )个片段中(👓)出(💯)(chū(🌊) )现(xiàn )了丧尸伴舞以及吃人(🌓)的(🍳)(de )设定，以此(cǐ )来(lái )衬托大麻(✔)的(😭)(de )危害。它可以是一部反(fǎn )对(😟)(duì(🌷) )青(🎧)少年吸毒(dú )的教育片，亦(🎴)可(🐞)以(😗)当作(zuò )歌(gē )舞娱乐片来(lá(⭕)i )对(📵)待，其中(zhōng )的歌舞种类繁(fá(🍠)n )杂(🎵)，经过异(yì )常夸张的演(yǎn )出(🐜)，让(💢)原(🕡)本无(wú )聊的情节霎(shà )时变(🐡)成(🌜)了活(huó )力四射的showtime。多(duō )名电(🦋)视(🥡)电影(yǐng )界的大牌明(míng )星参(🍧)加(♌)了(⏮)此(cǐ )片的拍摄，这(zhè )样做即(👉)可(😄)让(ràng )影迷大饱眼福，又能让(🦌)他(🍼)(tā )们受到思想(xiǎng )教(jiāo )育，可(📓)谓(🚌)一(😇)(yī )举两得。
After 16 years' experience on stage, the actor and playwright Curt Goetz (1888-1960) made his debut as a film director and producer with the silent movie Friedrich Schiller - Eine Dichterjugend (1923). Writing razor sharp dialogue was his profession; acting comic parts in the theatre - without having to renounce speech - was his craft. And that is why the silent cinema presented such a special artistic challenge to Goetz, a task whose accomplishment was prompted by a difficult subject: the poet Friedrich Schiller's adolescence. An enthusiast of the spoken word makes a movie about the early life of a powerfully eloquent poet, but has to eschew the cadence of poetry. Under such circumstances, the artistic potential of a film director must prove itself.
反正不是什么(🧛)(me )精(🈚)(jī(🕚)ng )油和香皂
富(fù )翁曾和度（(🐭)谐(🏋)音“真糊(hú )涂(tú )”）吝啬 成(ché(📳)ng )性(😜)，其子曾(céng )伯稼（谐音“真败(🧜)家(🛄)” ）(🥏)热心地方公(gōng )益，施济贫寒(📳)(há(🧀)n )。曾和度 忧(yōu )虑伯稼因此(cǐ(🥖) )败(⚡)坏家业，诱(yòu )逼他吸食 鸦(yā(🌙) )片(☔)，以(🔙)达到(dào )闭门守业的(de )目的。从(🏟)此(🦂) 伯(bó )稼终日沉溺(nì )烟榻，意(👅)志(🛰)消沉，不理 家(jiā )业。曾和度(dù(🌙) )见(❣)(jià(👣)n )此后果，痛(tòng )心家业难 保(👹)，恼(💍)恨(🗯)而死(sǐ )。伯稼妻张氏(shì )，屡劝(❌)丈(📩) 夫戒烟反遭辱(rǔ )骂(mà )。不久(🏗)，伯(🧔)(bó )稼子误将 鸦(yā )片当作糖(🔣)果(♐)吞(🌿)(tūn )食，中毒死(sǐ )亡。伯稼 之(zhī(💿) )母(🔯)眼见丈夫去(qù )世，孙儿夭(yā(🐷)o )亡(💤)，悲愤 交(jiāo )加，也一病(bìng )而(é(😳)r )殁(🍺)。曾(🍘)家店(diàn )伙卜遥莲 （谐音“不(💑)要(🕤)(yào )脸”）和梅志(zhì )实（谐音(😺) “没(📥)知识”）乘伯稼办理丧(sàng )事(☕)，侵(🆖)吞(📠) 大(dà )量(liàng )财物，暗中(zhōng )在(🔏)外(🕳)挥(🕞)霍。几年时间 ，曾(céng )家财产已(➕)消(🌙)(xiāo )耗殆尽，而伯稼仍每 日(rì(🏫) )依(⚓)(yī )恋烟毒，不(bú )思悔改。张(zhā(🏟)ng )氏(👄)因(📄)苦劝 无效(xiào )，饮恨投河(hé )自(😬)尽(🛄)。张氏(shì )死后，卜 遥莲(lián )和梅(💜)志(🆕)实乘(chéng )机变卖曾家(jiā )全部(😝)产(⛓)业(🛏) ，勾(gōu )结婢女将伯(bó )稼之女(💰)真(🥃)真(zhēn )卖入娼门 ，又骗去伯稼(🚸)赖(⤵)(lài )以生活的一(yī )笔保险金(🐴) 。从(💿)此(🚣)，伯稼流(liú )落街头，拉(lā )人(ré(🐘)n )力(🀄)车糊 口。一日，其女真真坐伯(📗)稼(❤)(jià )车(chē )出堂差 ，父(fù )女相见(🚝)，百(🍴)感交集，未(wèi )及(jí )倾诉别 后之(💓)(zhī(🗓) )情，即被鸨(bǎo )母驱开。伯稼(jià(🙍) )后(🛎)悔莫 及，饥寒难忍，倒毙于城(🕤)门(🛏)之(zhī )下。
A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com
德国移(yí )民的名导演(🔽)(yǎ(🕓)n )埃里克．冯(féng )．施特罗海(🚷)姆(🏺)(mǔ )花费了一百(bǎi )三十万美(🗒)元(🏬)(yuán )和十一个月的(de )时间摄制(🈹)而(💕)(é(🏕)r )成的超级文(wén )艺片，原拷贝(🕧)(bè(😯)i )长达五小时(shí )，公开上映时(😲)(shí(🍼) )浓缩成三小时半。由于(yú )耗(👤)(hà(🔭)o )资惊人，好(hǎo )莱坞大亨本来对(🥃)埃(♏)里克(kè )颇(pō )有微词，后(hòu )因(📆)本(🤢)片获得(dé )意外的卖座成(ché(🖲)ng )功(🔗)而作罢。故事以1919年的(de )蒙地卡罗(📖)为(🤶)背(bèi )景。埃里克(kè )扮演一个(😋)欺(🐾)(qī )骗美国外交(jiāo )官(guān )女儿(🚑)的(🌖)白俄(é )亲王，靠着(zhe )剥削他的(🤳)情(🈴)(qí(🛌)ng )妇----一个貌丑的(de )女仆为生。由(📣)于(💺)性虐待(dài )狂的驱使，他(tā )强(💓)奸(📍)了一个(gè )不(bú )幸的白痴女(🥕)(nǚ(🔥) )子。最后，他被人杀死(sǐ )，他的尸(🕹)首(✒)很(hěn )有象征意义地被扔在(🙁)臭(🏭)(chòu )水(shuǐ )沟里。埃里(lǐ )克对自(🚷)然(❤)主(zhǔ )义情有独钟，希望把一切(🤢)(qiē(💁) )情史都在画(huà )面中表现出(🍒)来(🧝)(lái )。他特地在(zài )加州海边搭(🥣)(dā(🌆) )建起蒙地卡(kǎ )罗(luó )的赌场(🌗)和(💱)雄(👺)(xióng )伟宫殿的布(bù )景，并且在(🛬)(zà(🧠)i )采光上有十分(fèn )大胆的处(💻)理(😡)(lǐ )方式。影像(xiàng )上也富于感(🍋)官(🕷)(guān )刺激的煽情(qíng )暴(bào )力场面(🧚)，甚(🤞)(shèn )至劳烦电检单位剪掉了(😚)(le )其(🐥)(qí )中的一些镜(jìng )头。在片中(🛵)，埃(💽)里克用(yòng )一(yī )种辛酸的悲(bē(❇)i )观(🎞)主义眼光(guāng )来观察人类，对(👀)上(😽)层社会(huì )的腐朽和封(fēng )建(🈵)作(🧖)出激烈的(de )抨击，流露(lù )出一(😣)种(📕)愤(🤕)而(ér )感伤的怜悯(mǐn )色(sè )彩(🈳)。而(🦁)对低(dī )下层的人物(wù )和被(⏲)骗(💘)上当(dāng )的女子，则寄(jì )予同(🍮)情(🕘)的关(guān )注，表现出(chū )独特的“埃(🕔)里(🏵)(lǐ )克式人道主(zhǔ )义(yì )精神(🏤)"。
街(🔬)のはずれにある小さな居(🗂)(jū(🎙) )酒(jiǔ )屋を舞台に、主人と新(🗃)妻(👂)、ユーレイとなった前(qiá(🌞)n )の(🗒)妻が繰り広げる恋を描(miá(🗑)o )く(〰)コメディ。山本昌代(dài )の同(🐰)名(🚫)小(🔯)説（河出書房新(xīn )社・刊(🏋)）(🏞)をもとに、「エンジェル(🚅) (🎍)僕の歌は君(jun1 )の歌」の渡(dù(📵) )邊(🚬)孝好が監督(dū )。脚本は「夏の(🉐)庭(📴) Ｔｈｅ Ｆｒｉｅｎｄ(🌘)ｓ(🌹)」の田中陽三、撮影は藤(🏡)沢(🙏)順一が担当(dāng )。94年度キネマ旬(⭐)報(🐙)日本映画ベストテン第3位(🈳)、(📚)同読(dú )者選出日本(běn )映画(🚎)ベ(😎)ストテン第3位。
In order to allow another servant to go home to be with her children, Nastya agrees to serve in her place, as a maid in the household in which Nastya's grandfather is a porter. Soon afterwards, the woman who owns the house goes on a trip, leaving her son Pavel at home. Pavel is engaged to Ellen, but Ellen flirts openly with other men. Nastya and the servants quickly realize that Ellen is having an ongoing romantic affair with Baron von Rehren. This puts the servants, and especially the sensitive Nastya, in a painfully uncomfortable position.