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1998年(🐠)11月11日(rì )，汤有(📲)亮(🐚)（刘青云 饰）(📭)一家游玩途(tú(🏘) )中(zhōng )遭遇严重(🥨)车祸，汤当(dāng )场(👺)身亡，妻子(zǐ )程(🐥)希文（林(lín )熙(🎚)(xī )蕾 饰）和一(😝)双儿女侥(yáo )幸(🕛)逃生，只(zhī )是(shì(⛪) )女儿汤乐儿双(📨)眼从此(cǐ )失明(🛳)。转眼(🛄)(yǎn )十(shí )年(🏅)过去(🍒)，时(shí )间并(🍛)未治(🚗)(zhì )愈汤氏一家(🥖)心(xīn )中的创伤(🔑)，他(tā )们久久沉(🎡)浸在失去丈(zhà(🚲)ng )夫和父亲的(de )悲(🚠)(bēi )痛之中。乐儿(🕑)（(♑)阎青(qīng ) 饰）(🤮)不(🥣)愿母亲(qīn )继续(🌒)折磨自(zì )己(jǐ(👿) )，她尝试着将一(🚃)家人(rén )的经历(🤐)写成(chéng )小(xiǎo )说(🤚)，而书中的情节(🚦)和(hé )现实截然(🕺)相反(fǎn )。在小说(💟)里(lǐ )，乐儿和母(🌆)亲、弟弟死(sǐ(🥋) )于车祸，父(fù )亲(👹)(qīn )则(🎣)活了下来(☕)，成为(🤠)一(yī )个由(📺)菲佣(🙏)照顾(gù )起居的(🔺)盲人(rén )。父亲相(🌆)(xiàng )信鬼魂的存(📗)在(zài )，时刻期盼(🍜)(pàn )与(yǔ )妻儿重(🅱)逢(🌁)。死去的乐(lè(📟) )儿(⛵)在另一个(gè(📈) )世(🍟)(shì )界当上了小(👾)孟婆，她(tā )利用(😶)手中的职(zhí )权(🤽)让母亲和(hé )弟(👙)(dì )弟重新回到(🔫)父亲身边(biān )。汤(🔋)和妻儿(ér )心(xī(🔅)n )照不宣地享受(🌰)着失而(ér )复得(👁)的幸福生(shēng )活(🕣)…… An avenging stranger guns down a gang of ruthless bandits in revenge for the murder of his family. Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema. 国民(mín )革(📼)(gé )命(🌽)军北伐前(🐷)夕, 北(🍹)洋军(jun1 )阀横行无(🚒)忌(jì ). 红(hóng )伶小(🤠)香水的为掩护(🕎)革(gé )命份子梁(💞)燕铭(míng )出走, 与(🏤)齐大(dà )帅(shuài )周(💯)旋(🐢). 燕(yàn )铭妻得(🌳)悉(🏿)丈夫(fū )与小香(🚐)水艳(yàn )事(shì ), 赶(📗)来北京, 燕铭处(🌜)境更(gèng )形危急(🚋)尴尬(gà ). 特(tè )务(⛷)头子冯占元垂(👤)涎小(xiǎo )香水美(🖌)色, 侦得(dé )燕铭(🚝)与革命(mìng )党(dǎ(🚶)ng )有关, 率队到齐(❇)大帅公(gōng )馆搜(🧛)捕. 是夜(yè )齐(qí(👽) )公馆(🈺)大宴嘉宾(🧞), 燕铭(🍨)取(qǔ )得证件后(🆎)正欲(yù )离去, 特(👤)务奄(yǎn )至(zhì ), 燕(📗)铭虽侥幸逃脱(🍓), 但其(qí )后仍终(📖)被擒(qín ). 燕(yàn )铭(🍽)在(🈷)严刑迫供下(🕛)也(👨)不(bú )肯透露同(🌉)党名(míng )字, 终被(🈁)判死(sǐ )刑(xíng ). 小(🤠)香水(shuǐ )与燕铭(💝)妻合力(lì )营救(⛎), 以为筹(chóu )得(dé(🌉) )钜款可以疏通(🎴), 但占元(yuán )欲财(🦃)色兼收(shōu ), 硬(yì(⚪)ng )要小香水以肉(🍸)体交换(huàn ). 孰知(💓)占元不守(shǒu )诺(🤐)言, 仍(😖)要枪(qiāng )决(🚨)(jué )燕(🔛)铭, 小香水悲愤(🙉)交集(jí ), 乘占元(😺)醉后(hòu )求(qiú )欢(🍇), 将他杀死, 然后(🕝)吞枪(qiāng )自尽, 实(💑)行殉爱(ài )殉国(👍). Justino was working in a bull-ring but now he is retired. For him it is very difficult to adapt to the new situation although he will find soon a hobby without forgetting his profession. A series of comic sketches revolving around the "mania" in people's deepest personality. In "The Elaboration", a hearse driver has his favorite hearse made out to perfection for his "clients". In "Sport" a bossy office supervisor loses a sports bet to co-workers and is forced to pimp out his wife, while one colleague decides to take advantage of it. In "Overtaking" a man tries to outrun a set of lights on a highway late at night... not realizing that it's an airplane. In "The Hobby" two best friends, Barbara and Carla, team up to find where one's husband is going to every weekend and being secretive about it. In "Advice" a bickering couple out for a drive bicker about one's well being which leads to a traffic accident. In "The Protest", Pasquale and Mario are two men who cannot seem to pass up every attempt to protest against the government from 1943 to present day 1964. In "The Antique", a couple travels to a remote monastery to shop for antiques and seek which ones to buy or leave. In "The Swear Word" Ilario Boietti is a writer who seeks advice about work for his latest book by consulting with a brash has-been author, who advices Boietti to embrace his wild side. In "The Strip-Tease" a lonely Lothario ventures to strip clubs in search of his true carnal pleasures. In "The Interviews", Micozzi is a government spin doctor who spins his tails to avoid the questions of government corruption. In "Hitchhiking", the thoughts of a off-duty policeman and a Sicilian hitchhiker whom he picks up, are displayed in this collision of cultures tale. In "Bill of Exchange" two couples, the Brugrolis and the Bonfanls, seek to out-spend the other in a war of wealth. In the final hilarious tale, "The Weekend", two thieves, Franco and Ciccio, break into a mansion to rob it thinking that the owners are out of town, only to have the unfaithful wife with her soldier lover, and the unfaithful husband with his foreign mistress, arrive wanting to spend time alone, and all parties try to avoid direct contact with the other. A young boy, Jack, is battling and undergoing treatment for cancer. A young girl helps Jack find his own unique, Yankee-filled fantasy. Jack travels through Yankee history from the past to the present with Henry as his guide.