神(📠)龍俠三部(😩)(bù )曲(二(èr ))
30岁(🚾)的(de )查利(lì(🈂) )是个(gè )低能(néng )儿，其智(🐉)(zhì )力水平仅相当于6岁(🐡)儿童的智商。他白天在(🐌)面(🎯)包房做清(qīng )洁工(gō(👾)ng )，挣(🌖)(zhèng )得菲(fēi )薄的(de )薪水(🌙)(shuǐ(🖥) )养活(huó )自己(jǐ )，同时还(🕚)得忍受人们对他恶意(🎟)的(🔙)嘲弄。为了改善自己(🍱)(jǐ(🕜) )的境(jì(🥫)ng )遇，他一(yī )直(🌌)坚(🥧)(jiān )持上(🔃)(shàng )夜校(xiào )，但(dà(🛎)n )收效(xià(🔐)o )甚微。他的老师(😶)阿丽丝(🎬)对他伸出了援(🔖)助的手。为(🐂)了让他的智(🖊)力恢复正(👚)常，阿(ā )丽丝(sī )带他(tā(🕸) )去看(kàn )正在(zài )进行(há(🏩)ng )一项(xiàng )有关(guān )改善大(📳)脑(🥙)实验的神经系统专(🍽)家(🍐)理查德大夫和精神(🐔)病(🏴)专(zhuān )家安(ān )娜大(dà )夫(⚫)，他们(men )的实(shí )验是(shì )让(🕒)迟(🐼)(chí )钝的大脑通过手(🐀)术(🎥)可以恢(👻)复到正常人(🎒)的(💼)水平。查(🏿)利决(jué )定冒(mà(🖌)o )险一(yī(💕) )试手(shǒu )术，结果(🐽)(guǒ )十分(🚧)(fèn )成功(gōng )，其(qí(🚿) )智力不仅(🥐)达到、且远(♓)远超过了(📌)正常人的水平，他成了(🛶)一个天才，并和阿丽丝(🏀)(sī )相爱(ài )了。他们(men )度过(🥪)(guò(🏠) )了一(yī )个美(měi )好甜(🐜)(tiá(🤜)n )蜜的假期，这是查利(🤽)一(🥜)生中最幸福的日子。但(😞)意外总(zǒng )是发(fā )生。理(🈳)查(🕹)(chá )德和(hé )安娜(nà )大(📩)夫(🛺)(fū )的下(🍂)(xià )一个研究(🌹)则(🛒)是将恢(🏦)复正常的大脑(👧)倒退回(📂)原来的迟钝，为(😕)此(cǐ )，他(🦎)(tā )们希(xī )望查(🔮)(chá )利再(zà(🚸)i )次同(tóng )他们(🚬)(men )合作。虽然(📤)查利对这个文明社会(🏰)有着强烈的不满，但他(🥍)还是同意了这个荒诞(🛥)的(🌐)请(qǐng )求。在阿(ā )丽丝(📀)(sī(🦆) )的陪(péi )伴下(xià )，手(shǒ(🎏)u )术(✍)后(hòu )的查利回到家，等(🈲)待着自己的命运：再(🎲)次(🥠)成为一个白(bái )痴。
A woman feels guilty after taking a job to help out with household expenses while seemingly ingnoring the needs of her family.
本(🍦)片(🏷)(piàn )由羅(📫)(luó )維自(zì )導(🧡)自(💔)(zì )演，胡(💫)燕(yàn )妮、張仲(🌤)文及張(🏛)沖兩旦一生主(💆)演。故事(🥘)描述，張沖被(bè(✳)i )殺，張仲(zhò(🅾)ng )文自(zì )認是(🍻)(shì )兇手(shǒ(😨)u )，文(wén )供述(shù )，沖原為己(😊)舊友，後卻追求其女胡(🤮)燕妮；妮失身後，向文(🤢)提(💣)婚訊，文不允，妮不(bú(🔵) )惜(💈)離(lí )家；後妮(nī )被(🗳)誘(🖊)(yòu )作歌(gē )女養(yǎng )家；(🏻)一夜，妮回家見沖與一(💸)女(🎀)偷情，這才大悟，但又(🤩)不(⛓)能(néng )自(🌯)拔(bá )；後(hò(🧘)u )妮(💻)忽(hū )遇(💇)破(pò )產老(lǎo )父(🏁)羅(luó )維(🧤)，當夜一家團聚(🛃)；此時(🐌)沖卻出現，文不(⛽)欲公開沖(🌩)與妮關(guān )係(😮)，願隨(suí )沖(🛀)至(zhì )其別(bié )墅談(tán )判(💤)，不料(liào )，沖向文施暴，文(📅)遂拿刀刺沖……但作(🕥)供(🗣)至此，羅忽自稱是原(🐥)兇(🏬)……
60年代下半期(qī(🧐) )的(🐌)某(mǒu )一天(tiān )。巴(bā )黎某(🎖)(mǒu )区。银行(háng )家的女儿(❌)维(🤙)络尼卡在一位已同(🤱)双(🎤)亲外出(🛁)度假的女友(🔜)处(🔦)借来(lá(🚲)i )的住(zhù )宅里(lǐ(🥊) )，召(zhào )开(📣)“马列(liè )主义(yì(🐴) )共产党(✍)”支部会议。房里(🤯)堆放着一(🏴)大批小红皮(🌫)书，墙壁上(😬)(shàng )醒目(mù )地挂(guà )着一(👍)(yī )些手(shǒu )写的(de )毛泽(zé(🎵) )东语(yǔ )录。在从北京传(🚍)来(⭕)的无线电广播声中(📯)，维(✡)洛尼卡宣布支部正(⏩)式(👎)成立，并以“阿登(dēng )-阿拉(😿)(lā )维亚(yà )”的(de )命名(míng )，以(🎹)(yǐ(💰) )纪念(niàn )被法国共产(✔)党(🕎)开除出(🔊)党的这一同(💲)名(🗞)小说的(🛏)作者波尔·尼(📱)赞(zàn )。支(🥩)(zhī )部成(chéng )员包(😗)(bāo )括青(🥍)(qīng )年演(yǎn )员吉(🧥)(jí )罗姆、(🎿)女佣人伊沃(🛀)娜、画家(🌡)基里洛夫和大学生亨(🎌)利。维洛(luò )尼卡(kǎ )给支(🧜)(zhī )部规(guī )定的(de )任务(wù(🖍) )是(🚏)“进行(háng )两条(🗡)战线的(🔝)斗(🔒)争”。正值此时，原先缺(🗼)席(🕟)的亨利走了进来。他血(❇)流满面，是在巴(bā )黎大(🎁)(dà(⤵) )学同(tóng )法共(gòng )党员(🍳)(yuá(🙂)n )们进(jì(🎃)n )行关(guān )于中(⛅)国(🌋)“文化大(🆔)革命”的辩论时(🥠)被打伤(🕜)的。这使维洛尼(🚼)卡(kǎ )更(💅)有(yǒu )理由(yóu )宣(👎)布(bù )她的(🉑)(de )“路(lù )线”的正(💝)确性，即不(♋)仅不与法国共产党为(➖)伍，而且视其为主要(yà(🔓)o )敌人(rén )……
一个(gè )美(🐫)国(📮)(guó )狙击(jī )手(📕)查(chá )理(👸)·(🔕)斯诺在执行任务时(📓)杀(📁)死了一个东欧军火商(💸)人的兄弟，由此惹下杀(🎀)身(🔖)大祸。他发现(xiàn )自己(🦐)(jǐ(🌐) )时刻(kè(🛹) )处于(yú )敌人(👔)(ré(🎞)n )的监(jiā(📪)n )视下(xià )。军火商(🕓)不但把(🎊)枪口瞄准了查(👴)理，还开(🐵)始展开了一系(🐷)列针(zhēn )对(🎪)查(chá )理家(jiā(🔄) )人的(de )报复(🕟)(fù )。而(ér )查理(lǐ )的身上(🎏)也被对方暗中放置了(🌾)高科技定位追踪器，生(🏜)命(🏄)安全(quán )受到(🛩)(dào )威胁(🌡)(xié(⛪) )。于(yú )是，查理(lǐ )和黑(🍋)(hē(🚷)i )人女(nǚ )助手开始了虎(🙀)口脱险的大逃亡以及(🐍)保(🗽)护家人的历程。
爆破(😨)专(🎄)家王德(🍍)仁改过自新,遭(🈁)(zāo )旧伙(🗯)(huǒ )伴谋(móu )害,仁(🍨)(rén )负伤(👉)(shāng )逃走(zǒu ),向年(🍎)(nián )仅十(🐶)二岁的儿子志(🤧)刚说出为(🌭)四人所害,刚记下毒贩(📊)石天龙,丁(dīng )世杰(jié )和(📖)姜(jiāng )华的(de )名字(zì ),仁未(👕)(wèi )及说(shuō )出第四人是(🗣)谁(⚓)即气绝身亡.
此片借(🎉)尋(🗃)找寶藏為題，觀眾有如(💾)(rú )置身(shēn )片中(zhōng )，看(kà(🔋)n )得投(tóu )入。一批(pī )寶物(🤡)(wù(🎍) )藏於荒島上，藏寶的(⛰)長(🌶)者被人(🎂)施計，奪去半張(📰)藏寶圖(✋)，半張落於海盜(🤶)手上。鄧(🚯)雷(léi )（唐(táng )菁(📄)）對寶(🍨)(bǎo )藏感(gǎn )興趣(🗝)(qù )，遂(suí )加(🌭)入尋寶遊戲，其他尋寶(🦕)人加入戰團，為寶藏而(✏)死的人不(bú )計其(qí )數(📞)……最(zuì )後鄧(dèng )雷與(🤦)(yǔ(👌) )金茉(mò )莉（金霏）(㊙)合(📚)作找出寶藏，並將之變(🐡)賣作慈善用途，建學(xué(🥈) )校助(zhù )貧苦(kǔ )大眾(zhò(🕔)ng )。編(🧑)(biān )劇羅(luó )維刻(kè )意(👁)安(🚴)(ān )排一(🚤)班為錢財迷惘(🛹)之徒你(⬅)爭我奪，但結局(👁)正面，富(✂)有意義。
Since this is the very first user-comment submitted for "Date for a Murder", I was really hoping to enlighten all you readers about another totally forgotten and fascinating Italian cult film from the late 60's! Sadly, it didn't turn out to be the undiscovered gem that I was desiring to see (with the recent popularity towards for Italian cinema, I assume all the greatest films have already been identified), yet it's nonetheless an interesting crime/thriller with some raw action sequences and a fairly compelling plot. Two American friends coincidentally meet each other in the Italian countryside and agree to get back together again a couple of days later in Rome, after they both settled some private affairs. When one of them doesn't show up, the other one gets concerned and fears that something suspicious happened. He investigates the case himself and it doesn't take long before he's entangled in a network of industrial espionage, blackmail and even cold-blooded murder. The story, especially towards the finale, is rather predictable and the obligatory love-story is completely pointless. The heroic duo (the American and a local police commissioner) are likable characters and all the villains look effectively menacing, most notably the creepy guy in motorized wheelchair! To finish up, the film contains several beautiful images of Rome, the soundtrack is exciting and the action scenes (on rooftops, on remote highways, in dark alleys, ...) are well choreographed. "Date for a Murder" was written by Fernando Di Leo – who's really an expert in the genre – but perhaps it also needed a famous and experienced director to make it more memorable.
A scientist| working with genetics| creates a creature that is capable of transforming back and forth between a giant Death Head moth and a beautiful woman. Thecreature masquerades as his daughter when she is in her human incarnation and feeds on the blood of her victims when she is in the moth form