五星级大酒店电视剧

This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 在浩瀚(🌮)(hàn )的历史(👂)中(zhōng )，国家(🍔)为了自保(🌤)(bǎo )而进行(♌)的(de )政治联(🍚)姻(yīn )屡见(⤴)不鲜，爱德(🛌)(dé )华王子（理查德·查伯兰(lá(🤩)n ) Richard Chamberlain 饰）所要(🌽)(yào )面临的(🏤)就(jiù )是这(🌻)样的境况(🥧)，为了国家(🏗)(jiā )不受别(✒)国侵犯，他必须迎娶自己根(gēn )本(🕖)就不爱的(🍹)女人(rén )。可(🤛)惜爱(ài )德(👭)华王子(zǐ(☕) )是个性(xì(🔋)ng )情(qíng )中人(📏)，无论如何(🥓)(hé )不肯就(🥁)范，无奈下，国(🗾)王(wáng )决定(💶)举行(háng )一(🏍)场空(kōng )前(🌎)(qián )盛大的(🎢)舞会，召(zhà(👏)o )集全国上(🥖)(shàng )下的各(❗)路名媛齐(👠)(qí )聚一堂，希望在其(qí )中能有王子的心(xī(🍜)n )上人。 サド(⭕)・マゾ小(🍾)説の大家(⏬)団鬼(guǐ )六(🚃)の代表(biǎ(🐣)o )作の映画化で、美しく雅(yǎ )やかな生花(🧗)の家(jiā )元(🏘)が、嗜虐(🔌)の魔手(shǒ(🎾)u )にかかっ(⬛)て、ＳＭ(🕉)の世界(jiè(🥁) )に落ちこ(🐞)んでいく(🥑)姿を描く。脚(🌓)本(běn )は「(🎵)女囚１０(📏)１　性感(🔺)地(dì )獄」(🎥)の久(jiǔ )保(🚰)田圭(guī )司(🐜)(sī )、監督(🚶)は「四年(🎯)(nián )三組のはた」の藤井克彦(yàn )、撮影は(🔉)「濡れた(🗄)壷」の水(🕤)野尾信(xì(😥)n )正がそれ(⛩)ぞれ担当(🔘)。 Maurizio Merli may have come to fame as a Franco Nero impersonator; but after that he really came into his own and if his name is on the cast list (particularly if it's at the top of the cast list), you're pretty much guaranteed a good film. This one was the final outing for Merli's Commissario Betti character, and he ensures the ace crime fighter goes out with a bang as Marino Girolami's film is packed to breaking point with car chases, shootouts and fist fights and certainly delivers on the promise of being an action packed thriller! The plot focuses on Commissario Betti. Once again, he's aggravated at the amount of crime going on in the city and his attention is focused mainly on two big crimes; a bank robbery and a kidnap plot. The Commissioner battles bravely to ensure the crooks are brought to justice but soon realises that there's no point in merely sorting out the henchmen and decides to go after the man he believes is heading the criminal operations; slimy businessman Albertelli, although bringing justice on the head criminal may not be so easy... 马达(dá )民族是世(shì )界上最古(gǔ )老的民族(🐳)之一，他们(😁)拥有(yǒu )自(🐛)己的独特(🍞)的民(mín )族(🏜)文化，生活(💓)方式(shì )和(🆑)意义理念(📸)，摩(mó )根教(🦖)授一(yī )次关(🚵)于马(mǎ )达(🎦)族的(de )讲(jiǎ(🥓)ng )座引起人(👰)们对马(mǎ(🎩) )达族人民(🌥)的浓厚兴(🖌)趣。劳(láo )拉(🌓)，尼古(gǔ )拉(📊)斯，摩(mó )根和妮可四个年(nián )轻人由于(yú )不(🔖)同原因走(⛽)到一(yī )起(🏠)，他们(men )决定(📳)结伴(bàn )通(🕴)行去考察(✉)马达(dá )人，一路(lù )上由于此行的目(mù )的不(👣)尽相(xiàng )同(🌖)，并且(qiě )存(🛋)在意识上(🎨)的差(chà )异(👝)，他们(men )看起(💨)来快快乐(🔳)乐(lè )，实则(🔻)并不同心(🕶)，就在他们到(😬)达马(mǎ )达(📏)人内部(bù(🚔) )围绕着要(✊)(yào )不要深(🏡)(shēn )入(rù )马(🚟)达人内部(🐛)考察(chá )的(🛢)问题，四人(🔌)的观念的差(chà )异终于暴(bào )发… 朝(cháo )廷(tí(⛺)ng )密史、南(📍)拳沈英(yī(🎁)ng )伟（王道(🌼)(dào )）为了(🎓)追查大内(🌑)(nèi )失窃的100万(wàn )两库银，追踪到韩国，与(yǔ )为(🤨)亲人报(bà(👂)o )仇的北腿(🌛)萧逸飞(fē(🛒)i )（刘忠良(⏱)(liáng )）联手(🤛)击(jī )毙潜(😲)逃到韩国(🅰)的(de )铁血银(🏿)狐(hú )（黄正(🐆)利）。 导(dǎ(🕡)o )演亲自扮(🖥)演一位电(🎈)(diàn )影导演(🐫)，他辛苦(kǔ(👘) )工作收入(🏏)(rù )菲薄，而(🛐)(ér )且还无(🌑)(wú )法(fǎ )满足自己的妻子(zǐ )。影片中夫妻俩(💂)在打架、(👒)交谈、修(🏚)(xiū )补关系(🏙)(xì )，再谈话(🚜)、接着打(🐉)(dǎ )架。 影片(piàn )讲述了一个马赛(sài )克镶嵌风(⌛)(fēng )格的轻(📟)喜(xǐ )剧爱(💤)情故事，有(🎍)(yǒu )点类似(⏬)于(yú )奥地(🍯)利现代文(⏳)学(xué )之父(🈵)亚瑟(sè )•(👋)施尼茨(cí )勒(😄)的作品《轮(♋)舞(wǔ )》（曾(💝)由(yóu )马克(👀)•奥菲斯(🤓)和(hé )罗杰(🆘)•瓦迪姆(👗)两度(dù )改(🎀)编成电影(🔬)）。导演艾伦(lún )•鲁道夫(fū )擅长拍(pāi )摄(shè(🎞) )探讨两性(🌅)关系的(de )爱(🥪)情电影，作(🔮)为大导演(🛋)罗(luó )伯特(⏪)•奥(ào )特曼的(de )徒(tú )弟，他曾经在《漫长的告(✏)(gào )别》、《纳(⏮)什维(wéi )尔(😮)》、《西塞英(🌘)雄(xióng )谱》等(🕐)奥特曼执(🔽)(zhí )导的影(😤)片(piàn )中担(🔇)任副导演(🌥)之(zhī )类的工(🚅)作(zuò )。在《纳(😑)(nà )什维尔(🐉)》完成后(hò(🌨)u )不久，艾(à(⏸)i )伦•鲁道(🎊)夫就在(zà(🧢)i )奥特曼指(🔇)导下拍摄(📤)(shè )了《情挑洛杉矶(jī )》，因此(cǐ )该片在形式上(👻)与(yǔ )《纳什(🐛)维尔》以及(🕢)(jí )奥特曼(🥖)后来的《浮(🏟)世男女(nǚ(🏨) )》相类似(sì )，是一(yī )幅(fú )70年代洛杉矶的浮(fú(🔮) )世绘。演(yǎ(💀)n )员阵容在(🚂)如今看(kà(🔢)n )来也十分(🥙)(fèn )耀眼，基(🤳)(jī )思•卡(🎡)拉丹、劳(🅰)(láo )伦•赫(🔳)顿(dùn )、萨莉(🕷)•凯勒曼(🚀)(màn )、茜茜(📓)•斯派塞(🎶)克(kè )以及(✴)哈维•凯(💹)特(tè )尔都(🦁)在其(qí )中(🚨)贡献了出(🍭)色的(de )表演。如(rú )果说真要(yào )给影片挑一些(👿)刺(cì )的话(⛱)，就(jiù )是那(✏)些难听的(⏰)配(pèi )乐帮(👏)了不少倒(🥚)忙。 一个患有慢性心脏病的孩(hái )子，用一(yī(🙌) )种智慧(huì(📘) )而(ér )冷酷(⛺)的方式谈(⛑)论(lùn )着自(🍿)己的病情(🆗)，直至痛苦(🕦)(kǔ )和疲倦(📄)耗(hào )尽她(🥦)所有(yǒu )的力(🌮)量。