夏一可照片

This is an interesting movie. It is a tendency of Italian exploitation movies in general to eschew logical plotting and character development to focus on elaborate cinematic "set pieces". While this usually works with gialli (and some would say cannibal and zombie films)it is often problem in the Italian crime films where the set pieces usually involve shoot-outs and overlong car chases, two areas where the Italians had NO chance of outdoing bigger-budget Hollywood films (although they often did their damnedest). This film is interesting therefore because it DOES have a lot of character development especially among the villains, three privileged youths that become desperate criminals after their clean-cut but increasingly psychotic leader, "Blondie", starts a gun battle during a botched gas station robbery. One of the other youths is a more obviously deranged thrill seeker, while the third youth, the "wheel-man" is decidedly non-violent but loyal to a fault to his two friends. Rounding out the cast is the girlfriend of the wheel-man (Eleanora Giorgi) who ironically sets the whole thing in motion by reporting the robbery plans to the police (and mistakenly telling them that the trio only have toy guns). The head cop meanwhile is played by Tomas Milan, usually the psychotic heavy in these type of films. Milan lends an iconic presence and is an interesting character in that he is not unsympathetic but is also not the usual borderline-fascist "rebel with a badge" often seen in these movies. Mostly he just proves tragically incompetent at stopping the rampaging youths. The plot is mostly pretty believable except for a scene where they hook up with another group of youths and shoot-up and rob a grocery store, even killing their own accomplices for no good reason. There's some pretty gratuitous nudity including a pretty sorry excuse to get Giorgi topless (but who's gonna complain about that too much?). The ending is typically cynical, but that's one thing I admire about these films over the violence-glorifying Hollywood versions. 江湖上出现(🍮)了一(yī )个名(míng )叫(🔮)刘一手的独臂拳(🍞)王，到(⛷)处(chù )寻找一个杀(🐩)手组织“楚(chǔ )门”。楚(📌)门的首领楚(🐠)九指(👨)令手下(xià )陆(🧕)(lù )晓(🚖)(xiǎo )凤孟星魂木子(🚴)飞刀萧十(shí )一(yī(🖲) )郎楚香留谢六少(🈵)韩唐有花(huā )和(hé(🚃) )尚等(🛸)高手沿途劫(🥌)杀刘(🎂)一手(shǒu )…… This extremely obscure Italian production tells the story of a modern day neo-Nazi youth gang that meets in a place decorated with swasticas and a poster of the "Führer". The members of this gang are all bored teenagers from rich families. One of the gang prefers playing pin pall to getting a girlfriend, because playing pin ball literally gets him off. The leader of the gang indulges in violent sexual fantasies, which ultimately leads to rape and murder. This inspires a teen gang from the streets, whose members are poor kids from the ghetto. The story is quite interesting, especially the aspect of the impact the neo-Nazi gang has on the street gang in the end, although the gangs as such have nothing in common. Unfortunately, the film becomes extremely slow paced after a good first 20 minutes, and it never really returns to a faster pace. The interesting cast, unknown faces even for connoisseurs of obscure Italian films of the Seventies, does a good job throughout, which makes it even more sad that the movie as a whole is merely a disappointment. All in all, "I Ragazzi Della Roma Violenta" is a movie that could have been far better than it eventually turned out to be. However, it's remarkable that the film precedes some of Larry Clark's issues in his films "Kids" and "Bully" for about two decades. 西(🚐)元2274年人类居住在(✌)由(yóu )电(diàn )脑(✝)控(kò(🤐)ng )制的城市中，在这(🐅)个(gè )城(chéng )市中(zhō(🔧)ng )无优无虑，可自由(🎢)毫(háo )无(wú )拘束(shù(😰) )的追求享乐；但(🖲)到30岁(🛄)时(shí )每一(yī )个人(🦅)必须接受考验，一(😗)(yī )个探(tàn )究(🐚)永恒(🌝)、重生的试(👂)炼…(🏳)… 维(wéi )斯(sī )康蒂(🌾)压卷之作，也翻译(🏞)作(zuò )《无(wú )辜的人(🐷)》，直至其去世(shì )后(❇)(hòu )方(🥓)才上映。影片(💏)依然(🚡)是他(tā )最(zuì )为心(💯)仪的贵族没落主(Ⓜ)题，由(yóu )意大(🕶)(dà )利(🙋)著名影星吉安尼(🏚)尼(ní )领(lǐng )衔，扮演(🤦)一位好色公爵，经(👊)(jīng )常在(zài )外招蜂(🎏)引蝶；不料后(hò(💼)u )来(lá(🧥)i )他得(dé )知妻子与(🚯)人有染并生下(xià(🕧) )一子(zǐ )时，恼(🌮)羞成(📀)怒，竟然将(jiā(🧠)ng )孩子(🐅)(zǐ )在寒风中冻死(😌)。最为讽(fěng )刺的(de )是(⚽)(shì )，他并不恼怒妻(🐙)子与人私(sī )通(tō(🤡)ng )，而是(🐘)因为她的情(🛡)人并(🧣)非(fēi )贵(guì )族，而是(⛷)贫苦作家！最后(hò(😦)u )公(gōng )爵因放(😀)不下(🎐)面子而自杀。豪(há(🔷)o )华的(de )美工设计、(💖)还原贵族(zú )生(shē(🦒)ng )活的(de )奢华摆设是(⏸)维斯康提(tí )晚(wǎ(🐕)n )年创(㊗)(chuàng )作中不可或缺(😥)的一环(huán )，出生(shē(⌚)ng )于贵族世家(📬)而又(👇)对贵族(zú )腐(🅿)朽(xiǔ(🎶) )陈旧的生活方式(💀)进行唾(tuò )弃批(pī(💑) )判，想彻底革新而(🌡)又无(wú )法割(gē )断(🗳)(duàn )世袭的高雅文(🌔)化格(🚐)调，是(shì )维(wéi )斯康(🚿)提一生所困扰的(⬜)话题(tí )，也是(🍫)他电(🚴)影主要的创作方(🔫)(fāng )向(xiàng )。 德国慕尼(🛏)黑，丈夫克里(lǐ )斯(🕦)(sī )特告(gào )别了妻(⛰)子亚丽安娜（Margit Carstensen 饰(🏨)(shì )）(👕)与(yǔ )瘸腿女儿安(〰)吉拉（Andrea Schober 饰(shì )），赴(⚽)(fù )奥斯陆公干，但(🧦)他在(zài )半(bà(🌲)n )路中(🏰)(zhōng )转，约会了情人(🦆)并将其(qí )带到(dà(🐤)o )自己的乡间别墅(🥂)。但他(tā )意外(wài )发(😇)现亚丽安娜与情(💓)人—(🏄)—自(zì )己(jǐ )的助(🖨)手早已抵达别墅(🚾)偷情(qíng )，四人(🌁)很快(🏈)在尴尬的气氛中(🍪)(zhōng )回(huí )过神来，坐(🖤)到了一张桌子(zǐ(🤲) )上(shàng )享用晚餐。负(😇)责照料别墅(shù )的(😀)(de )卡斯(🚈)(sī )特与加百列母(🗞)子注视(shì )着(zhe )四人(🐱)(rén )，内心各有不同(🌂)的触(chù )动(dò(🦓)ng )。当(dā(🚯)ng )天夜里，安吉拉在(🌝)保姆(mǔ )的陪(péi )伴(🎫)下亦抵达别墅，她(🌬)的(de )出现(xiàn )让亚丽(🚸)安娜为其腿疾绷(😰)(bēng )紧(⏰)的(de )神经再次拉紧(📓)，气氛一时僵(jiāng )硬(🔍)(yìng )。 The true story of a young woman named Sybil, whose childhood was so harrowing to her that she developed at least 13 different personalities. 在伦敦期(🐉)间，在(🙅)罗马假(jiǎ )日(rì )，两(❗)个男人——艺术(🚖)指导(dǎo )马(mǎ )克斯(🌜)和夜总会的钢琴(🥒)手朱(zhū )利(lì )奥试(👤)图分(⛵)享他们小小的肮(🌎)(āng )脏(zāng )冒险(xiǎn )—(😖)—与看似极容易(🧙)得(dé )手(shǒu )的(🤝)小(xiǎ(👶)o )女子多拉上床，却(⛱)有(yǒu )了(le )意外(wài )的(🛬)收获......