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议(😚)(yì )员的儿子吉姆(⤴)·考德威尔(🔹)神秘死亡(wá(🖇)ng )，与他秘密结(🤬)(jié )婚的女人(🐍)桑德(dé )拉·(📥)马歇尔作(zuò )为遗(🏥)产的合法(fǎ(🦂) )继承人，来到(🎟)(dào )考德威尔(⚾)家的(de )老宅与(🌺)吉姆的(de )叔叔(📨)马克交(jiāo )涉(shè )。在(🔚)此逗留(liú )期(🎫)(qī )间，桑德拉(🖇)(lā )发(fā )现马(⚾)克行为(wéi )诡(🔛)(guǐ )异，而从吉(jí )姆(🚁)(mǔ )的妹妹茱(📐)丽(lì )口(kǒu )中(💓)得知的关(guā(🌅)n )于(yú )马克的(❔)种种怪(guài )事(❣)也让她怀疑(yí )马(🤔)克与吉姆的(🌚)(de )死有关。不久(🆑)(jiǔ )茱丽意外(🕠)身亡，更使桑(⤴)德拉坚信吉(👬)姆之死是马克(kè(🤧) )所为。桑德拉(🚿)(lā )开始着手(🔔)调查(chá )此事(🎮)，被马克(kè )发(🌏)觉，两人互(hù )相堤防...... A man and a woman fight over the last bottle of champagne left in San Francisco--she wants it for a wedding, and he wants to use it to christen a ship. A man tries to frame his wife for a murder that he has committed. 朱眉眉(mé(🔁)i )在话剧团里(🎓)当(dāng )演员, 跟(⤵)导演(yǎn )吕(lǚ(👫) )莎相恋; 吕莎(🌓)(shā )是(shì )有妇之夫(🍋), 更(gèng )有(yǒu )一(😊)子学诚, 两(liǎ(🔣)ng )人(rén )的关系(🛢)受到(dào )很(hě(🍈)n )大压力. 眉眉(🦅)(méi )怀(huái )了吕莎的(🌆)骨(gǔ )肉(ròu ), 因(🍢)为不想拿掉(🏬)(diào )孩子, 决定(😦)放弃(qì )如日(🔀)方中的事(shì(👅) )业, 跟吕莎一同(tó(🕸)ng )离开上海, 开(😄)始新生活. 眉(🌮)眉诞下女婴(👬), 取名海燕, 整(💊)天(tiān )在家里照顾女(nǚ )儿, 吕莎(📠)又找不(bú )到(🚏)工作, 生活越(🤺)(yuè )来越差, 一(😫)时冲(chōng )动, 向(🎿)眉眉提出(chū )分手(🖱). 眉眉既痛(tò(🔁)ng )心又后悔, 得(🍙)旧(jiù )友允诺(🗣)帮助(zhù )她(tā(🏇) )重回上海发(🏅)(fā )展(zhǎn ), 于是带同(🏌)女(nǚ )儿(ér )离(🍦)开吕莎, 并(bì(👢)ng )退(tuì )还当日(✔)私奔(bēn )时(shí(🎊) )吕莎送给她(🌞)(tā )的(de )金鸡心. 吕莎(😾)大(dà )受打击(🐇), 欲跟妻(qī )子(⌚)修好, 但遭拒(🤬)(jù )绝, 最后吞(⬇)下金(jīn )鸡心自杀身亡. 海燕长(🕧)大后, 跟父母(😊)一样热爱音(🛳)乐, 并(bìng )结识(📚)了志趣相(xià(🤸)ng )投的学诚, 二人(ré(🛅)n )共堕爱河, 却(💨)不(bú )知彼此(🌚)为同父(fù )异(🌱)母兄妹, 海燕(📁)(yàn )更不理眉(🙈)眉的(de )反对, 与学诚(📸)定(dìng )下婚约(🐹). 眉眉(méi )刺(cì(🔍) )激过度, 当场(😗)(chǎng )晕(yūn )倒. 海(🐈)燕好友(yǒu )王(🖼)(wáng ) 代为道出上(shà(🕸)ng )一(yī )代的复(🚐)杂关(guān )系(xì(😦) ), 惜眉眉已返(⚽)(fǎn )魂(hún )无术(🏋), 临终前劝(quàn )告海燕和学诚(ché(👚)ng ), 切勿重蹈覆(🍎)辙(zhé ), 因感情(⚪)用事, 以(yǐ )致(💙)终生后悔. France, 1719. Louis 14th died four years ago, Philippe d'Orleans is the regent. He is a liberal and a libertine. His right-hand man, Dubois, an atheistic and cupid priest, as libertine as Philippe, tries to take advantage of a little rebellion lead by a Breton squire (Pontallec) and of the famine to become archbishop... Description of the life of the court in this period of transition where the French Revolution smoulders. Crack-Up is directed by Irving Reis and collectively written by John Paxton, Ben Bengal and Ray Spencer from Fredric Brown's story Madman's Holiday. It stars Pat O'Brien, Claire Trevor, Herbert Marshall, Ray Collins, Wallace Ford and Dean Harens. Music is by Leigh Harline and cinematography by Robert De Grasse. Diijon, a tired magician, gives up his act to study the power of the mind. His wife Victoria, once supportive, now is struggling to pay bills. She urges her stubborn and older husband to return to the magic field where Diijon was considered one of the greats. He refuses but does reluctantly agree to do a hypnotism nightclub act at Victoria's urging. The act goes bad and he's laughed off the stage. He's convinced this is the handiwork of Victoria's ex-lover Tony Holliday. Later, Diijon finds that he does indeed have the power to control men's minds and begins to take revenge on the people he felt made him look like a fool. He hypnotizes his young wife to kill the man. Unfortunately for Diijon, things go horribly wrong.