Сумасшед(🤷)ш(🚅)ий(⌚)? Маньяк? Или дьяво(🧦)л(🐩), о(🍡)б(🏒)лекшийся в плоть к(🐅)и(🗽)б(🆖)ер-бойца, о котором(🚟) м(🛌)е(🥎)чт(🏼)ает шестнадцати(⌛)л(🕥)ет(👊)няя Лиза, повёрну(⬆)т(😛)а(➿)я(🔈) на компьютерных и(🍾)г(🌾)р(🍀)ах? Сдвигается чугу(💋)н(🥨)на(🤗)я крышка люка, и из(❕) и(🌡)н(🍗)ф(📩)ернальных недр по(🖊)д(💴)в(💂)ала выходит Некто(🏟)…(🙂) В(📛) эт(💎)у ночь в стенах ст(⛵)а(🚛)ро(🎼)й кондитерской фа(👒)б(😳)р(🏜)ики виртуальное с(🕶)т(🎶)а(📱)новится реальным…(🥢) В(🐎) эт(👏)у ночь пустынные(🈳) ц(😞)е(🤴)х(🚂)а превращаются в л(🏣)а(🛶)б(🏤)иринты жесткой иг(🤡)р(💴)ы(🐰), в к(🕑)оторую предстои(🧡)т(🥊) сы(🛄)грать Лизе… Игры б(🌗)е(🛰)з(📛) правил. ИГРЫ, ГДЕ «М(🌧)О(🛐)Ж(🐏)НО ВСЁ»…
This is 1971. A gang of robbers takes possession of a load of diamonds.. Only one of them, Mark Lemmon, is arrested and sentenced to life imprisonment. But before being captured, the gangster had managed to hide the loot in a sewer. Five years later, Mackenzie, an insurer, pretending to be a mafia boss, assigns three petty criminals to arrange his escape. Once free, Lemmon finds the booty but now he has to deal with his new 'partners'.
Mixture of documentary and fiction about the dictatorial 1930s. With archive footage of 'kino newsreels', a script that is loosely based on the utopian fantasies of Fritz Lang and about the forbidden passionate love affair between a photographer and his model. The Dark Night takes Oleg Kovalov a little closer to his target: to write a complete history of the twentieth century in the language of film. Not a documentary or chronological history, but a lyrical, subjective and poetic history. In Sergei Eisenstein - An Autobiography, we witnessed the stormy 1920s and the blossoming culture of that era, in Scorpion's Garden we saw the paranoia of the Cold War and the thaw that followed. The Dark Night, just like Concert for a Rat before, is on the subject of the dictatorial 1930s. Kovalov has little faith in the documentary as a means to find truth. He does not think that the truth can be found within existing genres. So his films transgress those genres. Documentary and fiction are just as difficult to distinguish in his work as fictional characters from concrete people in old newsreels and other archive footage. That also goes for The Dark Night. The film combines archive footage from the Third Reich with a script that is loosely based on the fantasies of Fritz Lang: a lyrical thriller with horror elements. As the stylised black & white images have all been shot in reconstructed studio sets, the film has the mood of the 1930s cinema.
6 March 2004 (Season 29, Episode 14)
大致内容是一个寡妇(👃)带(😪)着9个(🏔)孩子，在一个富人家打工，她(tā )每天(🕒)都(⛔)(dō(🌘)u )把(🚋)孩子(zǐ )藏在阁(gé )楼里
《爱得太迟》是香(☔)港(🥠)歌(🌖)手古巨基的一首粤语歌曲，另有古巨(🆕)基(❇)及(🍛)周(zhō(🍯)u )慧敏合(hé )唱版本(běn )。此外(wài )，爱得(dé(⛴) )太(🛵)迟也(⏪)是一出由古巨基、周慧敏及其他艺(🕌)人(🕡)参(🎮)演的一套音乐电影
法国南(nán )部某个(🏠)(gè(💅) )海(❇)滨小(xiǎo )镇，默(mò )默无闻(wén )的粉刷工加斯(🤵)帕(👷)（Gregoire Leprince-Ringuet 饰(🐏)）与同龄女孩马丽安（Pauline Etienne 饰）相恋(🧑)。某(🏴)天(➰)，他(⬇)(tā )们偶然(rán )拾到一(yī )部手机(jī )，手机(🥦)(jī(💬) )里(🚆)面的奇怪短信令他们颇为好奇，而桌(😫)面(🚟)上(🌈)那个(🌮)颓废女孩的相片(piàn )似乎也(yě )紧紧(🕰)抓(🥥)(zhuā )住(✊)了加(jiā )斯帕的(de )眼球。数日后，他们按照(💾)短(🤠)信(🍮)的内容跟踪了两名当事人——消瘦(🌏)的(🔠)青(🌵)年(nián )龙（Swann Arlaud 饰(shì )）和颓(tuí )废女孩(hái )山姆(🦕)（(🌛)Moon Daily 饰）(🍀)，结果这两人竟相约在山中自杀。加(🥤)斯(⏬)帕(🏢)和(📩)马丽安匆忙营救(jiù )，龙气(qì )绝身亡(wá(😏)ng )，山(🍛)姆(🌁)(mǔ )则捡回(huí )一条命。