Sergio Martino's 1973 poliziotteschi The Violent Professionals aka Milano Trema – La Polizia Vuole Giustizia doesn't exactly reinvent the wheel, but it's one of the better examples of an overpopulated genre, with Luc Merenda playing the typical shoot-first-so-you-don't-have-to-ask-questions-later maverick cop after the gang that killed his boss and several innocent bystanders. Like I said, it doesn't exactly reinvent the wheel, but it does make sure it keeps turning fairly efficiently for 104 minutes. It's not as good as its enthusiastic cult reputation implies, not least because the big twist about the motive behind a series of gratuitously violent bank robberies isn't exactly surprising (like the Red Brigades of the day, the robbers are more interested in spreading chaos than getting rich), but it does get extra points for being one of the few films where, when a car crashes over a hill, it doesn't explode in a ball of fire on the way down. There's also a great spin on the omnipresent car-driving-through-stacks-of-empty-crates shot in one chase scene by having Merenda's car drive through stacks of burning crates that was so popular the footage was reused in at least two other movies (Milano Odia: La Polizia Non Può(🔙) Sparare and Roma a Mano Armata). Richard Conte is the contractually obligatory American co-star, acquitting himself well despite some hilariously obvious doubling in a fight scene, Tinto Brass regular Martine Brochard makes an attractive junkie and there's a catchy De Angelis brothers score.
幼い頃に生き(📓)別れた父(fù )親(👦)が九(jiǔ )州にい(🌤)ると聞いて熊(🧘)本(běn )を訪れた(👩)デコトラ運転(🎸)手(🙄)の鷲一郎。再(💴)会(♋)を果たせない(😯)まま帰途につ(📮)いた彼は、帰(🖲)り道の阿(ā )蘇(💣)で(🎠)珠代という(🍵)女(🍎)性が営む牧(👯)場(🎃)に立ち寄り、(😧)珠代の娘・茜(🐦)が家(jiā )出中で(⛹)あることを知(🍰)る(🚏)。その後(hòu )偶然(🔁)(rán )にも茜と出(🎫)会った鷲一郎(✊)は彼女を牧場(📊)へ送り届けよ(🛷)うとするが…(🌹)…。哀(āi )川翔(xiá(📄)ng )主演による人(👋)気シリーズの(🎐)第(🎖)5弾。シリーズ(😯)全(⛎)作を手掛ける(🌚)香月秀之がメ(🎍)ガホンを取(qǔ(🎲) )る。共演は梅宮(🐼)辰(🖐)(chén )夫、水前(✡)寺(🌚)(sì )清子ほか(📣)。
野(🛋)田伍郎（藤原(🕓)龙也 饰）少年(😅)时父母因债(zhà(💣)i )台高筑(zhù )双双(👐)(shuā(🍺)ng )自(zì )杀，自此伍(🤥)(wǔ )郎生(shēng )活(huó(🕯) )陷于(yú )黑暗，辗(⏲)转于孤儿院、(🚟)少管所、黑帮(📹)等边缘地带。回(👜)到日本(běn )后，他(🧞)(tā )与当(dāng )年(niá(🏧)n )的好(hǎo )友公介(🍙)(jiè(🚊) )（塩(yán )谷瞬 饰(🏴)(shì )）、纯、达(🔞)男合伙靠婚姻(🤧)欺诈为生。
上海(🐞)电影制片厂1958年(🚋)摄(⛏)制(zhì )，著(zhe )名(mí(🌕)ng )导(📠)演(yǎn )孙瑜执(zhí(🤜) )导，魏(wèi )鹤龄(lí(😱)ng )主演；其主要(💅)剧情为：影片(👝)选择了造桥、(🔻)建(🧝)庙、角楼三个(🎍)故(gù )事贯串(chuà(🎌)n )而成(chéng )，着重(chó(🕍)ng )表现了(le )春秋(qiū(🖇) )战(zhàn )国时(shí )代(📜)的巧匠鲁班是(🌹)劳动人民勤劳(🛋)智慧的化身，证(⏰)明了不平凡的(🍴)(de )奇(🚂)迹都(dōu )是从(có(📱)ng )平(píng )凡的(de )劳动(📝)中(zhōng )创造(zào )出(⛔)来的(de )。
马本诚（(🎳)张丰毅 饰）是(🎩)个(😅)非法入境的(🧒)“逃(🧗)港者”，他因打(dǎ(🥈) )人被(bèi )判(pàn )入(👌)狱(yù )八年，出狱(🐊)后(hòu )闻言(yán )老(⏹)母去(qù )世和妻(🐨)子(🐤)杜霞（吴家丽(🦍) 饰）提出离婚(⏩)，万念俱灰的他(😾)(tā )自杀未(wèi )遂(👯)，却(què )落得(dé )终(🌹)身残(cán )疾。返(fǎ(🚛)n )回大(dà )陆后，举(😨)目无亲，他四处(🌜)寻访再婚的杜(🕚)霞(🎗)，杜霞的哥哥杜(🤜)伟(wěi )（秦沛(pè(🍚)i ) 饰）找(zhǎo )人来(❇)(lái )痛打一(yī )顿(🗝)这(zhè )个曾经(jī(🥫)ng )的(♌)小舅子。马本(🤭)诚(🎩)把杜的表侄小(🚨)征（肖俊琨 饰(🚧)）扣做人质，逼(🛬)杜(dù )霞(xiá )露面(🚆)(miàn )。从此(cǐ )，一大(🛹)(dà(🎱) )一小(xiǎo )的两人(🔁)(rén )成了朋友，流(🔻)浪人群出没的(🗄)地方都留下了(🧘)他们的身影(yǐ(🤣)ng )。一日(rì )，为(wéi )救(🏣)(jiù )横卧(wò )在铁(🏉)轨(guǐ )上的拖(tuō(😓) )拉机(jī )，本诚拖(🐶)着(🏵)残疾的双腿迎(🔆)向飞奔而来的(🍐)火车，小征却滚(♉)下陡(dǒu )峭的路(🏅)(lù )基。在(zài )医院(🌞)(yuà(⛔)n )里，杜(dù )霞告(📆)(gà(💴)o )诉本诚(chéng )，小征(🏈)是他的亲儿子(🍚)......
本美术片为木(😻)偶动画片，编剧(🍃)为任溶溶(róng )，美(🎙)(mě(⌛)i )术(shù )设计(jì )为(🗃)曲建(jiàn )方。
美(mě(😋)i )国钢(gāng )琴家理(🔽)(lǐ )查德（保罗(☝)·里斯 Paul Rhys 饰）年(🎦)届四十，和经纪(💠)人约瑟夫（艾(👷)伦·科德(dé )勒(🗜)(lè(🍫) ) Allan Corduner 饰）长期暧(🚋)(à(♎)i )昧不清(qīng )。在(zà(💻)i )一次表演中，理(♓)查德认识并喜(🕚)欢上了为他翻(📌)页的十八岁少(🏋)年(🖕)(nián )保罗（凯(🗒)文(🌤)(wén )·毕肖(xiāo )普(🍴) Kevin Bishop 饰）。因(yīn )为父(🌨)亲(qīn )外遇，保罗(🍇)陪母亲到巴塞(🚣)罗那散心，从而(🎐)与(🤯)理查德再次邂(🐁)逅(hòu )。一(yī )个(gè(🕞) )是仰(yǎng )慕者一(🐇)(yī )个是引(yǐn )诱(😽)者(zhě )，从灵(líng )魂(🛷)到肉体，钢琴家(💉)彻底虏获了翻(🕜)页少年。然而天(🐾)才(🍿)横(héng )溢的理(💲)(lǐ(🛀) )查德(dé )从(cóng )不(🖐)为(wéi )感情停(tí(♉)ng )留，而(ér )情窦(dò(🐻)u )初开的保罗对(🐞)人生有太多困(🧛)惑(🔯)。两人在喷泉(🥧)与(💥)鲜花盛放的巴(🥎)(bā )塞罗那(nà )街(🤠)头(tóu )拥(yōng )吻分(🌘)(fèn )手，留(liú )下的(🖋)(de )振荡却(què )经久不(🙊)息，一直扩散到(🌾)大洋彼岸......