莫麟传奇第二部

败家(jiā )仔(zǎi )刘(liú )七为父所迫，入宝芝林拜师学艺。怎料被人利(lì )用(yòng )偷(tōu )运鸦片(🏯)，无故(gù )含(hán )冤(🏂)(yuān )受(shòu )屈。在明(🥇)查暗访途中(😷)，认(🚽)识禁毒老差(🛑)骨(🔠)山东豹(bào )，终(🏥)(zhō(💖)ng )将主谋绳之(💲)于(💟)(yú )法(fǎ )。 故(gù(💙) )事(🗽)改編自陸小(🖊)鳳(🤕)系列之《鳳舞(📿)九(🥓)天》 法国1981年拍(🏵)(pā(🖌)i )摄(shè )的电影(〽)，入(📦)围戛(jiá )纳(nà(👟) )电(🐫)(diàn )影节一种(🆙)关(🚸)注单元。 滨江(🚺)市公安局长鲁泓复职(zhí )后(hòu )审(shěn )理的第一个案(àn )子(zǐ )竟(jìng )是(shì )他的独生儿子鲁小帆参与的炸桥案件。鲁泓周(🎁)(zhōu )围(wéi )的(de )人同(🎯)情他，便(biàn )为(wé(🏾)i )鲁(lǔ )小(xiǎo )帆(🍾)开(🌒)脱罪责。鲁泓(🦋)毅(🐓)然决定亲自(🥞)提(🏟)审儿子，探(tà(📎)n )出(🏏)(chū )真情。原来(🏀)，“四(😆)(sì )人(rén )帮(bā(👒)ng )”横(🥥)行时，鲁泓一(👂)家(💻)骨肉分离，小(⚪)帆(📺)的奶奶也(yě(🚓) )被(🚫)(bèi )抓走，只能(🍭)寄(🎊)养(yǎng )在(zài )舅(🐬)(jiù )舅家。舅母伙同“造反兵团”拉拢腐蚀小帆，唆(suō )使(shǐ )他成了“造反(fǎn )派(pài )”的(de )典型，炸毁了铁桥。鲁泓依法判处了小帆(⛎)。小(xiǎo )帆(fān )不(bú(🌐) )理解父亲，奶(nǎ(🔓)i )奶(nǎi )告(gào )诉(🛰)(sù(🛃) )小帆，抗日时(🏓)石(😅)大娘亲手枪(😊)毙(🤽)了出卖鲁泓(🐱)的(☝)大(dà )娘(niáng )亲(🐚)生(🌬)儿子的故事(🖌)(shì(🏦) )。鲁(lǔ )小(xiǎo )帆(👢)终(🌁)于理解了父(🧒)亲(🔁)，痛悔自己的(⛺)罪(💍)恶。 女王蜂(fē(🎴)ng )出(💥)(chū )狱之后，本(🖖)想(🔙)忘(wàng )却(què )过(guò )去，过平静的生活，但是大反派“胭脂虎”仍(réng )不(bú )肯(kěn )放过她，其部(bù )下(xià )江(jiāng )欧(ōu )更是十万美金(😝)请来东瀛第一(🌲)忍术高手，要置(👘)女(nǚ )王(wáng )蜂(🏻)(fē(🏞)ng )于死地，女王(🎇)(wá(💏)ng )蜂(fēng )虽(suī )躲(🕶)(duǒ(🎦) )过一次又一(🌮)次(📳)追杀，但她的(🧢)师(🧢)兄们却被赶(🐯)杀(🌦)殆(dài )尽(jìn )，又(👌)重(⚾)新燃起女(nǚ(➗) )王(🤪)(wáng )蜂(fēng )的怒(📟)火(😳)，最终，女王蜂(🚻)联(⛵)合特警组向(🖇)胭(🐜)脂虎展开(kāi )复(fù )仇行动…… A fictional narrative and a documentary interview are mixed together in this film about two women deprived of independence for many years because of either their family obligations or an authoritarian spouse. In the fictional segment, based on a novel by Alexandra Kollontai (the first Soviet ambassador to Sweden and an early advocate of women's rights), the young woman Vassilissa (Sascha Hammer) learns how to stand up to her womanizing husband (Mark Eins). Director Rosa von Praunheim plays this story out in the tone of an early 20th century "morality" play. The second focus of the film is about Helga Goetze, a mother of seven children who left her brood when she was 50 years old (and her youngest was already 16) to join the Otto Muehl Commune in Vienna and live a liberated life of sexual freedom, filled with involvement in the arts, literature, and politics. Helga moved to the Kreuzberg district of West Berlin, where the on-camera interview was conducted. Director Praunheim opted for interspersing fictional and documentary segments so as to better chronicle the move toward independence and sexual "liberation" on the part of the two main female protagonists.