影院最新电影

Tony Lo Bianco (G. Tinti) an American cop transferred to Italy, becomes Maurice's right-hand man. Maurice is a famous "camorra " boss. He is planning an assault to a post office near Naples. During the robbery, another boss called "the panther" shots over Maurice's band wounding Lo Bianco. Fortunately Lo Bianco does not die and he starts to investigating about Maurice's past. He finds out that the boss is protected by the Italian Secret Service because he has some important documents regarding drug traffics where Italian minister are involved. Lo Bianco finds the documents and he is ready to give it to a magistrate but he is killed before leaving Italy. This is the worst Italian crime film that I have seen. Acting is poor and actors too. The careful viewer will notice that sometimes the actors look at the camera during their dialogues. Even if the film has been shot in Italian the dubbing is simply shoddy, with false Neapolitan accent. The action is slow and boring. 『(👽)ジョ(⌚)ーズ』を発端にしたパ(🖇)ニック(🏇)映画(😻)ブームにあやかり東映(🧟)(yìng )が(🎯)発(💄)(fā )表(biǎo )した作(zuò )品。富(🐊)士五湖(🛎)の中(🎦)でも地味な西湖(hú )、精(🍍)(jīng )進(jì(🔊)n )湖を舞台に、一大ス(👱)ペ(😙)クタ(🐉)クル(🔽)が展開する。 Trilogy of Terror (original title: Trilogia de Terror) is a 1968 Brazilian horror film by Brazilian film director/actor José Mojica Marins. Marins is also known by his alter ego Zé do Caixao (in English, Coffin Joe). The film consists of 3 stories adapted from the Brazilian TV series Além, Muito Além do Alé(🐹)m (Beyond, Much Beyond the Beyond): O Acordo (The Agreement), A Procissao dos Mortos (Procession of Dead), and Pesadelo Macabro (Macabre Nightmare). 为抗日(⏹)而落难的东北军二(èr )0六(💆)师卫(🍷)(wèi )队(✈)长(zhǎng )邓(dèng )天野，这天来到(🙍)上海十(🕖)里洋场，寻(xún )找被拐(guǎi )卖(🖱)到(dà(⏪)o )上(shà(🗜)ng )海大世界春乐园的妻子(🎇)——著(♐)名的(🚠)(de )评剧皇(huáng )后欧阳(yáng )秋凤(🕠)。邓天(💤)野(🗄)刚下轮船，就被人监(jiā(🔬)n )视(shì )。来(💖)(lái )到(🐱)春乐(lè )园后，班头看其来(🤷)者不善(⏹)，指使人(rén )来(lái )围(wéi )攻(🕞)(gō(🔊)ng )邓天(🤰)野。邓(🛵)天野摆脱了他们的纠缠(🐞)(chán )后，来(🏧)(lái )到(dào )城(chéng )隍(huáng )庙九曲(🙉)桥，与(⏺)上海(🌡)利得大舞台的南(nán )国歌(♒)星(xīng )李(🚕)秀(xiù )丽(lì )相遇，向她打听(👯)秋凤(📙)的下(😑)落。这时(shí )，上海(hǎi )警察(chá(🕸) )局(jú )的(⛷)探长(📉)张成远来到他的身后，转(🥅)眼(yǎ(💻)n )间(🐛)李秀(xiù )丽已不(bú )知去(🌫)向。邓天(👋)野来(🍑)到李秀丽演唱的(de )台(tái )下(🕰)(xià )，看到(👄)受(shòu )大世界老板徐福(🎟)鉴(🦖)指使(😚)的一(🕠)伙警察(chá )来(lái )抓(zhuā )舞(wǔ(🔤) )台老板(🧚)邱致。邓天野趁乱施展超(🌼)群(qú(💤)n )武功(🕯)，救(jiù )出(chū )李(lǐ )秀丽。随后(🤟)来到福(🏞)天楼，救出被关(guān )押在此(🚤)(cǐ )的(🎩)秋(qiū(🌏) )凤(fèng )。警卫涌来，因寡不敌(👼)众，李秀(🍅)丽(lì(🐄) )、秋凤(fèng )又被抓(zhuā(😑) )回，秋(✡)凤为(🧑)保贞节跳楼自尽。邓天(tiā(⛎)n )野(yě )救(🔚)出(chū(👚) )李秀丽(lì )后，发誓要为秋(💜)凤报仇(🍋)。邓天野杀(shā )上(shàng )春(chū(🥜)n )乐(lè )园(💈)，结(jié(📌) )果被警察抓住。在遣返原(💂)籍的火(😸)车(chē )上(shàng )，他(tā )跳车断镣(🍃)，再闯(🚆)大世(➿)界。但刚推开(kāi )福天楼(ló(🍲)u )的(de )大(dà(🏬) )门(mén )，就被枪顶住太阳穴(🤢)，邓天(🐬)野与(😶)徐(xú )福鉴的(de )众打(dǎ )手(shǒ(♎)u )展开殊(🌳)死搏(😟)斗。当他将枪口对准(🏷)徐(xú(👅) )福鉴(🙊)时(shí )，警察(chá )局杜局长的(🐿)枪已对(🕐)准了(💂)他。一场枪(qiāng )响(xiǎng )后，倒下(🎬)的(de )不是(🌟)邓天野，而是杜局长。原(😡)来是(shì(🔫) )张(zhā(🏖)ng )成(chéng )远(yuǎn )探长开枪打死(🥜)了这个(🍍)与黑社会勾结的败类(lè(👹)i )，徐(xú(😓) )福(fú(🤘) )鉴终成邓天野的刀下鬼(✍)，随后张(🎗)成(chéng )远使用(yòng )“苦(kǔ )肉(rò(⛴)u )计”放(👐)走了(🍥)邓天野。邓天野挥泪离(lí(😀) )开了上(🍴)(shàng )海(👋)，奔(bēn )向东北抗日前(💌)线。 The theme deplores the conditions of the slum quarters of Rio (and ghettos everywhere) and finds a young girl from the provinces who comes to Rio de Janiero in search of her fiance and finds he is a feared and hunted criminal. The scenes between the idealistic-but-trapped young lovers is depicted in soft images of tenderness and sensitivity that leads to a climax of shocking violence in the Rio slums. At first glance, our two stars of Born Winner, Pericles (Joe Dallesandro) and Sandro (Massimo Ranieri) do not appear to be Born Winners at all. Sandro, played by the charmingly handsome Ranieri, is unceremoniously dismissed from his job after a party he is catering for is robbed at gunpoint. Shortly after, he fails in his attempts to find a new job. Fate, or what you will, allows a piece of paper with Sandro's address to fall into Pericles' hands. Pericles is the man who committed the robbery at Sandro's last catering job, causing Sandro's dismissal. Soon, our Pericles, who is the gorgeous Joe Dallesandro incarnate, is living with the newly directionless Sandro; Pericles soon takes Sandro through the fast, thrilling, dangerous, and fleeting, swiftly fleeting, curves of life. As Pericles tries to help Sandro earn a living as a petty thief, Sandro tries to help Pericles learn to love life again. Joe Dallesandro is remarkable as an ex-championship motorcyclist whose career prematurely ended after a nasty accident. The fates of Pericles and Sandro leave an indelible mark upon the viewers; as the other poster commented, the curves are muddled, but they are muddled with good cause.