韩国女主播雪梨

This Italian comedy takes an affectionate look at a montley group of free-lance photographers desperate to grab a good shot of a celebrity, with a host of Italian TV personalities appearing as themselves. In London, the lawyer Kate Beckenham is near to her wedding day with her fiancé Graham, when she is invited to defend a heritage case against the brilliant lawyer Jack Sullivan, who has never lost a case in court. The twenty-one years old American Mirella Burton is disputing fifteen millions of pounds and some properties against Gerald Burton Jr., the inherited son of her deceased husband. During the trial, the romantic Kate falls in love for Jack, and sees the case in another perspective. When simple guy Somwung mysteriously switches bodies with superstar Oam, their lives are changed forever. Oam begins to learn what life is like for an average person, while Somwung finds out that dark-side of fame, as people try to become famous by meeting him. The two slowly begin to realize that the only person you can be is yourself, but will they ever discover a way back into their original bodies? 上海美(měi )影厂(😶) 天(tiān )真懵懂的(👺)(de )十七岁男孩Beni（Vincent Branchet 饰）爱(💄)上(🆖)了(le )乐队主(zhǔ(💎) )唱Fogi（弗雷(lé(💯)i )德(🌫)里克·安德劳 Frédéric Andrau 饰(🧞)），在和(hé )Fogi有过(✒)肌肤之亲后，单纯的Beni以(👡)(yǐ )为属于(yú )两(🍏)人的(de )幸福生(👁)活(🥧)即将来(🚻)临(lín )。可是，没过(🖖)多(duō )长时间(🍮)(jiā(🤭)n )，Fogi的本性便显露无疑，他(😬)不(bú )仅酗酒(jiǔ(😩) )，吸毒(dú )，甚至不(😲)惜牺牲(🔮)Beni的(🗞)肉(ròu )体来筹(🌌)(chóu )得毒资(zī(😦) )。让(🤵)Beni难过(guò )的还不止于此(〽)，除(chú )了个性(xì(🤗)ng )很烂外(wài )，Fogi竟然还(hái )是(😬)一(👯)个虐待狂。 貌(➕)(mào )似有两(liǎ(🔕)ng )篇(🧒) 導演(yǎn )Fernando Perez以炫麗的影像(♍)、奇特的情節(🔏)(jiē )（例如(rú )有時在(zà(🤸)i )水中說話的Bebe）(❌)、魔幻寫實(🏎)的(🌂)(de )手法及(🏉)(jí )多重隱(yǐn )喻(🥣)呈現這喜感(😖)洋(🛳)溢(yì )卻批判性(xìng )十足(📰)的(de )映像情(qíng )書(😳)。片中所有主角(🔷)皆是孤(🤼)兒(📆)(ér )，似乎(hū )暗(👖)示古(gǔ )巴的(⚽)悲(🚀)情命運。敘述(shù )者Bebe象徵(🧞)(zhēng )命運女(nǚ )神(⏪)Saint Barbara，決定(dìng )著三位主角的(🚥)際(🖖)遇(yù )。而口(kǒ(👆)u )哨更是(shì )貫(🌆)穿(🧝)全片(piàn )的隱喻：強行(⌛)帶走(zǒu )只吹口(🥢)(kǒu )哨的小(xiǎo )Bebe如同打壓(✊)自由，小Elpidio的哀求(🕗)像(xiàng )是痛失(🦅)(shī(🦂) )自由的(🤧)(de )哭喊，成年的Elpidio忍(🌀)痛摧毀背上(shà(🔦)ng )的古巴(bā )刺青代(dài )表(🎌)對母親／祖國(🛳)的(de )幻滅，聽(tīng )見(👦)「自(zì(🚊) )由(⛲)」而(ér )昏倒(🐊)的人們則象(👼)徵(🎺)著古巴人(rén )民早已(yǐ(💋) )淪為壓(yā )抑(yì(👢) )自我的自由絕源體(tǐ(🎛) )。此(🥢)外(wài )，Julia因隱(yǐ(🈵)n )瞞遺棄私(sī(😆) )生(🌑)女的過去而夢魘(yǎn )纏(🏍)身正(zhèng )與Elpidio對假(🏑)(jiǎ )想母親的(de )思念遙相(💮)呼(📑)應，而(ér )Bebe的質(🏨)疑(yí )更進一(📡)(yī(🈸) )步呈現(⛲)導演對Mother Cuba的渴求(🥥)，訴說(shuō )著古巴(😗)(bā )人民如(rú )孤兒般急(🆎)切找尋失去的(🍲)母愛(ài )與自由(🔗)(yóu )。藉著(📥)(zhe )異(💗)常空曠的革(🖌)命廣(guǎng )場與(🌮)不(🧝)絕(jué )的口哨(shào )聲，導(dǎ(🤝)o )演明確地表達(🎁)出失落中渴望(wàng )祖國(💴)邁(🏓)(mài )向自由(yó(🥀)u )民(mín )主未來(🚛)的(🏛)期許。